You do magic once, and it sticks to you like glitter glue... Gay angsty teen Johnny and his goth best friend, trans girl Alison, spend their summer dabbling in magic. When they use spells to defend themselves from bullies, they suddenly find themselves whisked away to the Marduk Institute, a school for wayward wizards. Johnny and Alison must now adapt to a new world of spells, fraternities, and cute boys like Hunter and Blake... But Marduk isn't as safe as it seems. Johnny and Alison are pulled into a supernatural fight for their lives and must find the strength to battle the monsters lurking in the shadows of the school - and the demons that only exist inside their head.

In Friends of Dorothy Dee Michel explains the enduring appeal of Oz for gay men and boys. The book also tackles the long-taboo topic of gay boys, examining their feelings about escaping to Oz, the characters they identify with, and the psychological and spiritual uses they make of stories set in Oz.

A mysterious library book opens the door to a world of magic and danger in the first book in the beloved Young Wizards series. Bullied by her classmates, Nita Callahan is miserable at school. So when she finds a mysterious book in the library that promises her the chance to become a wizard, she jumps at the opportunity to escape her unhappy reality. But taking the Wizard's Oath is no easy thing, and Nita soon finds herself paired with fellow wizard-in-training Kit Rodriguez on a dangerous mission. The only way to become a full wizard is to face the Lone Power, the being that created death and is the mortal enemy of all wizards. As Nita and Kit battle their way through a deadly alternate version of New York controlled by the Lone Power, they must rely on each other and their newfound wizarding skills to survive--and save the world from the Lone One's grasp.

A Tor.com Reviewers' Choice Best Book of the Year Sparks fly in this enchanting fantasy novel from the author of Unnatural Magic when a down-and-out fire witch and a young gentlewoman join forces against a deadly conspiracy. Dellaria Wells, petty con artist, occasional thief, and partly educated fire witch, is behind on her rent in the city of Leiscourt—again. Then she sees the “wanted” sign, seeking Female Persons, of Martial or Magical ability, to guard a Lady of some Importance, prior to the celebration of her Marriage. Delly fast-talks her way into the job and joins a team of highly peculiar women tasked with protecting their wealthy charge from unknown assassins. Delly quickly sets her sights on one of her companions, the confident and well-bred Winn Cynallum. The job looks like nothing but romance and easy money until things take a deadly (and undead) turn. With the help of a bird-loving necromancer, a shapeshifting schoolgirl, and an ill-tempered reanimated mouse named Buttons, Delly and Winn are determined to get the best of an adversary who wields a twisted magic and has friends in the highest of places.

Trans wizard Harriet Porber is a master spellsmith who's found herself in a bit of a pickle. After finishing wizard college, Harriet made a name for herself by creating a hit viral spell, but has since failed to craft a follow up. Now Harriet's agent, Minerma, is breathing down her neck, suggesting that Harriet take a trip to an island off the coast of England for inspiration. Hoping for some peace and quiet to clear her head, Harriet Porber arrives to find that her new neighbor, an angsty bard named Snabe from the band Seven Inch Nails, is already there making a racket. This parasaurolophus spellcaster is a bad boy through and through, and with his incredible powers of metamagic, Snabe reveals that this layer of reality is much more than it seems. Could Harriet and Snabe really be characters in a parody romance novel? Soon enough, these two are discovering they have more similarities that differences: both trans, both strong, and both hoping to create a new spell that will change the world. But with the addition of two devious sentient motorcycles to the mix, Dellatrix and Braco, things start to get complicated. Now trans wizard Harriet Porber is caught up in a tale of magic and mystery where nothing is as it seems, except for one universal truth: love is real. This is a 52,000 word bad boy romance novel for adults. It contains some explicit scenes.

"A new star is rising in the fantasy firmament...teems with magic and spine-chilling amounts of skullduggery."–Dave Duncan, author of The Great Game When young Alec of Kerry is taken prisoner for a crime he didn’t commit, he is certain that his life is at an end. But one thing he never expected was his cellmate. Spy, rogue, thief, and noble, Seregil of Rhiminee is many things–none of them predictable. And when he offers to take on Alec as his apprentice, things may never be the same for either of them. Soon Alec is traveling roads he never knew existed, toward a war he never suspected was brewing. Before long he and Seregil are embroiled in a sinister plot that runs deeper than either can imagine, and that may cost them far more than their lives if they fail. But fortune is as unpredictable as Alec’s new mentor, and this time there just might be…Luck in the Shadows.

No one raises an eyebrow if you suggest that a guy who arranges his furniture just so, rolls his eyes in exaggerated disbelief, likes techno music or show tunes, and knows all of Bette Davis's best lines by heart might, just possibly, be gay. But if you assert that male homosexuality is a cultural practice, expressive of a unique subjectivity and a distinctive relation to mainstream society, people will immediately protest. Such an idea, they will say, is just a stereotype-ridiculously simplistic, politically irresponsible, and morally suspect. The world acknowledges gay male culture as a fact but denies it as a truth. David Halperin, a pioneer of LGBTQ studies, dares to suggest that gayness is a specific way of being that gay men must learn from one another in order to become who they are. Inspired by the notorious undergraduate course of the same title that Halperin taught at the University of Michigan, provoking cries of outrage from both the right-wing media and the gay press, How To Be Gay traces gay men's cultural difference to the social meaning of style. Far from being deterred by stereotypes, Halperin concludes that the genius of gay culture resides in some of its most despised features: its aestheticism, snobbery, melodrama, adoration of glamour, caricatures of women, and obsession with mothers. The insights, impertinence, and unfazed critical intelligence displayed by gay culture, Halperin argues, have much to offer the heterosexual mainstream.