The story reveals a musician whose father was a Nevisian and his mother a Puerto Rican. By ten, Henry played the piano; and later, he attended the Free School of Music Academy in Puerto Rico. He founded the Sunstones, a band of teenaged players, and was later contracted as the bassist in Reggie Ashby Quartet. Driven to attain a big name for himself, he relocated to Miami. He composed over thirty songs, yet he never realized his dream. To support his family, he established an interior decorating business, and his music became a side hustle. In his late fifties, he contracted cancer, which overwhelmed him, and brought much pain to him and his family. His passion and love for music and his wife were unmatched. In his hopelessness, that love affair was the main constant in his life that led him to believe, "I will play again."

Glimpses of Oneida Life is a remarkable compilation of modern stories of community life at the Oneida Nation of the Thames Settlement and the surrounding area. With topics ranging from work experiences and Oneida customs to pranks, humorous encounters, and ghost stories, these fifty-two unscripted narrations and conversations in Oneida represent a rare collection of first-hand Iroquoian reflections on aspects of daily life and culture not found in print elsewhere. Each text is presented in Oneida with both an interlinear, word-by-word translation and a more colloquial translation in English. The book also contains a grammatical sketch of the Oneida language by Karin Michelson, co-author of the Oneida-English/English-Oneida Dictionary, that describes how words are structured and combined into larger linguistic structures, thus allowing Glimpses to be used as a teaching text as well. The engrossing tales in Glimpses of Oneida Life will be a valuable resource for linguists and language learners, a useful source for those studying the history and culture of Iroquois people in the twentieth-century, and an entertaining read for anyone interested in everyday First Nations life in southern Ontario.