Richard Reed built Innocent Drinks from a smoothie stall on a street corner to one of the biggest brands in Britain. He credits his success to four brilliant pieces of advice, each given to him just when he needed them most. Ever since, it has been Richard's habit, whenever he meets somebody he admires, to ask them for their best piece of advice. If they could tell him just one thing, what would it be? Richard has collected pearls of wisdom from some of the most remarkable, inspiring and game-changing people in the world - in business, tech, philanthropy, politics, sport, art, spirituality, medicine, film, and design. From Hollywood greats like Judi Dench and Richard Curtis, to entrepreneurial legends like Richard Branson and Simon Cowell; from sports stars and TV personalities like Andy Murray and James Cordon to political activists and born survivors like Mandela's Comrades and Katie Piper, Richard has picked some of the world's most interesting brains to give you a lesson in how to live, how to love, how to create and how to succeed.

"First published in Great Britain by Fig Tree, an imprint of Penguin Random House UK, 2016"--Title page verso.

FINALIST FOR THE FRANK O’CONNOR SHORT STORY AWARD NOW WITH AN ADDITIONAL STORY. Heralding the arrival of a stunning new voice in American fiction, If I Loved You, I Would Tell You This takes readers into the minds and hearts of people navigating the unsettling transitions that life presents to us all: A father struggles to forge an independent identity as his blind daughter prepares for college. A mother comes to terms with her adult daughter’s infidelity. An artist mourns the end of a romance while painting the portrait of a dying man. Brilliant, hopeful, and fearlessly honest, If I Loved You, I Would Tell You This illuminates the truths of human relationships, truths we come to recognize in these characters and in ourselves. BONUS: This edition includes an excerpt from Robin Black's Life Drawing. Look for the If I Loved You, I Would Tell You This discussion guide inside. Praise for If I Loved You, I Would Tell You This “I want to shout about how just when you thought no one could write a story with any tinge of freshness let alone originality about childhood. . . about marriage . . . about old age, Black has done it. . . . Black delivers real emotion, the kind that gives you pause. . . . Will Robin Black win [the Pen/Hemingway Prize] for this book? If I were a judge, she would.”—Alan Cheuse, Chicago Tribune “Pitch-perfect . . . so deft, so understated, and so compelling that you have to slow down to savor each vignette. . . . Fans of Mary Gaitskill, Amy Bloom, and Miranda July will feel like they’ve found gold in a river when they discover Robin Black. . . . [A] writer to watch.”—O: The Oprah Magazine “Each story reads like a mini-novel . . . worlds are contained in a single page. And the writing . . . oh, the writing . . . There’s no narrative cohesion, no point. Rather, If I Loved You is a ‘Fantastic Voyage’ into the bloodstream of the human species. . . . Maybe it’s midlife maturity, maybe it’s raw talent, but If I Loved You leaves you longing for more."—San Francisco Chronicle “Incisive . . . peopled with characters so fully imagined you’ll feel they’re in the room.”—People "Exquisitely distilled tales of loss and reckoning . . . [Black] evokes a Sparkian blend of skepticism and grace."—Vogue

Memoir has become the signature genre of our age.

A whimsical love letter, a shared promise, a thank you note, and a whispered secret to mothers and daughters everywhere. The perfect gift, B celebrates the bond that exists between a parent and a child. Short, touching, and lovingly illustrated, it is a family tradition waiting to begin.

When nothing is really yours, not even the flat you grew up in, just where do you call home? The residents of Block 204 have a few months before their building is torn down, before they are scattered throughout the island into smaller, assigned flats. All of them know they will still be struggling to fit their lives into the new flats years later but no one protests. No one talks about it even as they are slowly being pushed out of their homes. Not Cardboard Lady, an eighty-year-old woman who sells scraps for a living. Not young Alex, who is left homeless after a falling out with Cindy. Not Ah Tee, who has worked at the coffee-shop on the ground floor of Block 204 for much of his adult life, and whose reaction to the move affects his neighbours in different ways. For some, the tragedy that occurs during their last days in Block 204 is a reminder of old violence, aged wounds. For others, new opportunities transpire. If I Could Tell You is about silence, the keeping and breaking of it, and what comes after.