GG Allin was the most extreme musician to ever set foot before an audience. His shows were a bloody carnival of nudity, violence, and bodily fluids. No one dared to attempt what he did, and since his death in 1993, nobody has even come close. This book tells the true story of his last tour. It is a tale filled with self-indulgent excess, excrement, deviant behavior, bizarre sexual practices, and five men with an undying love for Johnny Cash. Violence, masturbation, and urine drinking have never been this much fun.

#1 NEW YORK TIMES BESTSELLER • In the propulsive debut novel from the host of the #1 true crime podcast Crime Junkie, a journalist uncovers her hometown’s dark secrets when she becomes obsessed with the unsolved murder of her childhood neighbor—and the disappearance of another girl twenty years later. ONE OF THE BEST BOOKS OF THE YEAR: PopSugar You can’t ever know for sure what happens behind closed doors. Everyone from Wakarusa, Indiana, remembers the infamous case of January Jacobs, who was discovered in a ditch hours after her family awoke to find her gone. Margot Davies was six at the time, the same age as January—and they were next-door neighbors. In the twenty years since, Margot has grown up, moved away, and become a big-city journalist. But she’s always been haunted by the feeling that it could’ve been her. And the worst part is, January’s killer has never been brought to justice. When Margot returns home to help care for her uncle after he is diagnosed with early-onset dementia, she feels like she’s walked into a time capsule. Wakarusa is exactly how she remembers—genial, stifled, secretive. Then news breaks about five-year-old Natalie Clark from the next town over, who’s gone missing under circumstances eerily similar to January’s. With all the old feelings rushing back, Margot vows to find Natalie and to solve January’s murder once and for all. But the police, Natalie’s family, the townspeople—they all seem to be hiding something. And the deeper Margot digs into Natalie’s disappearance, the more resistance she encounters, and the colder January’s case feels. Could January’s killer still be out there? Is it the same person who took Natalie? And what will it cost to finally discover what truly happened that night twenty years ago? Twisty, chilling, and intense, All Good People Here is a searing tale that asks: What are your neighbors capable of when they think no one is watching?

After exhausting their resources in the slums of Los Angeles, a junkie and his wife settle in London's "murder mile," the city's most violent and criminally corrupt section. Persevering past failed treatments, persistent temptation, urban ennui, and his wife's ruinous death wish, the nameless narrator fights to reclaim his life. In prose that could peel paint from a car, Tony O'Neill re-creates the painfully comic, often tragic days of a recovering heroin addict.

"I'm a heroin addict. A junkie. A whore. I'll do anything to get my next fix. Anything. Including walking right onto the property of Austin's most ruthless and feared drug lord to beg for some H. I don't know his name, only that people call him Boss. Oh, and that he won't think twice to put a bullet in my head. But like I said, I'll do anything to get my next fix. Even if it costs me my life. Or changes it forever"--Back cover.

The war on drugs has long since lost any illusion of success. It is currently entering its second century of active combat, and drugs are cheaper and more abundant each year the war continues. Before 1914, drugs were legal in the United States. Heroin, cocaine, and morphine could be purchased at the corner store, and those who used drugs were generally contributing members of society. It wasn't until drugs were outlawed that all the problems began. Humans are drug-using creatures. We have always loved to get high, and we always will. All attempts to restrict drugs have thus far failed, and no penalty is harsh enough to prevent users from using. The war has resulted in little more than dangerous conditions for drug users. We must contend with risky street markets, polluted products, fake drugs, unsanitary conditions, and the violence which often accompanies underworld commodities. But there is a better way. Dr. Junkie is a roadmap for explaining how we got here, as well as how we can get out.

Historically, prime-time television has devoted at least one-third of its programming to crime. The extreme popularity of crime shows continues unabated. From Law & Order to CSI, Americans are riveted by crime TV. Court TV and other cable channels produce true crime series, too, that take viewers through both current crimes and trials and cold cases. Yet, despite efforts in these shows to depict real investigative and legal techniques, chances are, viewers have questions about criminal procedure, legal issues, and related concerns. For instance, why do police get angry when a suspect just asks for a lawyer? Or, what's the difference between being an accomplice to a crime and being a conspirator? The Crime Junkie's Guide to Criminal Law is written specifically for the millions of crime junkies who make up the audiences for the variety of crime dramas, both real and fictional, that blaze across our screens night after night. The news media know that crime is inherently interesting because it involves things we all understand — like passion, greed, revenge and the urge to make very close friends in prison. Television broadcasts and major magazines drip with salacious details about the infamous evildoings of the moment. From the sports to the style sections, newspaper headlines scream out reports of the latest celebrity picked up for one transgression or another. This one-of-a-kind book is an indispensable guide to criminal law that uses actual trials alongside plots and characters from popular television shows to illustrate criminal law issues like degrees of murder, the defense of intoxication, search warrants, insanity pleas, and the purposes of various pretrial hearings. Silver offers a concise, informative, and entertaining explanation of everything readers need to know to truly appreciate crime stories (real and fictional) and understand how criminal law really works.