Jones's Icones contains finely delineated paintings of more than 760 species of Lepidoptera, many of which it described for the first time, marking a critical moment in the study of natural history. With Iconotypes Jones's seminal work is published for the first time, accompanied by expert commentary and contextual essays, and featuring annotated maps showing the location of each species. Jones painted the species between the early 1780s and 1800, drawing from his own collection and the collections of Joseph Banks, Dru Drury, Sir James Edward Smith, John Francillon, the British Museum and the Linnean Society. For every specimen painting he provided a species name, the collection from which it was taken and the geographical location in which it was found. In 1787, during a visit to London, the Danish scientist Johann Christian Fabricius studied Jones's paintings and based 231 species of butterfly and moths on them. In this enhanced facsimile, Jones's references to historic references are clarified and modern taxonomic names are provided, together with notes on which paintings serve as iconotypes. Contextual commentary by specialist entomologist Richard I. Vane-Wright gives an account of Jones's life and his motivation for collecting butterflies and creating the Icones, and evaluates the significance of his work. Interspersed at intervals between the pages of Jones's paintings are modern maps showing the location of each species painted, and expert essays on the development of lepidoptery and taxonomy after Linneaus, and the roles of collectors and natural history artists from the late 1700s to mid-1800s. With 1600 illustrations in colour In partnership with Oxford University Museum of Natural History

This fully realized colour catalogue includes elegant contemporary illustrations of every animal, plant or mineral cited in Syme's edition of “Werner's nomenclature of colours”

Spectacular, mysterious, elegant and disturbing - the compelling beauty of vertebrate skeletons is revealed as never before in this collection of photographs, which offers an original explanation of the mechanics of evolution.

Wendy Walsh, following in the traditions of botanical artists from previous ages, has put her exceptional skills to marvellous effect in this beautiful collection of watercolour drawings. She has painted here a selection of the native and cultivated flora of Ireland, where she lives, chosen not only for their botanical interest or attractiveness but also because they happen to have an interesting history: Ireland has produced a surprising number of devoted and intrepid plant-hunters who played a significant part in the introduction into Europe of plants from remote places. Ruth Isabel Ross recounts the history of plant collecting and horticulture by the Irish since earliest times, and Dr Charles Nelson has written extensive notes on the individual plants. The main attraction of this book, however, remains the delicate and subtle watercolour drawings of Wendy Walsh, who works only from nature, painting the actual plants which are her subjects.

Recording the world of plant and animal life and documenting the strange beauty of the natural world have been human passions ever since the first cave paintings. While there are many histories of botanical art featuring beautiful paintings and finished drawings, the artists' preparatory sketches, first impressions, and scribbled notes on paper are rarely seen. But it is often these early attempts that give us real insight into the firsthand experiences and adventures of the botanists, artists, collectors, and explorers behind them. This exquisite visual compendium of botanical sketches by eighty artists from around the world brings these personal and vividly spontaneous records back into the light. Filled with remarkable images from the fifteenth to the twentieth centuries, sourced from the unparalleled collections of the Royal Botanic Gardens, Kew Library, Art & Archives, and other libraries, museums, and archives, Botanical Sketchbooks also provides fascinating biographical portraits of the intriguing characters featured within, including such renowned artists, scientists, and amateur botanists as Leonardo da Vinci, Georg Dionysius Ehret, Carl Linnaeus, Maria Sibylla Merian, Mark Catesby, and Helen and Margaret Shelley (sisters of the novelist Mary Shelley), among many others.

Contemporary art is a very different kind of art from anything that has ever been practiced in the past. It is an art that takes place after the age of metaphysics, when all the imaginary significations that once used to anchor art in traditional meaning systems have disintegrated. Today's artist, consequently, is left with a rubble heap of broken meaning systems, discarded signifiers and semiotic vacancies that must be sifted through in a quest for new meanings appropriate to an age that has been reshaped by globalization. Through discussions of the works of artists such as Damien Hirst, Anish Kapoor, Anselm Kiefer, Christian Boltanski and many others, John David Ebert attempts to fathom the nature of what it means to be an artist in a post-metaphysical age in which all certainties of meaning have collapsed.

Photographs of outer space--produced by earthbound and space telescopes and planet-roving satellites--have captivated a vast audience. This stunning book presents in unprecedented clarity 365 spectacular images culled from the thousands that have been featured on the popular Web site APOD. 365 illustrations.