Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product. Concise, visual explanations of code provisions that apply to rain, snow, and ice loads This practical guide provides engineers with a visual overview of the code provisions pertinent to rain, snow, and ice loads. Rain, Snow, and Ice Loads: Time-Saving Methods Using the 2018 IBC and ASCE/SEI 7-16 contains simplified, step-by-step procedures that can be applied to determine each load. Included are design aids, figures, flowcharts, and examples that clearly demonstrate each procedure. Companion online Excel spreadsheets can be used in practice to calculate loads accurately and efficiently. Contains step-by-step procedures for: Design rain loads Ponding instability and ponding loads Flat roof snow loads Sloped roof snow loads Partial snow loads Unbalanced roof snow loads Drift loads on lower roofs and adjacent structures Drift loads adjacent to roof projections and parapets Sliding snow loads Rain-on-snow surcharge loads Snow loads on open-frame equipment structures Ice loads due to freezing rain

Tired of helping others cool their drinks, Ice Boy proceeds to sneak out of the freezer and heads to the beach, where his edges begin to blur.

For forty years, Andy Goldsworthy has worked with an extraordinary range of natural materials, often at their source. On an almost daily basis, he makes works of art using the materials and conditions that he encounters wherever he is, be it the land around his Scottish home, the mountain regions of France or Spain, or the pavements of New York City, Glasgow, or Rio de Janeiro. Out of earth, rocks, leaves, ice, snow, rain, sunlight and shadow he makes artworks that exist briefly before they are altered and erased by natural processes. They are documented in his photographs, and their larger meanings are bound up with the conditions, forces and processes that they embody: materiality, temporality, growth, vitality, permanence, decay, chance, labour and memory. Ephemeral Works features approximately two hundred of these works, selected by Goldsworthy from thousands he has made between 2001 and the present, and arranged in chronological sequence, capturing his creative process as it interacts with material, place, and the passage of time and seasons.

Finalist for the 2020 PEN / E.O. Wilson Literary Science Writing Award Acclaimed on its hardcover publication, a global journey that reminds us "of how magical the planet we're about to lose really is" (Bill McKibben) With a new epilogue by the author After nearly a decade overseas as a war reporter, the acclaimed journalist Dahr Jamail returned to America to renew his passion for mountaineering, only to find that the slopes he had once climbed have been irrevocably changed by climate disruption. In response, Jamail embarks on a journey to the geographical front lines of this crisis—from Alaska to Australia's Great Barrier Reef, via the Amazon rainforest—in order to discover the consequences to nature and to humans of the loss of ice. In The End of Ice, we follow Jamail as he scales Denali, the highest peak in North America, dives in the warm crystal waters of the Pacific only to find ghostly coral reefs, and explores the tundra of St. Paul Island where he meets the last subsistence seal hunters of the Bering Sea and witnesses its melting glaciers. Accompanied by climate scientists and people whose families have fished, farmed, and lived in the areas he visits for centuries, Jamail begins to accept the fact that Earth, most likely, is in a hospice situation. Ironically, this allows him to renew his passion for the planet's wild places, cherishing Earth in a way he has never been able to before. Like no other book, The End of Ice offers a firsthand chronicle—including photographs throughout of Jamail on his journey across the world—of the catastrophic reality of our situation and the incalculable necessity of relishing this vulnerable, fragile planet while we still can.

Bringing Up Bébé meets Last Child in the Woods in this “fascinating exploration of the importance of the outdoors to childhood development” (Kirkus Reviews) from a Swedish-American mother who sets out to discover if the nature-centric parenting philosophy of her native Scandinavia holds the key to healthier, happier lives for her American children. Could the Scandinavian philosophy of “There’s no such thing as bad weather, only bad clothes” hold the key to happier, healthier lives for American children? When Swedish-born Linda Åkeson McGurk moved to Indiana, she quickly learned that the nature-centric parenting philosophies of her native Scandinavia were not the norm. In Sweden, children play outdoors year-round, regardless of the weather, and letting babies nap outside in freezing temperatures is common and recommended by physicians. Preschoolers spend their days climbing trees, catching frogs, and learning to compost, and environmental education is a key part of the public-school curriculum. In the US, McGurk found the playgrounds deserted, and preschoolers were getting drilled on academics with little time for free play in nature. And when a swimming outing at a nearby creek ended with a fine from a park officer, McGurk realized that the parenting philosophies of her native country and her adopted homeland were worlds apart. Struggling to decide what was best for her family, McGurk embarked on a six-month journey to Sweden with her two daughters to see how their lives would change in a place where spending time in nature is considered essential to a good childhood. Insightful and lively, There’s No Such Thing as Bad Weather is a fascinating personal narrative that illustrates how Scandinavian culture could hold the key to raising healthy, resilient, and confident children in America.