The ideogram changed the course of modern American poetry, and Ideogram is the first history of this important poetic tradition. In modern poetry the ideogram is an idea presented to the reader by means of the juxtaposition of concrete particulars, usually without connective words or phrases. The poem is therefore presented in precise images, usually very tersely, and free from conventional form and meter. The idea of presenting a concept in this manner derives in part from Ernest Fenollosa's essay "The Chinese Character as a Medium for Poetry," the Chinese written character itself being a juxtaposition of pictographs to form a new meaning. Ezra Pound's search for an alternative to traditional forms of verse composition resulted in his use of the ideogrammic method which, Laszlo K. Géfin asserts, became the major mode of presentation in twentieth-century American poetry. Two generations of avant-garde, experimental poets since Pound have turned to it for inspiration, evolving their own methods from its principles. Géfin begins by tracing the development of Pound's poetics from the pre-Imagist stage through Imagism and Vorticism to the formulation of the ideogrammic method. He then examines the Objectivist poetics of Louis Zukofsky, Charles Reznikoff, and George Oppen; the contributions to the ideogrammic tradition of William Carlos Williams; and the Projectivist theories of Charles Olson, Robert Duncan, and Robert Creeley. He concludes with an exploration of Allen Ginsberg's theory of the ellipse and Gary Snyder's "riprap" method. Throughout, Géfin maintains that the ideogrammic mode is the literary representation of the twentieth-century post-logical—even post-humanist—world view.

In this latest book, J. Marshall Unger exposes the historical, scientific, cultural, and practical flaws accompanying the widespread belief that Chinese characters embody pure, language-less meaning. Whether one is interested in Chinese characters from the standpoint of language, literature, semiotics, psychology, history, cultural studies, or computers, Ideogram contains new ideas and insights that are sure to challenge preconceptions and provoke thought.

This book provides a thorough introduction to the writing system of ancient Egypt and the language of hieroglyphic texts. It is designed as a textbook for university and college classes, and is also suitable for individuals learning ancient Egyptian on their own. It contains 26 lessons, exercises (with answers), a list of hieroglyphic signs, and a dictionary. It also includes a series of 25 essays on the most important aspects of ancient Egyptian history, society, religion and literature. The combination of grammar lessons and cultural essays allows users not only to read hieroglyphic texts but also to understand them. The book gives readers the foundation they need to understand the texts on monuments and to read the great works of ancient Egyptian literature in the original. It can also serve as a complete grammatical description of the classical language of ancient Egypt for specialists in linguistics and other related fields.

Women in Mycenaean Greece is the first book-length study of women in the Linear B tablets from Mycenaean Greece and the only to collect and compile all the references to women in the documents of the two best attested sites of Late Bronze Age Greece - Pylos on the Greek mainland and Knossos on the island of Crete. The book offers a systematic analysis of women’s tasks, holdings, and social and economic status in the Linear B tablets dating from the 14th and 13th centuries BCE, identifying how Mycenaean women functioned in the economic institutions where they were best attested - production, property control, land tenure, and cult. Analysing all references to women in the Mycenaean documents, the book focuses on the ways in which the economic institutions of these Bronze Age palace states were gendered and effectively extends the framework for the study of women in Greek antiquity back more than 400 years. Throughout, the book seeks to establish whether gender practices were uniform in the Mycenaean states or differed from site to site and to gauge the relationship of the roles and status of Mycenaean women to their Archaic and Classical counterparts to test if the often-proposed theories of a more egalitarian Bronze Age accurately reflect the textual evidence. The Linear B tablets offer a unique, if under-utilized, point of entry into women’s history in ancient Greece, documenting nearly 2000 women performing over fifty task assignments. From their decipherment in 1952 one major gap in the scholarly record remained: a full accounting of the women who inhabited the palace states and their tasks, ranks, and economic contributions. Women in Mycenaean Greece fills that gap recovering how class, rank, and other social markers created status hierarchies among women, how women as a group functioned relative to men, and where different localities conformed or diverged in their gender practices.