From Lewis Black, the uproarious and perpetually apoplectic New York Times-bestselling author and Daily Show regular, comes a ferociously funny book about his least favorite holiday, Christmas. Christmas is supposed to be a time of peace on earth and goodwill toward all. But not for Lewis Black. He says humbug to the Christmas tradtitions and trappings that make the holiday memorable. In I'm Dreaming of a Black Christmas, his hilarious and sharply observed book about the holiday, Lewis lets loose on all things Yule. It's a very personal look at what's wrong with Christmas, seen through the eyes of "the most engagingly pissed-off comedian ever."* From his own Christmas rituals—which have absolutely nothing to do with presents or the Christmas tree or Rudolph—to his own eccentric experiences with the holiday (from a USO Christmas tour to playing Santa Claus in full regalia), I'm Dreaming of a Black Christmas is classic Lewis Black: funny, razor-sharp, insightful, and honest. You'll never think of Christmas in the same way. *Stephen King

Controversial yet beloved among audiences, Christmas-themed horror movies emerged in the early 1970s and gained a notorious reputation with Silent Night, Deadly Night (1984), depicting Santa as an ax-wielding maniac. Some parents and conservative groups condemned the film, while others embraced the portrayal of Yuletide as a backdrop for fear and dread. Drawing on interviews with directors, producers, special effects artists, photographers and actors, this book celebrates the sordid, colorful history of the Christmas horror subgenre. Psycho Santa films such as Christmas Evil (1980) and 3615 code Pere Noel (1989) are examined, along with "Yule-Die" slashers like The Dorm that Dripped Blood (1982), Black Christmas (1974) and Silent Night, Bloody Night (1972). Commercial successes like Gremlins (1984) and Rare Exports: A Christmas Tale (2010) are covered, as well as more recent releases such as Better Watch Out (2016), Red Christmas (2016) and Deathcember (2019). Rare photographs, promotional materials and an annotated filmography are provided.

EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.

Between 1958 and 1970, a distinctive movement for racial justice emerged from unique circumstances in Milwaukee. A series of local leaders inspired growing numbers of people to participate in campaigns against employment and housing discrimination, segregated public schools, the membership of public officials in discriminatory organizations, welfare cuts, and police brutality. The Milwaukee movement culminated in the dramatic—and sometimes violent—1967 open housing campaign. A white Catholic priest, James Groppi, led the NAACP Youth Council and Commandos in a militant struggle that lasted for 200 consecutive nights and provoked the ire of thousands of white residents. After working-class mobs attacked demonstrators, some called Milwaukee “the Selma of the North.” Others believed the housing campaign represented the last stand for a nonviolent, interracial, church-based movement. Patrick Jones tells a powerful and dramatic story that is important for its insights into civil rights history: the debate over nonviolence and armed self-defense, the meaning of Black Power, the relationship between local and national movements, and the dynamic between southern and northern activism. Jones offers a valuable contribution to movement history in the urban North that also adds a vital piece to the national story.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Is there a War on Christmas? This book surveys the history of the world's most popular festival and the never-ending battles it has engendered ever since its hotly-contested invention in the Roman Empire.

“Christmas movies are revealing windows into religion, consumerism, family, and American pop culture, and Zukowski offers a compelling, highly readable guide to this long-flourishing genre. Exploring classics as well as flops, he illuminates both the resilience and the limitations of the holiday’s celebration on screen.” —Leigh E. Schmidt, Washington University in St. Louis, author of Consumer Rites: The Buying and Selling of American Holidays How the Grinch Stole Christmas weighs materialism against community. The Polar Express tests the wonder of miracles in an age of cynicism. And Die Hard (yes, Die Hard) wrestles with the impact of broken relationships on holiday joy. With Christmas on the Screen, journalist John A. Zukowski takes readers on an historic tour of Christmas films and changing American values to ask the question, “What does Christmas mean to us?”