Welcoming women, Blacks, and immigrants long before most other unions, the Wobblies from the start were labor’s outstanding pioneers and innovators, unionizing hundreds of thousands of workers previously regarded as “unorganizable.” Wobblies organized the first sit-down strike (at General Electric, Schenectady, 1906), the first major auto strike (6,000 Studebaker workers, Detroit, 1911), the first strike to shut down all three coalfields in Colorado (1927), and the first “no-fare” transit-workers’ job-action (Cleveland, 1944). With their imaginative, colorful, and world-famous strikes and free-speech fights, the IWW wrote many of the brightest pages in the annals of working class emancipation. Wobblies also made immense and invaluable contributions to workers’ culture. All but a few of America’s most popular labor songs are Wobbly songs. IWW cartoons have long been recognized as labor’s finest and funniest. The impact of the IWW has reverberated far beyond the ranks of organized labor. An important influence on the 1960s New Left, the Wobbly theory and practice of direct action, solidarity, and “class-war” humor have inspired several generations of civil rights and antiwar activists, and are a major source of ideas and inspiration for today’s radicals. Indeed, virtually every movement seeking to “make this planet a good place to live” (to quote an old Wobbly slogan), has drawn on the IWW’s incomparable experience. Originally published in 1964 and long out of print, Rebel Voices remains by far the biggest and best source on IWW history, fiction, songs, art, and lore. This new edition includes 40 pages of additional material from the 1998 Charles H. Kerr edition from Fred Thompson and Franklin Rosemont, and a new preface by Wobbly organizer Daniel Gross.

Joe Hill (1877-1915) is the best-known figure in the heroic history of the Industrial Workers of the World (a.k.a. Wobblies). US labour's most world-renowned martyr and celebrated songwriter, he is remembered above all for his songs in the Little Red Song Book: "The Preacher and the Slave" ("Pie in the Sky"), "Mr Block," "There Is Power in a Union," and many more that are still popular on picket lines today. A monumental work that explores the issues that Joe Hill raised--capitalism, white supremacy, gender, religion, wilderness, law, prison, industrial unionism--and their enduring relevance and impact in the century since his death. Collected too is all of his art, plus scores of other illustrations featuring Hill-inspired art by IWWs from Ralph Chaplin to Carlos Cortez, as well as other labour artists.

A vibrant history in graphic art of the Wobblies, published for the centenary of the founding of the Industrial Workers of the World.

In 1914, Joe Hill was convicted of murder in Utah and sentenced to death by firing squad, igniting international controversy. Many believed Hill was innocent, condemned for his association with the Industrial Workers of the World-the radical Wobblies. Now, following four years of intensive investigation, William M. Adler gives us the first full-scale biography of Joe Hill, and presents never before published documentary evidence that comes as close as one can to definitively exonerating him. Joe Hill's gripping tale is set against a brief but electrifying moment in American history, between the century's turn and World War I, when the call for industrial unionism struck a deep chord among disenfranchised workers; when class warfare raged and capitalism was on the run. Hill was the union's preeminent songwriter, and in death, he became organized labor's most venerated martyr, celebrated by Woody Guthrie and Bob Dylan, and immortalized in the ballad "I Dreamed I Saw Joe Hill Last Night." The Man Who Never Died does justice to Joe Hill's extraordinary life and its controversial end. Drawing on extensive new evidence, Adler deconstructs the case against his subject and argues convincingly for the guilt of another man. Reading like a murder mystery, and set against the background of the raw, turn-of-the-century West, this essential American story will make news and expose the roots of critical contemporary issues.

Seventy-seven songs--with words and sheet music--of solidarity, revolt, humor, and revolution. Compiled from several generations in America, and from around the world, they were originally written in English, Danish, French, German, Italian, Spanish, Russian, and Yiddish. From IWW anthems such as "The Preacher and the Slave" to Lenin's favorite 1905 revolutionary anthem "Whirlwinds of Danger," many works by the world's greatest radical songwriters are anthologized herein: Edith Berkowitz, Bertolt Brecht, Ralph Chaplin, James Connolly, Havelock Ellis, Emily Fine, Arturo Giovannitti, Joe Hill, Langston Hughes, William Morris, James Oppenheim, Teresina Rowell, Anna Garlin Spencer, Maurice Sugar--and dozens more. Old favorites and hidden gems, to once again energize and accompany picket lines, demonstrations, meetings, sit-ins, marches, and May Day parades.

A monumental work, expansive in scope, and not only the life, times, and culture of that most famous of the Wobblies (songwriter, poet, hobo, thinker, humorist, martyr), but crucially - and in great detail - the issues that he raised then - capitalism, white supremacy, gender, religion, wilderness, law, prison, industrial unionism - and their enduring relevance, and impact in the century since his death. Collected too is all his art, plus scores of other illustrations featuring Hill-inspired art by IWWs from Ralph Chaplin to Carlos Cortez, as well as other labor artists. "It has been a long time since so much new material on Joe Hill and the Wobblies has been collected in one volume. All students of the IWW, labor cartoons and songs, radical humor, and the history of blue-collar countercultures in the US will find this book indispensable." [Salvatore Salerno] "In Franklin Rosemont, Joe Hill has finally found a chronicler worthy of his revolutionary spirit, sense of humor, and poetic imagination. This is no ordinary biography. It is a journey into the Wobbly culture that made Joe Hill and the capitalist culture that killed him. But as Rosemont suggests in this remarkable book, Joe Hill never really dies. He will live in the minds of young rebels as long as his songs are sung, his ideas are circulated, and his political descendants keep fighting for a better day." [Robin D G Kelley]