This edition first published in 1982. Previous edition published in 1972 by Houghton Mifflin. Outlining methods and techniques for reading Shakespeare's plays, Roland Frye explores and develops a comprehensive understanding of Shakespeare's drama, focussing on the topics which must be kept in mind: the formative influence of the particular genre chosen for telling a story, the way in which the story is narrated and dramatized, the styles used to convey action, character and mood, and the manner in which Shakespeare has constructed his living characterizations. As well as covering textual analysis, the book looks at Shakespeare's life and career, his theatres and the actors for whom he wrote and the process of printing and preserving Shakespeare's plays. Chapters cover: King Lear in the Renaissance; Providence; Kind; Fortune; Anarchy and Order; Reason and Will; Show and Substance; Redemption and Shakespeare's Poetics.

This is the first book to survey comprehensively the field of Elizabethan and Jacobean citizen comedy. Most studies of the period focus on major authors; this one follows recurring themes and motifs, through a variety of plays by many authors from the moralizing comedies of the boys' companies. Professor Leggatt provides not only a fresh perspective on familiar plays by such figures as Jonson, Middleton, and Dekker, but also a new look at a number of neglected comedies, some by unfamiliar authors, some by major authors working together. Standard figures – the usurer, the prodigal, and the prostitute – and standard plots – notably intrigues based on money or sex (or both) – are traced to show the changes that occur in apparently stereotyped material at the hands of individual authors. The result is to display the range and internal variety of a genre that too often is seen as all of a piece, and to show the different ways in which social thinking can interact with the demands and comic form. This book will interest students of Renaissance English drama, both for its treatment of a neglected type of play and for its comments on individual citizen comedies. Those who are concerned with drama as a vehicle for social commentary will find many points for discussion.

Originally published in 1952 but here reissuing the updated edition of 1978, this book has long been established as a classic and a central text for students of seventeenth-century English history. The book covers every aspect of English life from the arrival of James I in England to the death of Queen Anne. The chapters on political history are organized chronologically, interspersed with thematic chapters which analyse change and development in family and social life, literature and the arts, scientific and philosophical ideas and the growth of the first British Empire.

"In Wilson's hands these familiar stories make for gripping reading."—The New York Times Book Review New York Times Book Review Editors' Choice Author of Dante in Love A sweeping panorama of the Elizabethan age, a time of remarkable, strange personages and great political and social change, by one of our most renowned historians A time of exceptional creativity, wealth creation, larger-than-life royalty and political expansion, the Elizabethan age was also more remarkable than any other for the Technicolor personalities of its royals and subjects. Apart from the complex character of the Virgin Queen herself, A. N. Wilson's The Elizabethans follows the stories of Francis Drake, a privateer who not only defeated the Spanish Armada but also circumnavigated the globe with a drunken, mutinous crew and without reliable navigational instruments; political intriguers like William Cecil and Francis Walsingham; and Renaissance literary geniuses from Sir Philip Sidney to Christopher Marlowe and William Shakespeare. Most crucially, this was the age when modern Britain was born and established independence from mainland Europe—both in its resistance to Spanish and French incursions and in its declaration of religious liberty from the pope—and laid the foundations for the explosion of British imperial power and eventual American domination. An acknowledged master of the all-encompassing single-volume history, Wilson tells the exhilarating story of the Elizabethan era with all the panoramic sweep of his bestselling The Victorians, and with the wit and iconoclasm that are his trademarks.

An expert in Stuart England examines the sexual lives of Britons in the seventeenth and early eighteenth centuries in this frank, informative, and revealing history. Acclaimed Stuart historian Andrea Zuvich explores the sexual mores of Stuart Britain, including surprising beliefs, bizarre practices, and ingenious solutions for infertility, impotence, sexually transmitted diseases, and more. Along the way, she reveals much about the prevailing attitudes towards male and female sexual behavior. Zuvich sheds light not only on the saucy love lives of the Royal Stuarts, but also on the dark underbelly of the Stuart era with histories of prostitution, sexual violence, infanticide, and sexual deviance. She looks at everything from what was considered sexually attractive to the penalties for adultery, incest, and fornication. Sex and Sexuality in Stuart Britain touches on the fashion, food, science, art, medicine, magic, literature, love, politics, faith and superstition of the day.

A fascinating and accessible history of textiles, including the key personalities and inventions which revolutionized the industry, together with the East End workshops and the creation of artificial materials such as rayon. Textile expert, Fiona McDonald, includes tips on the care and repair of materials and advice on whats worth collecting and the best materials to wear, as well as safe cleaning, tips on collecting.In addition to a handy glossary of textile terms, there is an A-Z of different textiles, full of interesting facts did you know that velvet was originally made from silk and its name derives from the Latin word, vellus, meaning fleece, or that cabbage was the term used in the rag trade to refer to the extra outfits clever cutters created and sold off the books by careful placement of the pattern. A fascinating and often surprising subject area explored at an accessible but informative level.Did you know? Peau de Soie is a heavy satin which was used for wedding dresses at the turn of the last century. The word satin is derived from Zaytoun, an area of China where it was first made We have lost many evocative names for colors over the years, including bouffon (darker than eau de nil) cendre de rose (gray with pink nuances), dust of Paris (ecru), esterhazy (silver-gray), flys wing (graphite) and terre dEgypt (rust)