John Lloyd and John Mitchinson have proven themselves to be masters at digging up obscure facts, abstruse information, and amusing anecdotes and presenting them effortlessly, somewhat slyly, with either great wit or at least a little bit of tongue in cheek. Their gifts are on full display in Quote Interesting, a lively, wonderfully enjoyable anthology of hundreds of quotes you probably have never heard before, arranged thematically from A to Z. From laugh-out-loud-funny bon mots to some real headscratchers, Lloyd and Mitchinson have gathered a universe of star-studded blurbs like: “The Beatles are dying in the wrong order.” —Victor Lewis Smith “When you forget to eat, you know you’re alive.” —Henry James “I think people would be alive today if there were a death penalty.” —Nancy Reagan “You know ‘that look’ women get when they want sex? Me neither.” —Steve Martin

The Ignorance of Bliss tells the true story of ten-year-old Sandy, who moves with her American military family to Saigon, Vietnam where her father, the Colonel, serves as a military advisor to the South Vietnamese Army. In 1960s Saigon, Sandy finds a world of crushing poverty and extraordinary beauty; a world of streets, villas, and brothels, where politics and intrigue reside between plot and counterplot. Blissfully living a life of French decadence, Sandy maneuvers between coups, spies, bombings, corruption, and scandal as she and her thirteen-year-old brother, Tom, run an illicit baby powder and Hershey bar business on the black market and live a life of school, scouts, dance parties, and movies at the underground theater. When the Colonel’s counterpart, Colonel Le Van Sam, delivers an expose on the current ruling Diem regime, Sandy finds that her constant spying on her father’s activities has brought her face to face with the reality of Vietnam and the anti-American sentiment that pervades it. This coming-of age story takes place in a turbulent country striving for nationalism, giving the reader a stunning look into the life of military dependents living abroad and the underlying ignorance that surrounded a little understood time in history.

This book examines the popular, yet puzzling, Chinese saying Nande hutu 难得糊涂 to uncover how the ancient Chinese wisdom of not knowing is constructed, interpreted, practiced and valued in contemporary society. Originating in the calligraphy of Qing-dynasty scholar Zheng Banqiao, Nande hutu translates literally as: “hard to attain muddle-headedness”. Mieke Matthyssen traces the historical development of this saying and related philosophies to reveal a culturally conditioned, multi-layered inclination to different forms of not knowing. In contemporary society, she argues, this inclination forms part of a living art: in some respects, a passive, evasive strategy for self-preservation; in other respects, a strategy for coping with intrapersonal, interpersonal and social complexities. Drawing on an extensive range of primary sources and original research, the analysis skillfully combines philosophical and socio-historical analysis with theory from Chinese philosophy, philosophical psychology and the relatively new field of indigenous psychology, to provide an in-depth understanding of how Nande hutu has shaped, and continues to shape, the Chinese psyche and behaviour. This book will appeal to all readers looking for fresh insights into Chinese culture, and in particular to students and scholars of Chinese and Asian studies, cultural and social anthropology, and philosophical and indigenous psychology.

Nothing we think we know - NOTHING - is likely to be correct. If Ignorance is Bliss, We Should All Be Ecstatic explores the limitations of knowledge and argues that neither reasoning nor direct observation can be trusted. Not only are they unreliable sources, but they do not even justify assigning probabilities to claims about what we can know. This position, called radical skepticism, has intrigued philosophers since before the birth of Christ, yet nobody has been able to refute it. Fred Leavitt uses two unique methods of presentation. First, he supports abstract arguments with summaries of real-life examples from many and varied fields, which make the arguments much more convincing and compelling. He cites more than 200 studies from psychology, mathematics, chaos theory, quantum mechanics, evolutionary theory, history, the corporate world, politics, the military, and current news reporting. Second, Leavitt's writing is user-friendly, even when dealing with complex issues. Whether answering the telephone, turning on the TV, talking with friends, or munching on an apple, we expect things to happen predictably. These expectations, paired with radical skepticism, exemplify cognitive dissonance at the highest level.

The New York Times–bestselling co-author of Nudge explores how more information can make us happy or miserable—and why we sometimes avoid it but sometimes seek it out. How much information is too much? Do we need to know how many calories are in the giant vat of popcorn that we bought on our way into the movie theater? Do we want to know if we are genetically predisposed to a certain disease? Can we do anything useful with next week's weather forecast for Paris if we are not in Paris? In Too Much Information, Cass Sunstein examines the effects of information on our lives. Policymakers emphasize “the right to know,” but Sunstein takes a different perspective, arguing that the focus should be on human well-being and what information contributes to it. Government should require companies, employers, hospitals, and others to disclose information not because of a general “right to know” but when the information in question would significantly improve people's lives. Of course, says Sunstein, we are better off with stop signs, warnings on prescription drugs, and reminders about payment due dates. But sometimes less is more. What we need is more clarity about what information is actually doing or achieving.

My book is promoting seeking knowledge throughout your whole life, no matter how many degrees you have.

A withdrawn teenage girl audaciously dives into the subterranean world of drug addiction, darkness and deceit. While wholeheartedly attempting to escape the vicious merry-go-round of repetition, and haphazardly trying to slip out of the miscreant subculture, she stumbles upon one obstacle after the other.