From 1978 to 1981 a well-equipped group of twenty five American scientists formed the Shread of Turin Research Project (STURP). Thousands of hours were spent conducting the most extensive tests ever performed on a historical artifact. The official spokesperson for the group was former U.S. Air force Captain, and pastor/teacher, Dr. Kenneth E. Stevenson. Millions of Christians became intensely interested in the Shroud when photographs of the negative image were published in books, magazines and news papers all over the world. -- Dr. Stevenson previously co-authored the international best selling title, Verdict on the Shroud. His new book, Image of the Risen Christ, discusses the mysterious history of the burial cloth of Christ and uncovers recent scientific discoveries about the image of the man in the Shroud. This book deals with the Shroud as possible evidence of the Resurrection and what significance this could have to Christians entering the new millennium. -- The Shroud has been subjected to over 150,000 hours of scientific testing. The results of these tests will astonish you. -- Why have Israel's top scientists recently declared that the Shroud originated in Jerusalem and that it must have been woven before A.D. 760? -- How can history, art, legend, science, and religious tradition confirm the truth about the Shroud? -- The multiple blood stains on the Shroud are actually human blood. Could these stains be the blood of Jesus of Nazareth? -- Why does a remarkable historical document of the early Christian church refer directly to something mysterious about the burial cloth of Jesus?Brilliantly offers possible conclusions about the origin of the Shroud. -- Isthe Shroud a result of brilliant human deception? -- Is the Shroud a freak occurrence of nature? -- Is science and religion at war over this artifact?

Gerald O'Collins, SJ, is professor emeritus of the Gregorian University (Rome) and now adjunct professor at Australian Catholic University. An international authority in the area of resurrection studies, he has published seven books and dozens of articles on the resurrection of Jesus.

Jesus Christ is arguably the most famous man who ever lived. His image adorns countless churches, icons, and paintings. He is the subject of millions of statues, sculptures, devotional objects and works of art. Everyone can conjure an image of Jesus: usually as a handsome, white man with flowing locks and pristine linen robes. But what did Jesus really look like? Is our popular image of Jesus overly westernized and untrue to historical reality? This question continues to fascinate. Leading Christian Origins scholar Joan E. Taylor surveys the historical evidence, and the prevalent image of Jesus in art and culture, to suggest an entirely different vision of this most famous of men. He may even have had short hair.

Jesus' words from the cross are not Jesus' last words on earth. Jesus appeared to his fearful and questioning disciples, encouraged them, and gave them his final instructions after his resurrection from the dead. In various settings and at different times, Jesus interacted with many of his followers to show them he was alive. His post resurrection dialogues with these women and men truly are Jesus' last words! You may have questions or doubts about faith. You may have discussed spiritual topics or talked with others about Jesus. You may sometimes feel religiously locked into past concepts or socially locked out from people-even embarrassed or fearful about how others perceive you and your spiritual beliefs or questions. You may wonder, Can Jesus really impact my life? Through these Bible studies, you will meet the risen Jesus Christ and hear his words. May he encounter you in your life situations, encourage your faith and trust in him, and excite you about engaging others in discussions about Jesus.

The Image of Christ expresses the view that modern secular audiences can engage with the masterpieces of Christian art at an emotional as well as a purely aesthetic or historical level. This book aims to help the viewer understand these pictures by focusing attention on the purpose for which they were made, and explores what they might have meant to their original viewers. The authors trace how a recognizable image of Christ evolved, starting with the earliest symbols and metaphorical images such as the Sheperd, the Lamb and the Vine. They trace the emergence of a "true likeness," emphasizing the importance of the Veronica, the "miraculous portrait" said to have been imprinted on the cloth held out to Jesus on the way to Calvary. They describe how artists conveyed the paradox of Christ's dual nature—human and divine, weak and powerful, victim and victor—in portrayals of his infancy. They also show how images of Christ's suffering during the Passion were intended to convey a cosmic, not just a personal significance. Artists have attempted to put extremes of suffering and despair into an overal context of hope–a vein of hope that runs from the catacombs to Hiroshima and beyond. These are images that speak, even to those who do not hold Christian beliefs. Artists had to make it clear that in representing the life and death of Jesus they were offering a continuing truth; we the spectators have to become eyewitnesses to an event that matters to us now. As a result, the different moments and aspects of Christ's life become, in the hands of great artists, a reflection of all human experience. The Virgin nursing her son expresses the feelings of love every mother has for her child. Christ mocked in innocence beset by violence. Christ risen and appearing to Mary Magdalene is a universal reaffirmation that love cannot be destroyed by death. Beyond their obvious religious significance, these are paintings that have a universal meaning.

Gary R. Habermas begins his apologetic for Christianity by demonstrating the historicity of the resurrection of Christ. He then connects the resurrection to several key tenets of Christian theology, through paths not only historical, but also philosophical, counseling, and experiential.

In this book, Raymond E. Brown makes the rich insights of the modern biblical exegesis available for reflection during the Easter season by commenting on the Gospel stories of the risen Christ. (Adapted from back cover).