This book takes a fresh look at early modern Japanese Confucian thought through a study of Kumazawa Banzan (1619-91). It argues that, contrary to the often-held view that Confucianism was an ideological tool used to support the current regime, Banzan's thought suggests that the traditioncontained elements subversive to the status quo: Banzan is presented as a figure of protest. The book explores his stormy relations with feudal authority and his remonstrations against contemporary maladministration. Banzan also criticized the historical militarization of Japanese societyand high consumption, which he believed to cause deforestation and climatic warming. His thinking extended to metaphysics and the question of Japan's national identity. A remarkable feature of his thought was his identification of an arcadian society in the Tale of Genji, a book condemned bymost of his fellow Confucian thinkers. This book is based on Banzan's written works, both published and in manuscript, his correspondence, and other contemporary sources.

People of all times and in all cultures have produced and consumed fiction in a variety of forms, not only for entertainment, but also to spread knowledge, religious or political beliefs. Furthermore, fiction has taken part in reflecting and shaping the cultural identity of communities as well as the identity of individuals. This volume aims to explore the concept and the use of fiction from different epochs, in different cultures and in different forms, both ancient and more recent. It covers a broad field of interests, from ancient literature, art, philosophy and theater to Bollywood productions, television series and modern electronic media. Twenty-three scholars from ten countries and from different areas and fields of interests in the Humanities assembled in Stockholm on a conference in August 2012 to exchange views on "Fiction in Global Contexts". This volume presents the results of their discussions. It contains fresh perspectives on issues and topics such as: the nature of fiction fiction and its relationship to "truth" the demand for and the function and uses of fiction the development of fiction from ancient to modern times different forms of fiction fiction in social contexts or in a gender perspective

The Dao Companion to Japanese Confucian Philosophy will be part of the handbook series Dao Companion to Chinese Philosophy, published by Springer. This series is being edited by Professor Huang Yong, Professor of Philosophy at Kutztown University and Editor of Dao: A Journal of Comparative Philosophy. This volume includes original essays by scholars from the U.S., Europe, Japan, and China, discussing important philosophical writings by Japanese Confucian philosophers. The main focus, historically, will be the early-modern period (1600-1868), when much original Confucian philosophizing occurred, and Confucianism in modern Japan. The Dao Companion to Japanese Confucian Philosophy makes a significant contribution to the Dao handbook series, and equally to the field of Japanese philosophy. This new volume including original philosophical studies will be a major contribution to the study of Confucianism generally and Japanese philosophy in particular.

These seven essays by the most recent English translator of The Tale of Genji emphasize three major interpretive issues. What is the place of the hero (Hikaru Genji) in the work? What story gives the narrative underlying continuity and form? And how does the closing section of the tale (especially the ten 'Uji chapters') relate to what precedes it? Written over a period of nine years, the essays suggest fresh, thought-provoking perspectives on Japan¿s greatest literary classic.

Yosano Akiko (1878–1942) has long been recognized as one of the most important literary figures of prewar Japan. Her renown derives principally from the passion of her early poetry and from her contributions to 20th-century debates about women. This emphasis obscures a major part of her career, which was devoted to work on the Japanese classics and, in particular, the great Heian period text The Tale of Genji. Akiko herself felt that Genji was the bedrock upon which her entire literary career was built, and her bibliography shows a steadily increasing amount of time devoted to projects related to the tale. This study traces for the first time the full range of Akiko’s involvement with The Tale of Genji. The Tale of Genji provided Akiko with her conception of herself as a writer and inspired many of her most significant literary projects. She, in turn, refurbished the tale as a modern novel, pioneered some of the most promising avenues of modern academic research on Genji, and, to a great extent, gave the text the prominence it now enjoys as a translated classic. Through Akiko’s work Genji became, in fact as well as in name, an exemplum of that most modern of literary genres, the novel. In delineating this important aspect of Akiko’s life and her bibliography, this study aims to show that facile descriptions of Akiko as a “poetess of passion” or “new woman” will no longer suffice.

A new translation of Kumazawa Banzan's (1619-1691) Responding to the Great Learning, the first major writing on political economy in early modern Japan.

“Anyone interested in the history of media and communications should read Beth Berry's extraordinary book. Learned, lucid, and lively, it has much to teach students of premodern societies in Europe and elsewhere.”—Anthony Grafton, Henry Putnam University Professor of History, Princeton University “In Japan in Print, Mary Elizabeth Berry crisply condenses a remarkable amount of primary research on difficult and little-known materials, and it interprets those materials in a highly original framework. The scholarship is superb, and the writing is as masterful as the research. Anyone interested in East Asian cultural production will find this compelling reading.”—Kären E. Wigen, author of The Making of a Japanese Periphery, 1750-1920 “This is a very important book, not only for its insights into a vast body of previously overlooked texts, but also for its methodology. While historians have known that early modern Japan produced maps, for example, no one has heretofore compared them to their medieval predecessors or examined them for what they say about an emerging Japanese cartographic imagination. This is a highly original work, and it will change the field.”—Anne Walthall, author of The Weak Body of a Useless Woman: Matsuo Taseko and the Meiji Restoration