Although Franz Rosenzweig is arguably the most important Jewish philosopher of the twentieth century, his thought remains little understood. Here, Leora Batnitzky argues that Rosenzweig's redirection of German-Jewish ethical monotheism anticipates and challenges contemporary trends in religious studies, ethics, philosophy, anthropology, theology, and biblical studies. This text, which captures the hermeneutical movement of Rosenzweig's corpus, is the first to consider the full import of the cultural criticism articulated in his writings on the modern meanings of art, language, ethics, and national identity. In the process, the book solves significant conundrums about Rosenzweig's relation to German idealism, to other major Jewish thinkers, to Jewish political life, and to Christianity, and brings Rosenzweig into conversation with key contemporary thinkers. Drawing on Rosenzweig's view that Judaism's ban on idolatry is the crucial intellectual and spiritual resource available to respond to the social implications of human finitude, Batnitzky interrogates idolatry as a modern possibility. Her analysis speaks not only to the question of Judaism's relationship to modernity (and vice versa), but also to the generic question of the present's relationship to the past--a subject of great importance to anyone contemplating the modern statuses of religious tradition, reason, science, and historical inquiry. By way of Rosenzweig, Batnitzky argues that contemporary philosophers and ethicists must relearn their approaches to religious traditions and texts to address today's central ethical problems.

Ranging with authority from the Talmud to Maimonides, from Marx to Nietzsche and on to G.E. Moore, this account of a subject central to our culture also has much to say about metaphor, myth, and the application of philosophical analysis to religious concepts and sensibilities.

Eleven essays on the life and thought of the Jewish philosopher and theologian Franz Rosenzweig.

No Religion without Idolatry offers an interpretation of Mendelssohn's general philosophy and discusses for the first time his semiotic interpretation of idolatry in his commentaries.

“You shall have no other gods besides Me.” This injunction, handed down through Moses three thousand years ago, marks one of the most decisive shifts in Western culture: away from polytheism toward monotheism. Despite the momentous implications of such a turn, the role of idolatry in giving it direction and impetus is little understood. This book examines the meaning and nature of idolatry—and, in doing so, reveals much about the monotheistic tradition that defines itself against this sin.The authors consider Christianity and Islam, but focus primarily on Judaism. They explore competing claims about the concept of idolatry that emerges in the Hebrew Bible as a “whoring after false gods.” Does such a description, grounded in an analogy of sexual relations, presuppose the actual existence of other gods with whom someone might sin? Or are false gods the product of “men’s hands,” simply a matter of misguided belief? The authors show how this debate, over idolatry as practice or error, has taken shape and has in turn shaped the course of Western thought—from the differentiation between Jewish and Christian conceptions of God to the distinctions between true and false belief that inform the tradition of religious enlightenment.Ranging with authority from the Talmud to Maimonides, from Marx to Nietzsche and on to G.E. Moore, this brilliant account of a subject central to our culture also has much to say about metaphor, myth, and the application of philosophical analysis to religious concepts and sensibilities. Its insights into pluralism and intolerance, into the logic and illogic of the arguments religions aim at each other, make Idolatry especially timely and valuable in these days of dark and implacable religious difference.