Film came to the territory that eventually became Israel not long after the medium was born. Casting a Giant Shadow is a collection of articles that embraces the notion of transnationalism to consider the limits of what is "Israeli" within Israeli cinema. As the State of Israel developed, so did its film industries. Moving beyond the early films of the Yishuv, which focused on the creation of national identity, the industry and its transnational ties became more important as filmmakers and film stars migrated out and foreign films, filmmakers, and actors came to Israel to take advantage of high-quality production values and talent. This volume, edited by Rachel Harris and Dan Chyutin, uses the idea of transnationalism to challenge the concept of a singular definition of Israeli cinema. Casting a Giant Shadow offers a new understanding of how cinema has operated artistically and structurally in terms of funding, distribution, and reception. The result is a thorough investigation of the complex structure of the transnational and its impact on national specificity when considered on the global stage.

Remembering Paleface Ski Center and Dude Ranch... This historical novel tells the story of a family-owned resort in the heart of the Adirondack Mountains and the struggle to thrive alongside the rugged, spectacular, and majestic Whiteface Mountain. It is the story of a dreamer, Boylan Fitz-Gerald, who fought Mother Nature, Father Time, and a dwindling checkbook balance and wound up creating a business with a lasting legacy-a business that left a deep imprint on the souls of many people. In the Shadow of a Giant is about a place, and also about an entrepreneur, his wife, their family and friends, the proprietors of other nearby Adirondack attractions, the communities of Wilmington and Jay, New York, and the local heroes who lived there. Take a trip back in time and enjoy a one-of-a-kind, vintage Adirondack vacation experience.

Enter the world of Geronimo Stilton, where another funny adventure is always right around the corner. Each book is a fast-paced adventure with lively art and a unique format kids 7-10 will love.Tuslaarai! Tuslaarai! That's Mongolian for "Help!" and holey cheese did I need some! I was lost in the Gobi Desert, looking for a hidden treasure. So far, all I had found were sandstorms, camels, and giant dinosaur bones? Rat-munching rattlesnakes - how do I get myself into these situations?

#1 NEW YORK TIMES BESTSELLER • More than one million copies sold! A “brilliant” (Lupita Nyong’o, Time), “poignant” (Entertainment Weekly), “soul-nourishing” (USA Today) memoir about coming of age during the twilight of apartheid “Noah’s childhood stories are told with all the hilarity and intellect that characterizes his comedy, while illuminating a dark and brutal period in South Africa’s history that must never be forgotten.”—Esquire Winner of the Thurber Prize for American Humor and an NAACP Image Award • Named one of the best books of the year by The New York Time, USA Today, San Francisco Chronicle, NPR, Esquire, Newsday, and Booklist Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.

The authors of Ice Age “present a well-documented argument that [Newton] owed more to the ideas of others than he admitted” (Kirkus Reviews). Robert Hooke and Edmond Halley, whose place in history has been overshadowed by the giant figure of Newton, were pioneering scientists within their own right, and instrumental in establishing the Royal Society. Although Newton is widely regarded as one of the greatest scientists of all time and the father of the English scientific revolution, John and Mary Gribbin uncover the fascinating story of Robert Hooke and Edmond Halley, whose scientific achievements neatly embrace the hundred years or so during which science as we know it became established. They argue persuasively that, even without Newton, science would have made a great leap forward in the second half of the seventeenth century, headed by two extraordinary figures, Hooke and Halley. “Science readers will thank the Gribbins for restoring Hooke and Halley to the prominence that they deserve.”—Publishers Weekly “Engaging . . . They offer proof that Hooke was an important scientist in his own right, and often had physical insights that were borrowed (usually without acknowledgement) by Newton.”—Choice

“a worthy, if not definitive, addition to the body of Zodiac knowledge.” — Kirkus "It is no exaggeration to call the identity of the Zodiac Killer the most maddening unsolved crime in American history...But it is also no exaggeration to say that Mike Rodelli's case stands above them all" — Tom Zoellner, Author and Former Reporter for the San Francisco Chronicle In June 1999, Mike Rodelli had an idea that had never occurred to a generation of detectives in the San Francisco Bay Area. This led him to a new suspect in the Zodiac case and began a twenty-year odyssey to prove that this man was the Zodiac Killer. In the Shadow of Mt. Diablo: The Shocking True Identity of the Zodiac Killer is filled with original information about the mystery, including DNA and behavioral profiling that resulted directly from his twenty years of intensive research. Rodelli provides the reader with an objectively researched, fully documented book that is meticulously footnoted, and which shows that, against all odds, he has solved a case many said would never yield its dark secrets.

A fourteen-year-old boy sits in the darkness of the Holiday Theater watching GIANT, the 1956 Warner Brothers extravaganza starring Rock Hudson and Elizabeth Taylor. The film depicts the rise of newly rich oil barons as they replaced and came into conflict with the old cattle aristocracy. And yet the movie also teems with characters that depict racist stereotypes of Mexicans. One scene, this memory, is at the heart of Scene from the Movie GIANT, a remarkable book-length poem in five parts by Tino Villanueva. Villanueva excavates the meaning of this scene and in doing so grapples with urgent questions of cultural identity.