Harry Fraser was a tried and true professional director who could be counted upon to bring a picture in on time and on budget. In fifty years in film and theatre, he worked with many important figures in motion picture history, particularly in westerns: Wild Bill Cody, Tom Tyler, Bob Steele, Gene Autry, Rex Bell, Tom Mix, Harry Carey, Buster Crabbe, Lash La Rue, William S. Hart, John Wayne, Yakima Canutt, and many others.

Death by Misadventure is a collection of true and unusual accidental deaths by the Story Consultant to the hit show, 1000 Ways to Die. You will find the real details behind some of your favourite televised pieces plus many more items that did not make it to air. There are no urban legends here, only documented dumb deaths. Published sources and a select bibliography are included. Cover photo: Jessica O'Neil @ Vancouver Police Museum

In this book, I lovingly recount the unyielding love and encouragement of my parents, who instilled a deep sense of responsibility and unshakeable confidence in me as well as my four brothers and sisters. My story illustrates a family bound by tradition, loyalty, and love. As the son of a freed slave, my father saw first-hand the daily challenges and obstacles for African Americans in post-slavery America. Both he and my mother implanted in us a clear work ethic, family values, and commitment to education, foundations that have remained with and propelled me throughout life. Thats the Way It Was weaves anecdotal accounts of my educational, athletic, and professional experiences, often with humorous details and sometimes tainted with racial biases as was commonplace in a cotton-farming community deep in segregated, post-depression Mississippi. I share many examples of both throughout the book to provide a realistic view of the world I encountered and somehow navigated relatively unscathed. I would later go on to make history as the first African American graduate of the University of Kentuckys Dental School and as the first African American intern and orthodontic resident at the Albert Einstein Medical Center in Philadelphia, Pennsylvania. I have been fortunate enough to have had a remarkable forty-five-plus-year career in private practice, always fueled and driven by the unconditional love and support of my family and my small-town community. I hope my story can serve as an inspiration for the younger generations to stay committed to their goals, never give up, and always strive to make the most of their talents.

The case-studies assembled in these two volumes span a lifetime of research into the diachrony of grammar. That is, into the rise and fall of syntactic constructions and their attendant grammatical morphology. While focused squarely on the data, the studies are nonetheless cast in an explicit theoretical perspective – adaptive, developmental, variationist. Taken as a whole, this work constitutes a frontal assault on Ferdinand de Saussure's corrosive legacy in linguistics. Over the years, reviewers slapped the author's wrist periodically for having dared to commit that most heinous of sins against de Saussure's hallowed legacy – panchronic grammar. In this work he pleads guilty, having never seen a piece of synchronic data that didn't reek, to high heaven, of the diachrony that gave it rise. Reek in two distinct ways: first with the frozen relics of the past that prompt us to reconstruct prior diachronic states; and second with the synchronic variation that hints at ongoing change. Conversely, the author confesses to having never seen a diachronic explanation that did not hinge on the synchronic principles – Carnap's general propositions – that govern language behavior. The synchrony and diachrony of grammar are twin faces of the same coin. To study one without the other is to gut both. By understanding how synchronic grammars come into being we also understand the cognitive, communicative, neurological and developmental universals that constrain diachronic change – and through it synchronic typology.

This book examines the history of women's bookstores in the US from the 1970s to the 1990s. It establishes that women's bookstores played an important role in feminism by enabling the dissemination of women's voices and thereby helping to sustain and enrich the women's movement. They improved women's literacy - their abilities to read, write, publish, and distribute women's voices and visions - and helped women to instigate a feminist revolution in literacy.