Bard of Iceland makes available for the first time in any language other than Icelandic an extensive selection of works by Jónas Hallgrímsson (1807-1845), the most important poet of modern Iceland. Jónas was also Iceland's first professionally trained geologist and an active contributor in a number of other scientific fields: geography, botany, zoology, and archaeology. He played a key role as well in Iceland's struggle to gain independence from Denmark. "Descriptive power and fullness of spirit were the hallmarks of his soul," wrote a contemporary admirer. Dick Ringler, one of the premier scholars of Icelandic literature in the world, offers a substantial biography of Jónas, a representative selection of his most important poems, and some of his prose work in science and belles lettres. Ringler also provides extended commentaries and an essay on Icelandic prosody. The poems are translated into English equivalents of their original complex meters in Icelandic and Danish. As a poet Jónas was intimately familiar with his nation's medieval literary inheritance--the sagas and eddas--and also with the groundbreaking work of contemporary German and Danish Romanticism (Chamisso, Heine, Oehlenschläger). A master of poetic form, Jónas not only exploited and enlarged the possibilities of traditional eddic and skaldic meters, but introduced the sonnet, triolet stanza, terza and ottava rima, and blank verse into the Icelandic metrical repertory.

The Saints in Old Norse and Early Modern Icelandic Poetry is a complimentary volume to The Legends of the Saints in Old Norse-Icelandic Prose (UTP 2013). This volume focuses on Icelandic devotional poetry created during the early modern period.

This book assesses the importance of poetry for the Old Icelandic literary flowering of c. 1150–1350. It addresses the apparent paradox that an extremely conservative form of literature, namely skaldic poetry, was at the core of the most innovative literary and intellectual experiments in the period. The book argues that this cannot simply be explained as a result of strong local traditions, as in most previous scholarship. Thus, for instance, the author demonstrates that the mix of prose and poetry found in kings’ sagas and sagas of Icelanders is roughly contemporary to the written sagas. Similarly, he argues that treatises on poetics and mythology, including Snorri’s Edda, are new to the period, not only in their textual form, but also in their systematic mode of analysis. The book contends that what is truly new in these texts is the method of the authors, derived from Latin learning, but applied to traditional forms and motifs as encapsulated in the skaldic tradition. In this way, Christian Latin learning allowed for its perceived opposite, vernacular oral literature of pagan extraction, to reach full fruition and to largely replace the very literature which had made this process possible in the first place.

iPoems for the Dolphins to Click Home About is a book of poetry and fun having nothing to do with dolphins. It is for poetry lovers and haters. A richly eccentric book, it delves into themes at the heart of it all: love, loss, and how to kidnap your neighbor ́s cat using a lunch box. The book ́s 50 poems prove that poetry can be fun and at the same time meaningful and beautiful. These are not the poems your grandma read. These are the poems she wished she had read. iPoem ́s verses reveal simple, accessible truths to intrepid readers. "We want to be constantly shown and to constantly show higher vantage points," one line echoes and then answers, "We want magic carpets to carry us under shimmering stars / above everyone else ́s lives, where tough questions instead / of being answered are set aside for higher simplicity." iPoems unassumingly achieves this higher simplicity. Its naked truths dig deeply, while its lyrical lines resonate richly. Instead of following the tired modes of poetry ́s past, it gives its wistful readers a new verse for the new world.

Originally published in 1957. Stefán Einarsson covers almost a thousand years of Icelandic literature in tracing the influence of the sagas and eddic poems. The book begins with background on Icelandic literature, outlining its literary roots in Scandinavia. Following this, Einarsson provides a thorough survey of Icelandic literature through the 1950s.

As complete a history as possible of the literature of Iceland.

Iceland is unique among European societies in having been founded as late as the Viking Age and in having copious written and archaeological sources about its origin. Gunnar Karlsson, that country's premier historian, chronicles the age of the Sagas, consulting them to describe an era without a monarch or central authority. Equating this prosperous time with the golden age of antiquity in world history, Karlsson then marks a correspondence between the Dark Ages of Europe and Iceland's "dreary period", which started with the loss of political independence in the late thirteenth century and culminated with an epoch of poverty and humility, especially during the early Modern Age. Iceland's renaissance came about with the successful struggle for independence in the nineteenth and early twentieth centuries, and with the industrial and technical modernization of the first half of the twentieth century. Karlsson describes the rise of nationalism as Iceland's mostly poor peasants set about breaking with Denmark, and he shows how Iceland in the twentieth century slowly caught up economically with its European neighbors.