"Another Hollywood night, another job for electric-detective-turned-robotic-hitman Raymond Electromatic. The target is a tall man in a black hat, and while Ray completes his mission successfully, he makes a startling discovery - one he soon forgets when his 24-hour memory tape loops to the end and is replaced with a fresh reel ... Time is running out for Ray and Ada, and if Ray and Ada want to survive their enemies, they need to do exactly what the man in the black hat says. A man that Raymond Electromatic has already killed."--Provided by publisher.

A blend of science fiction and stylish mystery noir featuring a robot detective, I Only Killed Him Once, a stand-alone installment in Adam Christopher's Ray Electromatic mystery series. Another Hollywood night, another job for electric-detective-turned-robotic-hitman Raymond Electromatic. The target is a tall man in a black hat, and while Ray completes his mission successfully, he makes a startling discovery—one he soon forgets when his 24-hour memory tape loops to the end and is replaced with a fresh reel... When a tall man in a black hat arrives in the offices of the Electromatic Detective Agency the next day, Ray has a suspicion he has met this stranger before, although Ray’s computerized boss, Ada, is not saying a thing. But their visitor isn’t here to hire Ray for a job—he’s here to deliver a stark warning. Because time is running out and if Ray and Ada want to survive, they need to do exactly what the man in the black hat says. A man that Raymond Electromatic has already killed. "Robot noir in 60s Los Angeles? You had me at 'Hello.'"—John Scalzi, New York Times bestselling novelist At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.

Step by step, Dwight McAran built a wall of vicious hate around himself. It was easy. He was a man who could slap one woman to death because she loved him, and hum a love song to another while he raped her. Sure, he did some time in jail. He sat in a cell and simmered for five long years until his hate hardened to a core of white-hot evil. Revenge was all he craved - and a plan was what he had - a plan just cruel enough to please him, and just crazy enough to work.

The international bestselling YA thriller by acclaimed author Karen M. McManus - now available in a bold new cover look complete with a blood red background and matching sprayed edges. Five students walk into detention. Only four come out alive. Yale hopeful Bronwyn has never publicly broken a rule. Sports star Cooper only knows what he's doing in the baseball diamond. Bad boy Nate is one misstep away from a life of crime. Prom queen Addy is holding together the cracks in her perfect life. And outsider Simon, creator of the notorious gossip app at Bayview High, won't ever talk about any of them again. He dies 24 hours before he could post their deepest secrets online. Investigators conclude it's no accident. All of them are suspects. Everyone has secrets, right? What really matters is how far you'll go to protect them. 'Tightly plotted and brilliantly written, with sharp, believable characters, this whodunit is utterly irresistible' - HEAT 'Twisty plotting, breakneck pacing and intriguing characterisation add up to an exciting single-sitting thrillerish treat' -THE GUARDIAN 'A fantastic murder mystery, packed with cryptic clues and countless plot twists. I could not put this book down' - THE SUN 'Pretty Little Liars meets The Breakfast Club' - ENTERTAINMENT WEEKLY But the story doesn't end here, it continues with One of Us Is Next. . .

A New York Times bestseller | Soon to be a major motion picture “Witty, endearing and greatly entertaining.” —Wall Street Journal “Don’t trust anyone, including the four septuagenarian sleuths in Osman’s own laugh-out-loud whodunit.” —Parade Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it's too late?

If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...