Theology, Music and Time aims to show how music can enrich and advance theology, extending our wisdom about God and God's ways with the world. Instead of asking: what can theology do for music?, it asks: what can music do for theology? Jeremy Begbie argues that music's engagement with time gives the theologian invaluable resources for understanding how it is that God enables us to live 'peaceably' with time as a dimension of the created world. Without assuming any specialist knowledge of music, he explores a wide range of musical phenomena - rhythm, metre, resolution, repetition, improvisation - and through them opens up some of the central themes of the Christian faith - creation, salvation, eschatology, time and eternity, Eucharist, election and ecclesiology. He shows that music can not only refresh theology with new models, but also release it from damaging habits of thought which have hampered its work in the past.

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Orpheus, the famed oracle orator hero of Greece, began to teach a new religion at the dawn of the Archaic Age. Deeply rooted in ancient paganism, Orphism taught a doctrine of peace-seeking, reincarnation, and universal brotherhood. The followers, like their leader, worshiped their gods with song. Eighty seven of these ancient hymns have survived to the present day, and are called The Orphic Hymns. They've been translated into English many times. In this new collection of translations, from noted magician and pagan teacher Sara L. Mastros, the hymns come alive for the modern pagan. In addition to her inspired translations, this book also contains fascinating historical and social commentary on the hymns from a modern, feminist, pagan viewpoint, as well as spells and devotional practices for modern worshippers of the Greek gods, and brilliant "color your own" ikons.

You are about to discover the most devastating political secret of the twentieth century. IKON. The secret for which US presidents were assassinated, resigned or disgraced. IKON. Your own life has been living out in the shadow it has cast since 1962. IKON.