Sitting forgotten in a drawer, thrown on as a casual garment. Handy for a later rag when torn, getting a tad frayed round the edges. The humble t-shirt cotton existence is tough. Frequently short lived. Fading with age. Due to be demolished is a house in Wimborne, a deceased council estate, and a street to be levelled. Mista Fisha, an artist. A collaboration with a motorcycle racer made of girders. Watching motorcycle racing in the 80s and 90s trackside, captured by an artist. Revolutionary, in expression. The t's we took for granted, those available to the racing enthusiast via the merch stalls trackside, had been shaking up. Rider, throttle on, motorcycle scratching the track. A turbo charged spectacle applied. Small, medium, large and XXL. The canvas came in all sizes. The artist's canvas of choice artistic bounds unlimited. "I wore Niall Mackenzie's t-shirt," entered the lexicon.

From the New York Times bestselling author of The Giver of Stars and the forthcoming Someone Else's Shoes, a post-WWII story of the war brides who crossed the seas by the thousands to face their unknown futures 1946. World War II has ended and all over the world, young women are beginning to fulfill the promises made to the men they wed in wartime. In Sydney, Australia, four women join 650 other war brides on an extraordinary voyage to England—aboard HMS Victoria, which still carries not just arms and aircraft but a thousand naval officers. Rules are strictly enforced, from the aircraft carrier’s captain down to the lowliest young deckhand. But the men and the brides will find their lives intertwined despite the Navy’s ironclad sanctions. And for Frances Mackenzie, the complicated young woman whose past comes back to haunt her far from home, the journey will change her life in ways she never could have predicted—forever.

The beauty of the Scottish Highlands forms the backdrop for a collection of love stories by Jude Devereaux, Jill Barnett, and other romance authors.

Steve Hislop was one of the most famous motorcycle racers in the world. He had always been a controversial and outspoken character having had many famous clashes and splits with teams and riders over the years, not always to his advantage. Season 2003 was no different. Steve’s life was incredible, funny and ultimately tragic.

A few stories by Mike growing up in Northfield, Aberdeen. All money made from this book goes to the kids at Northfield Community Centre.

Professor Michael Edgeworth McIntyre is an eminent scientist who has also had a part-time career as a musician. From a lifetime's thinking, he offers this extraordinary synthesis exposing the deepest connections between science, music, and mathematics, while avoiding equations and technical jargon. He begins with perception psychology and the dichotomization instinct and then takes us through biological evolution, human language, and acausality illusions all the way to the climate crisis and the weaponization of the social media, and beyond that into the deepest parts of theoretical physics — demonstrating our unconscious mathematical abilities.He also has an important message of hope for the future. Contrary to popular belief, biological evolution has given us not only the nastiest, but also the most compassionate and cooperative parts of human nature. This insight comes from recognizing that biological evolution is more than a simple competition between selfish genes. Rather, he suggests, in some ways it is more like turbulent fluid flow, a complex process spanning a vast range of timescales.Professor McIntyre is a Fellow of the Royal Society of London (FRS) and has worked on problems as diverse as the Sun's magnetic interior, the Antarctic ozone hole, jet streams in the atmosphere, and the psychophysics of violin sound. He has long been interested in how different branches of science can better communicate with each other and with the public, harnessing aspects of neuroscience and psychology that point toward the deep 'lucidity principles' that underlie skilful communication.

While fishing in an Irish salmon stream one rainy morning, Father Declan de Loughry ponders the recent deathbed confession of his parishioner Kevin Dennehy. It seems Dennehy and his wife, Enda, had been quietly living a lie for fifty years. Yet the gravity of their deception doesn’t become clear to the good father until Enda shares the full tale of her suffering, finally confiding “the all of it.” Jeannette Haien’s exquisite, awardwinning first novel is a deceptively simple story that resonates with the power of a modern-day myth—an unforgettable narrative of transgression, empathy, and, ultimately, absolution.