In this extra-size 25th issue, Icon fights for Earth’s survival in an interstellar courtroom, recounting his experience as Augustus Freeman through slavery, Reconstruction, and two world wars. Meanwhile, in Dakota, the new Icon and Rocket confront the deadly Oblivion, the alien shape-shifter responsible for marooning the original Icon on Earth.

This book is a collective reflection on the relationship between theory and methods, as practiced by American archaeologists of the Byzantine period in Greece, Turkey, Ukraine, and Egypt between the 1990s and 2020s. The eleven authors represent a generational voice that employed theory to redirect the established narratives of the golden age of Byzantine archaeology (1960s–1980s) that privileged art and religion. Beyond Icons: Theories and Methods in Byzantine Archaeology in North America originated in three conferences (2010, 2012, and 2013) organized by the Program of Byzantine Studies at Dumbarton Oaks in Washington, D.C. Acknowledging the role that Dumbarton Oaks played in the golden age of Byzantine archaeology, Program Director Margaret Mullett designed these conferences as exercises in conceptualizing the field’s future. The chapters consider theories of fragments, methodologies in regional surface survey, stratigraphy, habitus, phenomenology, gender theory, craft, dreams, and sound. In doing so, they capture a moment in the study of Byzantine archaeology and material culture and chart out future directions for the field. This book will appeal to scholars and students alike, as well as all those interested in Byzantine Studies, medieval archaeology (particularly of the eastern Mediterranean), and Byzantine material culture. It will also be of interest to anyone seeking to understand the emerging narrative of a global Middle Ages. The chapters reflect the ways in which the study of Byzantine archaeology was shaped by the scholarship of those working in the United States and Canada.

"A collection of essays by eleven scholars of Russian history, art, literature, cinema, philosophy, and theology that track key shifts in the production, circulation, and consumption of the Russian icon from Peter the Great's Enlightenment to the post-Soviet revival of the Orthodox Church"--Provided by publisher.

This museum catalog begins with an in-depth description of icons, including a discussion of what an icon is, what makes a painting an icon, icons as works of art, the materials used, the making of wooden icons, and the uses of icons. Featuring a historic overview of the great period of Russian icons as well as icons in the Orient, this study also contains a chronological table and scientific descriptions of more than 100 icons classified thematically.

This book provides an introduction to 24 iconic figures, real and fictional, that have shaped the detective/mystery genre of popular literature. Icons of Mystery and Crime Detection: From Sleuths to Superheroes is an insightful look at one of our most popular and diverse fictional genres, providing a guided tour of mystery and crime writing by focusing on two dozen of the field's most enduring creations and creators. Icons of Mystery and Crime Detection spans the history of the detective story with series of critical entries on the field's most evocative names, from the originator of the form, Edgar Allan Poe, to its first popular running character, Sherlock Holmes; from the Golden Age of Sam Spade, Philip Marlowe, and Charlie Chan—in fiction and films—to small screen heroes, such as Columbo and Jessica Fletcher. Also included are other accomplished practitioners of the craft of mystery/crime storytelling, including Agatha Christie, Tony Hillerman, and Alfred Hitchcock.

Lynn Morgan traces the remarkable story of the human embryo collecting project at John Hopkins Dept. of Anatomy during the early 20th century. She shows how the science of embryology came into existence & how the embryo entered Western culture as an image of 'ourselves unborn'.

Patsy Cline remains a much beloved singer, even though she died in 1963. By 1996, Patsy Cline had become such an icon that The New York Times magazine positioned her among a pantheon of women celebrities who transcended any single cultural genre. A series of essays on "Heroine Worship" included Patsy Cline with such "feminine icons" as Eleanor Roosevelt, Martha Graham, Indira Gandhi, Aretha Franklin, and Jackie Onassis. The making of an icon is a cultural process that transcends traditional biographical analysis. One does not need to know the whole life story of the subject to understand how the subject became an icon. This book explores how Patsy Cline transcended class and poverty to become the country music singer that non-country music fans embraced. It goes beyond a traditional biography to explore the years beyond her death. This is the first thoroughly researched book on Patsy Cline. It is true to Patsy and her legacy. Judy Sue Huyett-Kempf President, Celebrating Patsy Cline The Patsy Cline Historic House Winchester, Virginia Douglas Gomery taught mass media history at the University of Wisconsin, Northwestern University, New York University, the University of Utrecht the Netherlands), and the University of Maryland. He retired in 2005 to become the Official Historian for Celebrating Patsy Cline and Resident Scholar at the Library of American Broadcasting.