Police Chief Thomas Lynch investigates the disappearance of a six-year-old boy with a serious medical condition while coping with disrespect from townspeople and colleagues who don't like the fact that he's gay. It’s two weeks before Christmas 1997, and Chief Thomas Lynch faces a crisis when Cody Forrand, a six-year-old with a life-threatening medical condition, goes missing during a blizzard. The confusing case shines a national spotlight on the small, sleepy town of Idyll, Connecticut, where small-time crime is already on the rise and the police seem to be making mistakes left and right. Further complicating matters, Lynch, still new to town, finds himself the target of prank calls and hate speech that he worries is the work of a colleague, someone struggling to accept working with a gay chief of police. With time ticking away, Lynch is beginning to doubt whether he’ll be able to bring Cody home safely . . . and whether Idyll could ever really be home.

In the small, sleepy town of Idyll, Connecticut, Police Chief Thomas Lynch assists police officer Michael Finnegan to uncover clues to his sister's disappearance two decades ago. Charleston, Massachusetts, 1972: Rookie cop Michael Finnegan gets a call from his mother. His youngest sister, Susan, has disappeared, the same sister who ran away two years earlier. Anxious not to waste police resources, Finnegan advises his family to wait and search on their own. But a week turns into two decades, and Susan is never found. Idyll, Connecticut, 1999: In the woods outside of town, a young woman's corpse is discovered, and Detective Finnegan seems unusually disturbed by the case. When Police Chief Thomas Lynch learns about Finnegan's past, he makes a bargain with his officer: He will allow Finnegan to investigate the body found in the woods--if Finnegan lets the bored Lynch secretly look into the disappearance of his sister. Both cases reveal old secrets--about the murder, and about the men inside the Idyll Police Station and what they've been hiding from each other their whole careers.

In the summer of 1997, Thomas Lynch arrives as the new chief of police in Idyll, Connecticut—a town where serious crimes can be counted on one hand. So no one is prepared when Cecilia North is found murdered on a golf course. By chance, Chief Lynch met her mere hours before she was killed. With that lead, the case should be a slam dunk. But there’s a problem. If Lynch tells his detectives about meeting the victim, he’ll reveal his greatest secret—he’s gay. So Lynch works angles of the case on his own. Meanwhile, he must contend with pressure from the mayor to solve the crime before the town’s biggest tourist event begins, all while coping with the suspicions of his men, casual homophobia, and difficult memories of his former NYPD partner’s recent death. As the case unfolds, Lynch realizes that small-town Idyll isn’t safe, especially for a man with secrets that threaten the thing he loves most—his job.

'Fear' in the twenty-first century has greater currency in western societies than ever before. Through scares ranging from cot death, juvenile crime, internet porn, asylum seekers, dirty bombs and avian flu, we are bombarded with messages about emerging risks. This book takes stock of a range of issues of 'fear' and presents new theoretical arguments and research findings that cover topics as diverse as the war on terror, the immigration crisis, stranger danger, global disease epidemics and sectarian violence. This book charts the association of fear discourses with particular spaces, times, social identities and sets of geopolitical relations. It examines the ways in which fear may be manufactured and manipulated for political purposes, sometimes becoming a tool of repression, and relates fear to political, economic and social marginalization at different scales. Furthermore, it highlights the importance and sometimes unpredictability of everyday lived experiences of fear - the many ways in which people recognize, make sense of and manage fear; the extent of resistance to fear; the relation of fear and hope in everyday life; and the role of emotions in galvanizing political and social action and change.

Enlightenment – both the phenomenon specific to the eighteenth century and the continuing trend in Western thought – is an attempt to dispel ignorance, achieve mastery of a potentially hostile environment, and contain fear of the unknown by promoting science and rationality. Enlightenment is often accompanied and challenged by countercultures such as German Romanticism, which explored the nature of fear and deployed it as a corrective to the excesses of rationalism. The Aesthetics of Fear in German Romanticism uncovers the formative role this movement played in the development of dark or negative aesthetics. Recovering a missing chapter in the history of the aesthetics of fear, Paola Mayer illustrates that Romanticism was a crucial transitional phase between the eighteenth-century sublime and the early twentieth-century uncanny. Mayer puts literature and philosophy in dialogue, examining how German Romantic literature employed narratives of fear to radicalize and then subvert the status quo in society, culture, and science. She traces the development of this aesthetic from its inception with pre-Romantics such as Jean Paul Richter to its end in Joseph von Eichendorff's critical retrospective, and juxtaposes canonical authors such as E.T.A. Hoffmann – the father of the modern fantastic – with writers who have previously been ignored. Today, when the dark side of science looms in the foreground, The Aesthetics of Fear in German Romanticism points to the power of a literary movement to construct competing currents of thought.