It is 1958, and New York City is in the midst of a major building boom; a four-lane highway is planned for the heart of Washington Square; Carnegie Hall is designated for demolition; entire neighborhoods on the West Side are leveled to make room for a new "palace of art." Meanwhile, a young Joe Papp and his colleagues face betrayals, self-inflicted wounds, and anger from the city’s powerful elite as they continue their free Shakespeare productions in Central Park. From the creator of the most celebrated family plays of the last decade comes a drama about a different kind of family – one held together by the simple and incredibly complicated belief that the theater, and the city, belong to all of us.

Who produced the first stage adaptation of "The Wizard of Oz" in 1902-nearly forty years before the movie classic?

A new play by the author of 'Goodnight Children Everywhere'

When Soviet censors approved Mikhail Bulgakov's stage adaptation of Don Quixote, they were unaware that they were sanctioning a subtle but powerful criticism of Stalinist rule. The author, whose novel The Master and Margarita would eventually bring him world renown, achieved this sleight of hand through a deft interpretation of Cervantes's knight. Bulgakov's Don Quixote fits comfortably into the nineteenth-century Russian tradition of idealistic, troubled intellectuals, but Quixote's quest becomes an allegory of the artist under the strictures of Stalin's regime. Bulgakov did not live to see the play performed: it went into production in 1940, only months after his death. The volume's introduction provides background for Bulgakov's adaptation and compares Bulgakov with Cervantes and the twentieth-century Russian work with the seventeenth-century Spanish work.

“An extraordinary theatrical event in which the personal and the political combine in a way that suggests a contemporary Chekhov.” —Michael Billington, Guardian This intimate and landmark series follows the Gabriel family of Rhinebeck, New York, through the momentous and divisive 2016 election year. While preparing meals in their kitchen, together they grapple in real time with issues of money, history, art, politics and family, as well as the fear of having been left behind.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.