Part standup comedy, part painfully revealing self-exploration, this is a tender, heartbreaking, hilarious book of poems about the male condition in the 21st Century. These are poems to read and reread and then to read aloud to friends. Even nonplussed strangers will smile knowingly after being ushered into Pete McLaughlin's world, laughing at his manic, self-deprecating take on the grim horror of waking up to find yourself a divorced middle-aged dude living by yourself with a cat, one given to fits of projectile vomiting. The poems range from a riff on the yearning of an "Angry Prius" who just wants to get out in the fast lane, one time, and drive all-out "mercilessly tailgating all comers, / even senior citizens," to the revelations of "Middle Age," about being picked up by a woman in her sixties who "plays teasing, exploratory footsie beneath the tablecloth/her unblinking green-light eyes/locked mercilessly onto mine/she winks knowingly, her big toe somehow in my pocket now."

Good things come in small sizes. That is so true, especially for How Not to Become a Crotchety Old Man. Big on fun and filled with hilarious insights about how not to let our inner crotchety old man out, this one makes the perfect Father's Day gift. Men will learn how to age gracefully so they never rattle off an inappropriate "dirty old man" joke. They'll learn that reading the obits first is a cardinal sin and that never reading the instructions is a close second.

New York Times comedy critic Jason Zinoman delivers the definitive story of the life and artistic legacy of David Letterman, the greatest television talk show host of all time and the signature comedic voice of a generation. In a career spanning more than thirty years, David Letterman redefined the modern talk show with an ironic comic style that transcended traditional television. While he remains one of the most famous stars in America, he is a remote, even reclusive, figure whose career is widely misunderstood. In Letterman, Jason Zinoman, the first comedy critic in the history of the New York Times, mixes groundbreaking reporting with unprecedented access and probing critical analysis to explain the unique entertainer’s titanic legacy. Moving from his early days in Indiana to his retirement, Zinoman goes behind the scenes of Letterman’s television career to illuminate the origins of his revolutionary comedy, its overlooked influences, and how his work intersects with and reveals his famously eccentric personality. Zinoman argues that Letterman had three great artistic periods, each distinct and part of his evolution. As he examines key broadcasting moments—"Stupid Pet Tricks" and other captivating segments that defined Late Night with David Letterman—he illuminates Letterman’s relationship to his writers, and in particular, the show’s co-creator, Merrill Markoe, with whom Letterman shared a long professional and personal connection. To understand popular culture today, it’s necessary to understand David Letterman. With this revealing biography, Zinoman offers a perceptive analysis of the man and the artist whose ironic voice and caustic meta-humor was critical to an entire generation of comedians and viewers—and whose singular style ushered in new tropes that have become clichés in comedy today.

First published in 1978 and now reissued as part of the Poetry Book Society's Back in Print series, The Cost of Seriousness is one of Peter Porter's most popular poetry collections. Written in the aftermath of the tragic death of his wife, it marks a period of change in his life. It indulges many voices and themes, often taking solace in music and art.

"Originally published in hardcover in Great Britain as The dying season by Quercus Publishing PLC, London, in 2015."

What's it like to start a revolution? How do you build the biggest tech company in the world? And why do you walk away from it all? Paul Allen co-founded Microsoft. Together he and Bill Gates turned an idea - writing software - into a company and then an entire industry. This is the story of how it came about: two young mavericks who turned technology on its head, the bitter battles as each tried to stamp his vision on the future and the ruthless brilliance and fierce commitment.

NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST “A proper hero for these times . . . To us, V.I. is perfect.” — THE NEW YORK TIMES BOOK REVIEW "Sara Paretsky’s gloriously kick-ass private eye, V.I. “Vic” Warshawski, is back . . . in a political-rot thriller that’s the definition of perfection in the genre." — THE WASHINGTON POST Chicago’s legendary detective, V.I. Warshawski, knows her city’s rotten underbelly better than most, but she’s unable to avoid it when her goddaughter drags her into a fight over lakefront land use, in this propulsive novel from New York Times bestseller Sara Paretsky. Chicago may be the city of broad shoulders, but its political law is “Pay to Play.” Money changes hands in the middle of the night, and by morning, buildings and parks are replaced by billion-dollar projects. Chicago PI V.I. Warshawski gets pulled into one of these clandestine deals through her impetuous goddaughter, Bernie Fouchard. Bernie tries to rescue Lydia Zamir, a famed singer-songwriter now living on the streets; Zamir’s life fell apart when her lover was murdered next to her in a mass shooting at an outdoor concert. Not only does Bernie plunge her and V.I. headlong into the path of some ruthless developers, they lead to the murder of the young man Bernie is dating. He’s a computer geek working for a community group called SLICK. V.I. is desperate to find a mysterious man named Coop, who roams the lakefront in the middle of the night with his dog. She’s sure he holds the key to the mounting body count within SLICK. Coop may even know why an international law firm is representing the mass murderer responsible for Lydia’s lover’s death. Instead, the detective finds a terrifying conspiracy stretching from Chicago’s parks to a cover-up of the dark chapters in America’s meddling in South American politics. Before she finds answers, this electrifying novel pushes V.I. close to the breaking point: People who pay to play take no prisoners.