Warm, funny, and very honest, I'm Alive and the Doctor's Dead offers practical help and hope for women suffering from breast cancer. Sue Buchanan tells her story and assures women that there is life--and a lot of it--during and after cancer.n

"As disturbing and engrossing as a work by Dick himself, Carrere's unconventional biography interweaves life and art to reveal the maddening genius whose writing foresaw - from cloning to reality TV - a world that looks ever more like one of his inventions."--BOOK JACKET.

THE NEW YORK TIMES BESTSELLER! "I had the choice to come back ... or not. I chose to return when I realized that 'heaven' is a state, not a place" In this truly inspirational memoir, Anita Moorjani relates how, after fighting cancer for almost four years, her body began shutting down—overwhelmed by the malignant cells spreading throughout her system. As her organs failed, she entered into an extraordinary near-death experience where she realized her inherent worth . . . and the actual cause of her disease. Upon regaining consciousness, Anita found that her condition had improved so rapidly that she was released from the hospital within weeks—without a trace of cancer in her body! Within this enhanced e-book, Anita recounts—in words and on video—stories of her childhood in Hong Kong, her challenge to establish her career and find true love, as well as how she eventually ended up in that hospital bed where she defied all medical knowledge. In "Dying to Be Me," Anita Freely shares all she has learned about illness, healing, fear, "being love," and the true magnificence of each and every human being!

Sue Buchanan charms audiences wherever she goes, revealing the terrible truth about herself: "I may as well tell you because you'll figure it out anyway: I'm not that deep. I'm shallow. But I'm deep for a shallow person. What I've found out about God is that he is totally trustworthy, and I can relax in his plans. And besides that, all he wants is -- Are you ready for this? -- for me to be his person. Just be his person, for heaven's sake! All I can say to that is, Duh! Who knows? Next I may be writing a six-volume Bible commentary!" Sue offers a merry and witty look at life from the "shallow" end of the gene pool in sixty fun devotions, sure to leave you laughing and pondering some of life's most important lessons. This very funny lady shows us all that we don't have to be "deep" to hear God's voice. All we have to do is listen and we'll find his message about love and redemption in even the smallest details of everyday life.

To cut dead means to refuse to acknowledge another with the intent to punish. Gregory Ellison says that this is the plight of African American young men. They are stigmatized with limited opportunity for education and disproportionate incarceration. At the same time, they are often resistant to help from social institutions including the church. They are mute and invisible to society but also in their inward being. Their voice and physical selves are not acknowledged, leaving them ripe for hopelessness and volatility. So if the need is so great yet the desire for help wanes, where is the remedy? Healing can begin by reframing the problem. While to cut dead is destructive, it also refers to pruning and repotting a disfigured plant—giving it new possibilities for life. In this provocative book, Ellison shows how caregivers can sow seeds of life, and nurture with guidance, admonition, training, and support in order to help create a community of reliable others, serving as an extended family.

Films with dream sequences, or a dreamlike quality, allow directors to create their own rules of logic and nature to meet a variety of artistic needs. For instance, an opening dream immediately establishes what a character is feeling; a later dream--or series of them--provides viewers with a glimpse of the climax, and a concluding dream ties up loose ends. (In real life, of course, dreams do not occur at such convenient times or serve such useful purposes.) This book explores why science is lost or distorted in the process of representing dreams on film and why audiences prefer this figurative truth of art over the literal truth of science. Part One discusses changes in form and considers the history of dream theory. Additionally, the physiology of sleeping and dreaming, dream structure, sleep deprivation, dreams under the influence of drugs or alcohol, and waking up, as depicted on film, are examined. Part Two investigates changes in content, and delves into the psychology of sleeping and dreaming, dream interpretation, altered states of consciousness, visions and prophecies, dreams as wish fulfillment, sex and death, nightmares, and reality versus illusion. The author uses theories by Freud, Jung, and current experts in her analyses of dream sequences and their use in film.