With the razor pen and keen intellect that have won him numerous loyal readers for his previous books, Egyptian economist Galal Amin here takes on the terms of the debate between the Arab world and the west. Amin deconstructs in his own inimitable style the language and underlying assumptions with which the west habitually assails Arab countries and politics. He applies his sharp wit and powers of observation to notions of freedom, democracy, human rights, terrorism (of course), and more, all of which fare the worse for falling under his gaze. In Amin's view, the western concepts of progress and backwardness as they apply to the Arab world are wrong-headed, and continuing to deploy them as theoretical tools leads into all sorts of blind alleys. True to form, Amin's analysis is laced with scholarly research, much humanity, and sly, subtle humor. His critique of the much-discussed UNDP Arab Human Development Report represents a welcome and reasoned Arab reply to this document that has been too frequently used as a cudgel to bash the Arab world. Accompanied by the gently humorous illustrations of Samir Abd al-Ghani, The Illusion of Progress in the Arab World is a deftly argued critique of the way Arab societies are judged by the west.

In comparison to other parts of the developing world education in Arab countries has been lagging behind. This book examines the impact of Western cultural influence, the opportunities for reform and the sustainability of current initiatives.

What have the concepts of modernity and secularization meant for Islamic tradition, culture and society? How have the discourses which surround all of these issues influenced Muslim self-perception and individual identity? There have been many attempts to describe and analyse the encounter between Islam and modernity in the Middle East, but few have been able so effectively to explore the impact this has on the idea and reality of religious identity and individual religiosity. Maha F. Habib examines modernity from this angle, offering socio-cultural, philosophical and literary perspectives. She assesses how this is played out in Egypt, analysing cultural changes in the country through its intellectual thought and literature, from the nineteenth century to the present day. Her references to the works of Muhammad Abdu, Muhammad Husayn Haykal, 'Abbas Mahmud al-'Aqqad, Naguib Mahfouz, Alaa al-Aswany and Salwa Bakr reveal contemporary issues and concerns which will interest those researching the cultural and social milieu of modern Egypt.

The term ’progress’ is a modern Western notion that life is always improving and advancing toward an ideal state. It is a vital modern concept which underlies geographic explorations and scientific and technological inventions as well as the desire to harness nature in order to increase human beings’ ease and comfort. With the advent of Western colonization and to the great detriment of the colonized, the notion of progress began to perniciously and pervasively permeate across cultures. This book details the impact of the notion of progress on the Nagas and their culture. The interaction between the Nagas and the West, beginning with British military conquest and followed by American missionary intrusion, has resulted in the gradual demise of Naga culture. It is almost a cliché to assert that since the colonial contact, the long evolved Naga traditional values are being replaced by Western values. Consequences are still being felt in the lack of sense of direction and confusion among the Nagas today. Just like other Indigenous Peoples, whose history is characterized by traumatic cultural turmoil because of colonial interference, the Nagas have long been engaged in self-shame, self-negation and self-sabotage.