Illustrated Bible Poems is a collection of biblical stories from the Old & New Testaments set to rhyme and rhythm; accompanied by original full page watercolor illustrations.

An anthology of American poems, is arranged chronologically, from colonial alphabet rhymes to Native American cradle songs to contemporary poems. 50 illustrations, 20 in color.

The strong God of Exodus. The ancient poetry of the Psalms, and the eternal teachings of Proverbs. Matthew, Mark, Luke, and the mystical beauty of John. The new heaven and earth of Revelation. Bible verses—an enduring source of guidance, peace, and rejuvenation—are here given a very special treatment in colorful letterpress illustrations that bring each phrase to life in a fresh and meaningful way. The verses are drawn from seven translations (including the New International Version, The New Revised Standard Version, and The King James Bible) and arranged in order, beginning with Genesis 1:1. These selections include 100 of the most distinctly meaningful passages of the Old and New Testament, made even more powerful through the transformative lens of art. Like a contemporary update on medieval illuminated manuscripts, the book combines the timeless words of the Bible with timely artwork—in this case, hand-lettering and illustration in a variety of beautiful styles and remarkable aesthetics from 25 contemporary artists. It’s a new and vibrant way to experience the living word.

Reading Old English Biblical Poetry considers the Junius 11 manuscript, the only surviving illustrated book of Old English poetry, in terms of its earliest readers and their multiple strategies of reading and making meaning. Junius 11 begins with the creation story and ends with the final vanquishing of Satan by Jesus. The manuscript is both a continuous whole and a collection with discontinuities and functionally independent pieces. The chapters of Reading Old English Biblical Poetry propose multiple models for reader engagement with the texts in this manuscript, including selective and sequential reading, reading in juxtaposition, and reading in contexts within and outside of the pages of Junius 11. The study is framed by particular attention to the materiality of the manuscript and how that might have informed its early reception, and it broadens considerations of reading beyond those of the manuscript's compiler and possible patron. As a book, Junius 11 reflects a rich and varied culture of reading that existed in and beyond houses of God in England in the tenth and eleventh centuries, and it points to readers who had enough experience to select and find wisdom, narrative pleasure, and a diversity of other things within this or any book's contents.

Three decades ago, renowned literary expert Robert Alter radically expanded the horizons of biblical scholarship by recasting the Bible as not only a human creation but a work of literary art deserving studied criticism. In The Art of Biblical Poetry, his companion to the seminal The Art of Biblical Narrative, Alter takes his analysis beyond narrative craft to investigate the use of Hebrew poetry in the Bible. Updated with a new preface, myriad revisions, and passages from Alter's own critically acclaimed biblical translations, The Art of Biblical Poetry is an indispensable tool for understanding the Bible and its poetry.

A collection of some of the words of scripture spoken by Jesus the Christ to the world, put in poetry format, not as narrative as originally given.

On Biblical Poetry considers the characteristics of biblical Hebrew Poetry beyond its currently best-known feature, parallelism. F.W. Dobbs-Allsopp demonstrates the many interesting and valuable interpretations that yield from a series of programmatic essays on major facets of biblical verse, careful attention to prosody, and close reading.