Valerie Green and Lynn Gordon-Findlay have put their ears to the walls of Vancouver Island's historic homes and transcribed the whispered secrets of bygone days when folk of every description left their echoes in the buildings where they lived, worked, played, and died. If the walls of a venerable mansion could speak, what stories would it tell? How about that rustic shack farther down the road? In her first book, If These Walls Could Talk,Valerie Green explored 50 heritage homes in the Greater Victoria area. In this second volume, she ranges further afield, covering Greater Victoria and Southern Vancouver Island, Duncan and the Cowichan Valley, Nanaimo, Port Alberni, Parksville, Qualicum Beach, Courtney and District, and Campbell River and the North Island, including homes in Telegraph Cove and Port McNeill. Each home tells of a way of life long past, of people who dwelt within its walls, when and how it was built, or how it is historically significant. Once again, Valerie's text is complemented by architectural artist Lynn Gordon-Findlay's exquisite drawings.

From the Joint Chief Curator at Historic Royal Palaces and BBC Television series including Lucy Worsley: Mozart's London Odyssey and Six Wives with Lucy Worsley, available on Netflix. “Worsley is a thoughtful, charming, often hilarious guide to life as it was lived, from the mundane to the esoteric.” -The Boston Globe Why did the flushing toilet take two centuries to catch on? Why did medieval people sleep sitting up? When were the two “dirty centuries”? Why, for centuries, did rich people fear fruit? In her brilliantly and creatively researched book, Lucy Worsley takes us through the bedroom, bathroom, living room, and kitchen, covering the history of each room and exploring what people actually did in bed, in the bath, at the table, and at the stove-from sauce stirring to breast-feeding, teeth cleaning to masturbating, getting dressed to getting married-providing a compelling account of how the four rooms of the home have evolved from medieval times to today, charting revolutionary changes in society.

The houses in this book tell their own story. Through photos and the houses speaking about their existence and their owners, If Houses Could Talk takes the reader on a fanciful ride to all those who might have lived in these miraculous structures. About the Author John E. Foss is a native of Wisconsin and was educated at the University of Wisconsin-River Falls (Bachelor of Science) and the University of Minnesota (M.S., Ph.D. degrees). He was involved in teaching and research at the University of Wisconsin-River Falls, University of Maryland, North Dakota State University, and the University of Tennessee. He has authored several hundred research publications on soil science and soil-geological interpretations of archaeological sites in the United States. International sites included Italy (Pompeii, Herculaneum, Hadrian’s Villa, and Horace’s Villa), Tunisia, Albania, and Guatemala. His awards include Fellow in the American Society Agronomy, Soil Science Society of America, and American Association for the Advancement of Science.

From an unrestored masterpiece such as the Aiken-Rhett House in Charleston, South Carolina, to a farmhouse in upstate New York, inhabited only by a bird nesting in the bathroom sink, Old Houses profiles 20 houses whose peeling paint, faded fabrics, and antique furniture impart a surprising elegance and beauty. An unusual volume, this book will appeal to historians, restoration specialists, and style-conscious homeowners lookingfor new ideas form examples of the past. Over 250 full-color photographs.

A thought-provoking tour of the eighteenth-century houses belonging to some of America's most important early leaders looks inside the domestic world of the Founding Fathers to chronicle the private lives, families, culture, interests, and aspirations of Jefferson, Washington, Adams, Hamilton, and others in each of the original thirteen colonies.

Throughout the 20th century, jewellery revealed the behind-the-scenes stories and the plot twists and turns in the real lives of celebrities that will always be larger than life. Some of the world's most fabulous jewels not only illustrated power and status in society but these magical gems held tremendous sentimental value as they were linked to the most significant moments and memories of Hollywood royalty, international aristocracy and international icons of style. If These Jewels Could Talk offers a glimpse into the jewellery boxes of these celebrities - the personal tastes, heartfelt anecdotes and the true tales of the women who wore and collected the pieces. During the early- to mid-20th century, a majority of screen actresses requested to wear their own favourite pieces in films. This offered a peek into some the great jewellers of the time who were designing for women who could choose anything. Actresses such as Merle Oberon, Paulette Goddard, Joan Crawford, Grace Kelly and Elizabeth Taylor as well as icons such as Jackie Kennedy and The Duchess of Windsor created signature styles for which they became known and which influenced generations of women, becoming part of our collective consciousness. The 20s through the 50s were a time when the renowned jewellery houses were also celebrities in their own right. They mixed with the socialites and royalty they bejewelled. In films, jewellery clearly developed and defined a character's personality - as it did in real life - whether it be a rags-to-riches story or those that figured into the plot: for example, a Cartier bracelet in Alfred Hitchcock's Lifeboat, or a Harry Winston necklace in Notorious. Whether on or off screen, worn by the famed and the legendary, and designed by the most revered houses of the day, all of these jewels take us on a narrative journey that provide fascinating insight into the intriguing worlds of early Hollywood and nobility from the 1920s through today.

Once upon a time, Jacobia "Jake" Tiptree was a hotshot money manager to Manhattan's rich and dreadful - until she left city life behind for a centuries-old fixer-upper in the quaint seaside town of Eastport, Maine. But even this tiny haven has its hazards - and they can be astonishingly deadly... What would you do if a long-buried book was unearthed from beneath your 1823 fixer-upper a book containing your name written in blood? That's the mystery Jake faces in the midst of her latest old-house renovations. But it's only the first in a town better known for its scenic views and historic homes than its body count. Now Jake is putting aside her hammer and fixing to find someone who's got the blueprint for a perfect murder.