Evangeline is a former supermodel more famous for the men she’s dated and the scandals she’s been involved in than for her acting talent. Now, the famous Brit has turned her hand to designing wedding gowns and lingerie for the rich and famous. It’s an open secret that she only designs her outrageously priced gowns for attractive women. The Diva Designer also has a famous temper. She’s been wildly successful until an unfortunate incident ended with a seamstress cursing both her and her latest wedding gown. Now rumours are circulating, and the press are picking up the juicy story of the cursed wedding gown. Four brides have attempted to get married in the cursed dress and none of them has made it down the aisle. To squelch the rumours, Evangeline announces publicly that she is wearing the gown herself, for her own wedding. It’s a brilliant PR tactic. All she has to do now is find a witch, an exorcist, a shaman, someone who can remove curses. Then she’ll need to find a temporary groom. There’s only one man she trusts completely. Wade Davenport. Her former lover has no illusions about Evangeline. He won’t get any foolish ideas about love or a real marriage. Or so she thinks. A romantic comedy about second chances, If the Dress Fits is the final book in The Almost Wives Club.

Martha Aguas has it all: a job she likes, a puppy she loves, and a wardrobe that makes her feel beautiful. Yes, everyone tries to make her feel bad for being mataba, she can't buy bras in the Philippines, and she's never had a boyfriend. But so what? It's never mattered before. But when her perfect cousin Regina announces her engagement Enzo, the blast from the past boy whom she might have loved before, it suddenly feels like a big deal. Aguases from all over the globe are coming in for the engagement of the century, and the last thing Martha wants to hear is a well-meaning barb about how she should watch her weight. Thank god for Max. Her funny, dependable, best friend Max, who doesn't mind playing the role of fake boyfriend for the family festivities. But the more Martha plays along, the less it feels like pretend, and more she starts to wonder if Max had maybe loved her all along.

Try on a little magic with this lighthearted fantasy adventure! For fans of the Land of Stories and Descendants series. Inside an enchanted castle, there’s a closet—a closet with one hundred dresses that nobody ever wears. Dresses like those need a good trying-on, and Darling Dimple is just the girl to do it. When she tries on Dress Number Eleven, something unbelievable happens. She transforms into the castle’s Head Scrubber! It turns out that each dress can disguise her as someone else. And Darling is about to have an adventure that calls for a disguise or two . . . or a hundred.

Open up a fresh and stylish story about growing up and keeping hold of your favorite memories. As the year passes, the narrator’s favorite dress goes through a series of creative changes, from dress to shirt to tank top to scarf and so on, until all that’s left of it is a good memory. Assisted by her patient and crafty mama, the narrator finds that when disaster strikes her favorite things, she doesn’t need to make mountains out of molehills—she “makes molehills out of mountains” instead! Structured around the days of the week, the story is also illustrated to show the passing of the seasons, a perfect complement to the themes of growing older and keeping hold (and letting go) of special mementos. Praise for I Had a Favorite Dress "A spunky story about adjusting to change with creativity and style. Tailor-made, so to speak, for the Etsy generation of DIY enthusiasts.” –Publishers Weekly “Everyone is smiling in the buoyant confections created by illustrator Julia Denos—including, it’s fair to say, young readers looking at them. Endearing picture book.” –Wall Street Journal “What could have been yet another example of kindergarten consumerism instead becomes one of resourcefulness and resilience.” –New York Times “Denos’s multimedia illustrations reinforce the narrator’s vibrant personality and the amazing transformations of the dress while capturing the action and emotion of the story. This book is sure to capture the imaginations of would-be seamstresses; children who can’t bear to part with a favorite item; and those who want to reduce, reuse, recycle.” –School Library Journal “Breezy in style, they smartly stitch each scene of alteration as the not-so-little girl sashays through the days of the week and the seasons. A charming interpretation of an old story that will speak to young fashionistas.” –Kirkus Reviews

"A tribute to a time when style -- and maybe even life -- felt more straightforward, and however arbitrary, there were definitive answers." -- Sadie Stein, Paris Review As a glance down any street in America quickly reveals, American women have forgotten how to dress. We lack the fashion know-how we need to dress professionally and beautifully. In The Lost Art of Dress, historian and dressmaker Linda Przybyszewski reveals that this wasn't always true. In the first half of the twentieth century, a remarkable group of women -- the so-called Dress Doctors -- taught American women that knowledge, not money, was key to a beautiful wardrobe. They empowered women to design, make, and choose clothing for both the workplace and the home. Armed with the Dress Doctors' simple design principles -- harmony, proportion, balance, rhythm, emphasis -- modern American women from all classes learned to dress for all occasions in ways that made them confident, engaged members of society. A captivating and beautifully illustrated look at the world of the Dress Doctors, The Lost Art of Dress introduces a new audience to their timeless rules of fashion and beauty -- rules which, with a little help, we can certainly learn again.

"If the Shoe Fits encompasses everything I love about rom-coms. I laughed, I swooned, I smiled. Another hit for Julie Murphy!" —Colleen Hoover, #1 New York Times best-selling author of Hopeless If the shoe doesn’t fit, maybe it’s time to design your own. Cindy loves shoes. A well-placed bow or a chic stacked heel is her form of self-expression. As a fashion-obsessed plus-size woman, she can never find designer clothes that work on her body, but a special pair of shoes always fits just right. With a shiny new design degree but no job in sight, Cindy moves back in with her stepmother, Erica Tremaine, the executive producer of the world’s biggest dating reality show. When a contestant on Before Midnight bows out at the last minute, Cindy is thrust into the spotlight. Showcasing her killer shoe collection on network TV seems like a great way to jump-start her career. And, while she’s at it, why not go on a few lavish dates with an eligible suitor? But being the first and only fat contestant on Before Midnight turns her into a viral sensation—and a body-positivity icon—overnight. Even harder to believe? She can actually see herself falling for this Prince Charming. To make it to the end, despite the fans, the haters, and a house full of fellow contestants she’s not sure she can trust, Cindy will have to take a leap of faith and hope her heels— and her heart—don’t break in the process. Best-selling author Julie Murphy’s reimagining of a beloved fairy tale is an enchanting story of self-love and believing in the happy ending each and every one of us deserves.

Charlotte Smith had already had more than her fair share of fabulous dresses and adventures. She lived life to the fullest in London, Paris and New York before falling in love with Australia and making it her home. Then she discovered that she had inherited a priceless vintage clothing collection from her American Quaker godmother, Doris Darnell. When the boxes started arriving, they were filled with more than three thousand pieces dating from 1790 to 1995, from Dior and Chanel originals to a dainty pioneer dress. But when she unearthed her godmother’s book of stories, the true value of what she had been given hit home. This wasn’t merely a collection of beautiful things; it was a collection of lives. Women’s lives. Tiny snapshots of our joys and disappointments, our entrances and exits, triumphant and tragic. This is a book for any woman who knows a dress can hold a lifetime of memories.