Prince Draco Valenti, known as the ice prince, bears his title reluctantly, and wears his icy exterior like a suit of armor that no opponent can penetrate.... Except Anna Orsini. She isn't any ordinary adversary, she's a high-flying, straight-talking lawyer in a no-nonsense suit and killer stilettos--conflicting signals that perplex, frustrate and attract Draco all at the same time.... While they're at odds in business, in the bedroom Draco's desire for Anna has the power to melt his defenses. The temptation to play with fire is overwhelming....

This is the book 1 of One Night with Blaze. Blaze Arden Vaughn is an heir of a huge empire, an ace student of the medical faculty, very handsome, sweet, and nice. His name signifies fire but his heart is as cold as ice. Ace Daxton Anderson is a known 'one-night stand' guy and bi. A gang leader who won't back down from a gang fight and is not afraid to be bruised just to prove his point... They are both in the same university, having their own territory. They never knew of each other's existence. Until the day the Ice Prince fixed his cold gaze on the very hot gang leader on the field. "You want me that bad... your eyes were screaming it out loud..." Blaze announced with his challenging tone. A calm smile adorned his face, making Ace's jaw clench while their gazes locked. "I can smell your desire even from afar..." Blaze continued with a very subtle smirk, making Ace grit his teeth. "Who would not...you are Blaze Arden Vaughn...the epitome of perfection...everybody's dream guy" Ace sarcastically responded, a smirk grazed his lips. His jaw clenched in annoyance not with Blaze but with himself. "So Ace Anderson, want to try, a Blaze Arden Vaughn for tonight?" Blaze smirked as he casually ask. A one-night stand offered by the cold and distant Blaze Arden Vaughn, just one night of pleasure… one night of curiosity.

In 2001, Jace Clayton was an amateur DJ who recorded a three-turntable, sixty-minute mix called Gold Teeth Thiefand put it online to share with his friends. Within months, the mix became an international calling card, whisking Clayton away to a sprawling, multitiered nightclub in Zagreb, a tiny gallery in Osaka, a former brothel in São Paolo, and the atrium of MoMA. And just as the music world made its fitful, uncertain transition from analog to digital, Clayton found himself on the front lines of an education in the creative upheavals of art production in the twenty-first-century globalized world. Uproot is a guided tour of this newly opened cultural space, mapped with both his own experiences and his relationships with other industry game-changers such as M.I.A. and Pirate Bay. With humor, insight, and expertise, Clayton illuminates the connections between a Congolese hotel band and the indie rock scene, Mexican surfers and Israeli techno, Japanese record collectors and hidden rain-forest treasure, and offers an unparalleled understanding of music in a digital age. Uproot takes readers behind the turntable decks to tell a story that only a DJ--and writer--of this caliber can tell.

Includes the transactions of the Belfast Natural History and Philosophical Society, Cork Cuvierian Society, and Dublin Natural History Society.

This set covers all aspects of international hip hop as expressed through music, art, fashion, dance, and political activity. Hip hop music has gone from being a marginalized genre in the late 1980s to the predominant style of music in America, the UK, Nigeria, South Africa, and other countries around the world. Hip Hop around the World includes more than 450 entries on global hip hop culture as it includes music, art, fashion, dance, social and cultural movements, organizations, and styles of hip hop. Virtually every country is represented in the text. Most of the entries focus on music styles and notable musicians and are unique in that they discuss the sound of various hip hop styles and musical artists' lyrical content, vocal delivery, vocal ranges, and more. Many additional entries deal with dance styles, such as breakdancing or b-boying/b-girling, popping/locking, clowning, and krumping, and cultural movements, such as black nationalism, Nation of Islam, Five Percent Nation, and Universal Zulu Nation. Country entries take into account politics, history, language, authenticity, and personal and community identification. Special care is taken to draw relationships between people and entities such as mentor-apprentice, producer-musician, and more.

Despite the velocity and scale of the cumulative changes of immigrant integration and receptivity infrastructures in fast growing regions of the United States, less research has focused on the new and evolving experiences in these regions in recent years. Editors Paul N. McDaniel and Darlene Xiomara Rodriguez and the contributors in Integration and Receptivity in Immigrant Gateway Metro Regions in the United States fill this gap through case studies of different types of immigrant gateway metro areas. They provide insight into how immigrant settlement, integration, and receptivity processes and practices within each metro area have continued to evolve beyond the nascent experiences documented in the early 2000s. This interdisciplinary volume examines ongoing processes in not only well-established immigrant gateways, but also in previously overlooked regions. This book is a resource for researchers, students, and practitioners to contextualize the ongoing changes in new destination metropolitan regions in the United States and to learn from the challenges, opportunities, and best practices emerging from different metropolitan regional contexts.