Floe Ryan was frozen - or 'vitrified' - at sixteen. She and her parents had a rare disease, so it was their only choice until a cure was found. Now she's been thawed and it's ten years in the future - but she's still a teenager. And her parents are still chilling out... So now her little sister is her older sister, and she's making Floe suffer for every snotty thing she ever did. It's hard getting used to... not to mention a new school, new technology, and a zillion other new things that happened while she was napping in the freezer. Luckily, she has Taz, the hottie skater boy who was a popsicle too, so they get to reintegrate together. But now they're trying to close the Venice Beach Cryonics Center - with Floe's parents still in it! It's up to her to save the clinic and her parents - so she can finally have a somewhat normal life.

After an altercation with the director of Wildman for Geisha! -- a movie based on ace reporter Billy Chaka's life -- Chaka finds himself in Hokkaido on mandatory vacation. Trouble starts when the elderly porter of the Hotel Kitty stumbles into Billy's room and dies. That same night, the lead singer of Japan's most popular rock band turns up dead in a sleazy love hotel in Tokyo. Billy Chaka goes to Tokyo to cover the story for Youth in Asia magazine and soon finds out there's more to the rocker's apparent drug overdose than meets the eye. A Beatles-obsessed record executive, a mute DJ, two giant kickboxing twins with an encyclopedic knowledge of pop music, a Swedish stripper working at the Purloined Kitten Club -- each play a part in the hard-boiled hilarity that ensues as Billy Chaka discovers that the rock star and the elderly hotel porter just might share a very strange link.

Is Sue is the true driving force behind Glee? Who the real alpha male in New Directions? Why do we really keep coming back to Glee week after week? From its quirky character insights to its inspirational, funny, and touching stories from fellow gleeks, Filled with Glee is the perfect companion for the fan who can't get enough Glee. Filled with Glee also includes a guide to putting together a glee club in your own school or community; an index of songs by episode; and the musical biographies of the main and guest actors (including where and when they've worked together before).

True Blood, Alan Ball's critically acclaimed television adaptation of Charlaine Harris' bestselling Southern Vampire mysteries, is HBO's most-watched show since The Sopranos, averaging over 12 million viewers an episode in its second season. Thanks to its large, dedicated fanbase, it won the People's Choice “Favorite TV Obsession" award in early 2010. A Taste of True Blood: The Fangbanger's Guide gives those fans something to savor between episodes—and whets their appetite for more. Covering the show's first two seasons and released just in time for the third (with real-time online updates from the book's contributors throughout season three), the book includes pieces on: • Vampire Bill's season 2 slide from hot to not • Sookie's mind-reading talents as a critique of our oversharing Facebook culture • What a Louisiana setting adds to the traditional vampire myth • Why the television series had to differ from the books (co-written by the Southern Vampire mysteries' editor Ginjer Buchanan) • And much more, from shapeshifters to maenads to Merlotte's A Taste of True Blood also includes a quick reference guide to the show's first two seasons.

Still reeling from having lost her chance to become a vampire, sixteen-year-old Rayne learns that she is destined to be the new Vampire Slayer and must go undercover to stop a maniacal member of the undead who seeks vengeance and power by spreading a fatal blood disease.

In the mid- to late 2000s, the United States witnessed a boom in dystopian novels and films intended for young audiences. At that time, many literary critics, journalists, and educators grouped dystopian literature together with science fiction, leading to possible misunderstandings of the unique history, aspects, and functions of science fiction and dystopian genres. Though texts within these two genres may share similar settings, plot devices, and characters, each genre’s value is different because they do distinctively different sociocritical work in relation to the culture that produces them. In The Order and the Other: Young Adult Dystopian Literature and Science Fiction, author Joseph W. Campbell distinguishes the two genres, explains the function of each, and outlines the different impact each has upon readers. Campbell analyzes such works as Lois Lowry’s The Giver and James Dashner’s The Maze Runner, placing dystopian works into the larger context of literary history. He asserts both dystopian literature and science fiction differently empower and manipulate readers, encouraging them to look critically at the way they are taught to encounter those who are different from them and how to recognize and work within or against the power structures around them. In doing so, Campbell demonstrates the necessity of both genres.

For 28 years, Novel & Short Story Writer's Market has been the only resource of its kind exclusively for fiction writers. Covering all genres from romance to mystery to horror and more, this resource helps you prepare your submissions and sell your work. This must-have guide includes listings for over 1,300 book publishers, magazines, literary agents, writing contests and conferences, each containing current contact information, editorial needs, schedules and guidelines that save you time and take the guesswork out of the submission process. With more than 100 pages of listings for literary journals alone and another 100 pages of book publishers, plus special sections dedicated to the genres of romance, mystery/thriller, speculative fiction, and comics/graphic novels, the 2009 edition of this essential resource is your key to successfully selling your fiction.