This six-volume set presents cutting-edge advances and applications of expert systems. Because expert systems combine the expertise of engineers, computer scientists, and computer programmers, each group will benefit from buying this important reference work. An "expert system" is a knowledge-based computer system that emulates the decision-making ability of a human expert. The primary role of the expert system is to perform appropriate functions under the close supervision of the human, whose work is supported by that expert system. In the reverse, this same expert system can monitor and double check the human in the performance of a task. Human-computer interaction in our highly complex world requires the development of a wide array of expert systems. Expert systems techniques and applications are presented for a diverse array of topics including Experimental design and decision support The integration of machine learning with knowledge acquisition for the design of expert systems Process planning in design and manufacturing systems and process control applications Knowledge discovery in large-scale knowledge bases Robotic systems Geograhphic information systems Image analysis, recognition and interpretation Cellular automata methods for pattern recognition Real-time fault tolerant control systems CAD-based vision systems in pattern matching processes Financial systems Agricultural applications Medical diagnosis

Visual control of our actions can be unconscious as well as conscious. For example, when a pedestrian steps onto a street and then suddenly steps back, to avoid being hit by an oncoming car, the pedestrian's visual system has been able to detect the car very rapidly. Since the registration of the approaching car in conscious vision could take a few hundreds of milliseconds - possibly too long to avoid being struck by it, the rapid injury-avoiding action has relied on the oncoming car being detected at unconscious levels in the visual system. So how, and at what level in the visual system is a stimulus processed unconsciously? This book explores unconscious and conscious vision, investigated using psychophysical and brain-recording methods. These methods allow microtemporal analyses of visual processing during the interval, ranging from a few 10s to a few 100s of milliseconds, between a stimulus's impinging on the retinae and its eliciting a behavioral response or a conscious percept. By tying these findings to well-known neuroanatomical and physiological substrates of vision, the book presents and discusses theoretical and empirical approaches to, and findings on, conscious and unconscious vision. In addition to presenting an in-depth, integrative review of recent and ongoing scientific and scholarly research, the book proposes several avenues for directing future research in these areas. It also provides a well articulated theoretical and a detailed empirical base that points to the special importance of the processing of surface properties of visual objects to their conscious vision. Aimed at scientists and scholars in visual cognition, visual neuroscience and, more broadly, cognitive science - including that part of the philosophical community that is currently occupied with the mind-brain problem, the book sheds new light on and advances experimental, philosophical, and scholarly research on visual consciousness.

An extended essay in contemplative philosophy, the meeting of mystical and philosophical theology, Partakers of the Divine shows that Christian philosophical and contemplative practices arose together and that throughout much of Christian history philosophy, theology and contemplation remained internal to one another. Further, the relation of philosophy, theology, and contemplation to one another is of more than antiquarian interest, for it provides theologians and philosophers of religion today with a way forward beyond many of the stalemates that have beset discussions about faith and reason, the role of religion in contemporary culture, and the challenges of modernity and postmodernity.

'So, in the end, above ground you must have the Haves, pursuing pleasure and comfort and beauty, and below ground the Have-nots, the Workers...' At a Victorian dinner party, in Richmond, London, the Time Traveller returns to tell his extraordinary tale of mankind's future in the year 802,701 AD. It is a dystopian vision of Darwinian evolution, with humans split into an above-ground species of Eloi, and their troglodyte brothers. The first book H. G. Wells published, The Time Machine is a scientific romance that helped invent the genre of science fiction and the time travel story. Even before its serialisation had finished in the spring of 1895, Wells had been declared 'a man of genius', and the book heralded a fifty year career of a major cultural and political controversialist. It is a sardonic rejection of Victorian ideals of progress and improvement and a detailed satirical commentary on the Decadent culture of the 1890s. This edition features a contextual introduction, detailed explanatory notes, and two essays Wells wrote just prior to the publication of his first book.

In The Brothers Karamazov, Fyodor Dostoevsky proposes ministry as the way to resist and overcome the world’s evil. He employs two plotlines to do so. The action plot concerns the events surrounding the murder of Fyodor Karamazov. All evidence points to Dmitri Karamazov. Rational, circumstantial evidence convicts him; yet the reader knows he is innocent. The ministry plot occurs in this dark context where “small acts of love” are performed by The Elder Zosima, Alyosha Karamazov, and many others. These acts of love all answer this unspoken question, “What can be said and done in Jesus’ name that opens the future to new possibilities in contexts heretofore deemed closed and without hope?” Asking and answering this question is the essence of ministry, and since the question can be asked in any context, ministry is possible anywhere. Dostoevsky’s unabashed antisemitism, however, undermines his brilliant analysis. The concluding chapters document how unconfessed sins like antisemitism exert a death-dealing power that undermines our cultures, our communities, and our ministries. The Freedom to Choose Life shows how ministry resists and overcomes evil by these small acts of love and by the global effects of repenting of humanity’s unconfessed sins.

The Dirty South examines the shifting significances of the South as a constructed, fantasized region in the American psyche, particularly its frequent association with tropes of dirt that emphasize soil, garbage, trash, grit, litter, mud, swamp water, slime, and pollution. Beginning with iconic works from the 1970s such as Deliverance and The Texas Chainsaw Massacre, James A. Crank traces the image of a “dirty” South into the twenty-first century to explore the social, political, and psychological effects of the region’s hold on the imaginations of southerners and nonsoutherners alike. With a focus on media forms through which southern identity gets articulated and questioned—including horror movies, Swamp Thing comics, and popular music by artists such as Waylon Jennings and OutKast—The Dirty South probes the sustained fascination with southern dirtiness while reflecting on its causes and consequences since the end of the civil rights era. Highlighting the period from 1970 to 2020, during which the South began to represent several new possible identities for the nation as a whole and for the area itself, Crank considers the ways that southerners have used depictions of dirt to create and police boundaries and to contest those boundaries. Each chapter pairs prominent literary or cultural texts from the 1970s with more contemporary works, such as Jordan Peele’s film Get Out, which recycle similar investments or, critically, challenge the inherent whiteness of the earlier images. By historicizing fantasies of the region and connecting them to the first decades of the twenty-first century, The Dirty South reveals that notions about southern dirtiness proliferate not because they lend authenticity or relevancy to the U.S. South, but because they aid so conspicuously in the zombified work of tethering investors (real and imagined) to a graveyard of ideas.

Stephen Gee explores the truly groundbreaking work of a long forgotten genius and pioneer of the Los Angeles skyline, John Parkinson. Credited with designing the city's most iconic structures - City Hall and Union Station, among others - Parkinson was a true revolutionary and helped to conceive the first skyscrapers in LA. This is the first full length book dedicated to his work, filled with stunning visuals and fascinating facts.