These lucid and closely reasoned studies of the thought of Jacques Derrida, Michel Foucault, J�rgen Habermas, and Richard Rorty provide a coherent analysis of major pathways in recent critical theory. They defend a position analogous to Kant's - that ideas of reason are both unavoidable presuppositions of thought that have to be carefully reconstructed and persistent sources of illusions that have to be repeatedly deconstructed.McCarthy examines the critique of impure reason from the complementary viewpoints of the attackers and defenders of Enlightenment rationality. He first analyzes the work of Rorty, Foucault, and Derrida to determine what these radical critics have contributed to our understanding of reason and where they have gone wrong. He explores Habermas's theory of communicative rationality, focusing on the attempt to go beyond hermeneutics, the incorporation of systems theory, the implications of discourse ethics for our understanding of political debate and collective decision making, and the relation of political theology to critical social theory.Thomas McCarthy is Professor of Philosophy at Northwestern University and the editor of The MIT Press series Studies in Contemporary German Social Thought. The analysis and assessment of Habermas's recent work in Ideals and Illusions serves as a sequel to his earlier study The Critical Theory of J�rgen Habermas.

From a noted historian and foreign-policy analyst, a groundbreaking critique of the troubling symbiosis between Washington and the human rights movement The United States has long been hailed as a powerful force for global human rights. Now, drawing on thousands of documents from the CIA, the National Security Council, the Pentagon, and development agencies, James Peck shows in blunt detail how Washington has shaped human rights into a potent ideological weapon for purposes having little to do with rights—and everything to do with furthering America's global reach. Using the words of Washington's leaders when they are speaking among themselves, Peck tracks the rise of human rights from its dismissal in the cold war years as "fuzzy minded" to its calculated adoption, after the Vietnam War, as a rationale for American foreign engagement. He considers such milestones as the fight for Soviet dissidents, Tiananmen Square, and today's war on terror, exposing in the process how the human rights movement has too often failed to challenge Washington's strategies. A gripping and elegant work of analysis, Ideal Illusions argues that the movement must break free from Washington if it is to develop a truly uncompromising critique of power in all its forms.

No part of philosophy is as disconnected from its history as is epistemology. After Certainty offers a reconstruction of that history, understood as a series of changing expectations about the cognitive ideal that beings such as us might hope to achieve in a world such as this. The story begins with Aristotle and then looks at how his epistemic program was developed through later antiquity and into the Middle Ages, before being dramatically reformulated in the seventeenth century. In watching these debates unfold over the centuries, one sees why epistemology has traditionally been embedded within a much larger sphere of concerns about human nature and the reality of the world we live in. It ultimately becomes clear why epistemology today has become a much narrower and specialized field, concerned with the conditions under which it is true to say, that someone knows something. Based on a series of lectures given at Oxford University, Robert Pasnau's book ranges widely over the history of philosophy, and examines in some detail the rise of science as an autonomous discipline. Ultimately Pasnau argues that we may have no good reasons to suppose ourselves capable of achieving even the most minimal standards for knowledge, and the final chapter concludes with a discussion of faith and hope.

It has long been thought that science is our best hope for realizing objective knowledge, but that, to deliver on this promise, it must be value free. Things are not so simple, however, as recent work in science studies makes clear. The contributors to this volume investigate where and how values are involved in science, and examine the implications of this involvement for ideals of objectivity.

Saul Smilansky presents an original treatment of the problem of free will, which lies at the heart of morality and human self-understanding. He maintains that we have most of the resources we need for a proper understanding of the problem; and the key to it is the role played by illusion. The major traditional philosophical approaches are inadequate, Smilansky argues: their partial insights need to be integrated into a hybrid view, which he calls Fundamental Dualism. Common views about justice, responsibility, human worth, and related notions are radically misguided, and the absurd looms large. We do, however, find some justification for enlightened moral views, and grounding for some of our most cherished views of human nature. The bold and perhaps disturbing claim of Free Will and Illusion is that we could not live adequately with a complete awareness of the truth about human freedom: illusion lies at the centre of the human condition. The necessity of illusion is seen to follow from the basic elements of the free will issue, helping keep our moral and psychological worlds intact. Smilansky offers the challenge of recognizing the centrality of illusion and trying to free ourselves to some extent from it; this is not only a philosophical challenge, but a moral and psychological one as well.

In the Forbidden City and other palaces around Beijing, Emperor Qianlong (r. 1736-1795) surrounded himself with monumental paintings of architecture, gardens, people, and faraway places. The best artists of the imperial painting academy, including a number of European missionary painters, used Western perspectival illusionism to transform walls and ceilings with visually striking images that were also deeply meaningful to Qianlong. These unprecedented works not only offer new insights into late imperial China’s most influential emperor, but also reflect one way in which Chinese art integrated and domesticated foreign ideas. In Imperial Illusions, Kristina Kleutghen examines all known surviving examples of the Qing court phenomenon of “scenic illusion paintings” (tongjinghua), which today remain inaccessible inside the Forbidden City. Produced at the height of early modern cultural exchange between China and Europe, these works have received little scholarly attention. Richly illustrated, Imperial Illusions offers the first comprehensive investigation of the aesthetic, cultural, perceptual, and political importance of these illusionistic paintings essential to Qianlong’s world. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/imperial-illusions