An inspiring story that helps readers to confront the more challenging truths of existence with confidence by offering hope and solutions in these desperate times Written for spiritual seekers interested in stories that satisfy the soul while stretching the mind The themes, plotlines, characters, and motifs are all based on the works of William Shakespeare in some way and enhance one's understanding of the playwright

Fleeing a Hollywood that spurned him, Orson Welles arrived in Italy in 1947 to begin his career anew. Far from being welcomed as the celebrity who directed and starred in Citizen Kane, his six-year exile in Italy was riddled with controversy, financial struggles, disastrous love affairs, and failed projects. Alberto Anile's book depicts the artist's life and work in Italy, including his reception by the Italian press, his contentious interactions with key political figures, and his artistic output, which culminated in the filming of Othello. Drawing on revelatory new material on the artist's personal and professional life abroad, Orson Welles in Italy also chronicles Italian cinema's transition from the social concerns of neorealism to the alienated characters in films such as Federico Fellini's La Dolce Vita, amid the cultural politics of postwar Europe and the beginnings of the cold war.

A "blind spot" suggests an obstructed view, or partisan perception, or a localized lack of understanding. Just as the brain "reads" the "blind spot" of the visual field by a curious process of readjustment, Shakespearean drama disorients us with moments of unmastered and unmasterable knowledge, recasting the way we see, know and think about knowing. Focusing on such moments of apparent obscurity, this volume puts methods and motives of knowing under the spotlight, and responds both to inscribed acts of blind-sighting, and to the text or action blind-sighting the reader or spectator. While tracing the hermeneutic yield of such occlusion is its main conceptual aim, it also embodies a methodological innovation: structured as an internal dialogue, it aims to capture, and stake out a place for, a processive intellectual energy that enables a distinctive way of knowing in academic life; and to translate a sense of intellectual "community" into print.

Virtue, as a Renaissance ideal, was largely conceived as a rational governing of unruly passions. Revising this early modern commonplace, this study shows how Shakespeare dramatizes a discerning Aristotelian conception of virtue as a touchstone of excellence: executing just action at the best time, in the best way, and for the best end within the contingent world. Not only situational, Aristotelian virtue is, moreover, integrative, harmonizing passion and reason, will and understanding, towards personal and civil good. Yet as a surprising backfire on the misogynist streak in Aristotle, the resistant female characters in Shakespeare emerge as the exemplars of ethical action, appropriating traditionally male-inflected virtue. At the junction of ethical, psycho-physiological, cultural and gender studies, this approach of prudential psychology bridges an apparent but needless divergence of critical focus between affect and cognition, ethics and prudential action. Firmly situated in new historicist practices, prudential psychology goes beyond narrow discourses of power into the all-encompassing arena of virtue as the complete life, which recommends an interdisciplinary approach for a fuller understanding of Shakespeare's works.

Too much is soon enough children scatter and waltz into the sky dispensing rainbows and forget-me-nots. Of course they are quickly forgotten. The world is composed of all it lacks thunder and tulips in clouds at the lake asparagus and quiche. In your hand I kiss spare parts then wolves follow us in a brougham mumbling about the economy concerned or otherwise lost in conjecture and innuendo. Maybe we should pause. Chinese moon people probe successive nights suitcases highlight suspects various couples threaten hunger and odd numbers seventy is significantly larger than eighty did the crown even acknowledge that. The dead are sentient and move warily among us conversing dissenting drooling buying deodorant and toilet paper like everyone else until they are finally alone why shouldn’t their votes be counted.

Aspects of Othello, with its companion volume, Aspects of Macbeth, brings together authoritative articles by distinguished Shakespeare scholars. In making their selections from the entire range of Shakespeare Survey volumes, Professors Kenneth Muir and Philip Edwards have borne the interest of general readers in mind as well as the needs of teachers and students. In each volume the plate section includes both the articles' original illustrations and new material and there are specially written prefaces by the editors.

A young boy is rescued from the cruelty of the Spanish Civil War. He is able to demonstrate a gift of learning that propels him to achieve high levels of scholarly performance and judicial responsibility at the Vatican, eventually becoming a cardinal. The stress of his dedication to work forces him to take a restorative incognito sojourn in Naples. From idle talk at a café, he becomes engaged in an intervention to restore a community that falls in conflict with the Camorra. Meanwhile, he completes translations of ancient Greek manuscripts that are successfully published. In all, he is assisted by a nun working as an able secretary somewhat caught in a flesh-and-vocation conflict. Seeking spiritual clarity for both and fulfilling a long, postponed urge, he takes a forty-day pilgrimage on the Camino de Santiago before returning to his post in Rome. He engages a monastery of dissident nuns with a personal engagement that affirms gender equality. Eventually, elected pope after the death of his mentor, he leads a radical change in the clergy, complete with his kidnapping by a conspiracy of cardinals from which he emerges unscathed and affirmed. With his pontifical name, he renders homage to his family background and the loss of grandparents and uncles to instruments of war. His father survives the concentration camp at Mauthausen before returning to Spain after the Allied liberation and the death of Franco. His mandate over thirty years transforms the church in line with the Petrine command to feed the sheep and the historical structure of the faith.