Thirteen-year-old Iain Robertson is homesick for the Highlands of Scotland. It's September 1773, and he has just arrived in Nova Scotia with his parents and little sister after the long, disastrous, Atlantic voyage of the ship Hector. They wanted a new life in New Scotland-but the land agent lied to them. With no money, no food, no shelter, and winter fast approaching, how will they survive? Author Margaret MacKay of Pictou County, Nova Scotia, draws on the experiences of her ancestors to weave a tale of the first Gaels to settle in Nova Scotia.

Stewart Gilmour is back in Stonemouth. After five years in exile his presence is required at the funeral of patriarch Joe Murston, and even though the last time Stu saw the Murstons he was running for his life, staying away might be even more dangerous than turning up. Although there's supposed to be a temporary truce between Stewart and the town's biggest crime family, it's soon clear that only Stewart is taking this promise of peace seriously. As he steps back into the minefield of his past to confront his guilt and all that it has lost him, Stu uncovers ever darker stories, and his homecoming takes a more lethal turn than even he had anticipated. Tough, funny, fast-paced and touching, Stonemouth cracks open adolescence, love, brotherhood and vengeance in a rite of passage novel like no other.

Although overshadowed by his contemporaries Adam Smith and David Hume, the Scottish philosopher Adam Ferguson strongly influenced eighteenth-century currents of political thought. A major reassessment of this neglected figure, Adam Ferguson in the Scottish Enlightenment: The Roman Past and Europe’s Future sheds new light on Ferguson as a serious critic, rather than an advocate, of the Enlightenment belief in liberal progress. Unlike the philosophes who looked upon Europe’s growing prosperity and saw confirmation of a utopian future, Ferguson saw something else: a reminder of Rome’s lesson that egalitarian democracy could become a self-undermining path to dictatorship. Ferguson viewed the intrinsic power struggle between civil and military authorities as the central dilemma of modern constitutional governments. He believed that the key to understanding the forces that propel nations toward tyranny lay in analysis of ancient Roman history. It was the alliance between popular and militaristic factions within the Roman republic, Ferguson believed, which ultimately precipitated its downfall. Democratic forces, intended as a means of liberation from tyranny, could all too easily become the engine of political oppression—a fear that proved prescient when the French Revolution spawned the expansionist wars of Napoleon. As Iain McDaniel makes clear, Ferguson’s skepticism about the ability of constitutional states to weather pervasive conditions of warfare and emergency has particular relevance for twenty-first-century geopolitics. This revelatory study will resonate with debates over the troubling tendency of powerful democracies to curtail civil liberties and pursue imperial ambitions.

Following on from the critically acclaimed 'Road to Referendum', Iain Macwhirter casts his expert eye over the longest and highest profile campaign in Scottish political history. Looking to the future, the book explores the issues that made and broke the campaign, the relationship between culture and social media to referendum politics, the biased reporting in the twilight of media and broadcasting, the future of nationalism and federalism, and Salmond's 'last stand'.

As a native of Scotland, bestselling author Iain Banks has decided to undertake a tour of the distilleries of his homeland in a bid to uncover the unique spirit of the single malt. Visiting some of the world's most famous distilleries and also some of its smallest and most obscure ones, Banks embarks on a journey of discovery which educates him about the places, people and products surrounding the centuries-old tradition of whisky production. Using various modes of transport - ferries to the islands, cars across the highlands, even bicycles between bus-stops - Banks' tour of Scotland combines history, literature and landscape in an entertaining and informative account of an exploration in which the arrival is by no means the most important part of the journey.

The essential guide for anyone who wants to know more about Scotland's biggest political decision, this is the story of the road to referendum and the journay beyond, from one of the UK's most insightful political writers. "A truly important book, particularly at this moment." ~ Andrew Marr. "A terrific book [...] full of shrewd insights. I'd recommend it highly." ~ The Guardian *The official companion to the major television series.*

‘Sometimes I wonder, if I had known that it was going to take me fourteen years to paint this painting of the Crucifixion with Douglas as Jesus, and what it would take for me to paint this painting, would I have been as happy as I was then?’ Susan Alison MacLeod, a Glasgow School of Art graduate with a dark sense of humour, first lays eyes on Douglas MacDougal at a party in 1988, and resolves to put him on the cross in the Crucifixion painting she’s been sketching out, but her desire to create ‘good’ art and a powerful, beautiful portrayal means that a final painting doesn’t see the light of day for fourteen years. Over the same years, Douglas’s ever-more elaborately designed urine-based installations bring him increasing fame, prizes and commissions, while his modelling for Susan Alison, who continues to work pain and suffering on to the canvas, takes place mostly in the shadows. This Good Book is a wickedly funny, brilliantly observed novel that spins the moral compass and plays with notions of creating art. 'A novel about Glasgow, about art, and about obsession. This Good Book will have you gripped from the opening chapter to its disturbing conclusion. Iain Hood is an original new voice in Scottish fiction.' — Colette Paul