The late Professor Hossein Ziai’s interests focused on the Illuminationist (Ishrāqī) tradition. Dedicated to his memory, this volume deals with the post-Avicennan philosophical tradition in Iran, and in particular the Illuminationist school and later philosophers, such as those associated with the School of Isfahan, who were fundamentally influenced by it. The focus of various chapters is on translations, editions, and close expositions of rationalist works in areas such as epistemology, logic and metaphysics rather than mysticism more generally, and also on specific texts rather than themes or studies of individual philosophers. The purpose of the volume is to introduce new texts into the modern canon of Islamic and Iranian philosophy. Various texts in this volume have not been previously translated nor have they been the subject of significant Western scholarship.

Tianyi Zhang offers an innovative philosophical reconstruction of Shihāb al-Dīn al-Suhrawardī’s (d. 1191) Illuminationism, and convincingly reveals its Nominalist and Existential nature by examining its epistemology and metaphysics.

In Suhrawardī’s Illuminationism, Jari Kaukua offers a new interpretation of Shihāb al-Dīn al-Suhrawardī’s (d. 1191 CE) illuminationist (ishrāqī) philosophy. Commonly portrayed as a philosophically inclined mystic, Suhrawardī appears here as a perspicacious critic of Avicenna who developed his critique into an alternative philosophical system. Focusing on metaphysics and theory of science, Kaukua argues that Suhrawardī’s illuminationist philosophy combines rigorous metaphysical monism with a modest but positive assessment of scientific explanation. This philosophical core of Suhrawardī’s illuminationism is reconcilable with but independent of the mystical side of the shaykh al-ishrāq.

Examines Aristotle's vast influence upon the medieval Arabic philosophical tradition and includes contributions from every discipline within his corpus.

Volume V of A History of Persian Literature presents a broad survey of Persian prose: from biographical, historiographical, and didactic prose, to scientific manuals and works of popular prose fiction. It analyzes the rhetorical devices employed by writers in different periods in their philosophical and political discourse; or when their aim is primarily to entertain rather than to instruct , the chapters describe different techniques used to transform old stories and familiar tales into novel versions to entice their audience. Many of the texts in prose cited in the volume share a wealth of common lore and literary allusions with Persian poetry. Prose and poetry frequently appear on the same page in tandem. In different ways, therefore, this creative interplay demonstrates the perennial significance of intertextuality, from the earliest times to the present; and help us in the process to further our understanding and enhance our enjoyment of Persian literature in its different manifestations throughout history

Shihab al-Din al-Suhrawardi was born around 1154, probably in northwestern Iran. Spurred by a dream in which Aristotle appeared to him, he rejected the Avicennan Peripatetic philosophy of his youth and undertook the task of reviving the philosophical tradition of the "Ancients." Suhruwardi's philosophy grants an epistemological role to immediate and atemporal intuition. It is explicitly anti-Peripatetic and is identified with the pre-Aristotelian sages, particularly Plato. The subject of his hikmat al-Ishraq--now available for the first time in English--is the "science of lights," a science that Suhrawardi first learned through mystical exercises reinforced later by logical proofs and confirmed by what he saw as the parallel experiences of the Ancients. It was completed on 15 September 1186; and at sunset that evening, in the western sky, the sun, the moon, and the five visible planets came together in a magnificent conjunction in the constellation of Libra. The stars soon turned against Suhrawardi, however, who was reluctantly put to death by the son of Saladin, the sultan of Egypt, in 1191.

An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.