Now Back in Print! "I Married the Klondike is a Canadian classic that has been anthologized, serialized and televised and in her twilight years it brought to my mother a modicum of fame, which she thoroughly enjoyed." --Pierre Berton

Morgan offers an authentic and deliciously humorous account of the prostitutes and other "disreputable" women who were the earliest female pioneers of the Far North.

From Shakespeare to cop shows, sitcoms to docudramas, for over three decades the CBC has presented viewers with every variety of television drama and has become Canada's closest equivalent to a national theatre. Turn Up the Contrast is the first book to explore the content of Canadian television drama and is both a critical analysis and a survey history of how Canadians have used the medium to tell themselves their own stories. As a part of her research, Mary Jane Miller watched thousands of hours of television, sampling series and viewing in their entirety shorter programs such as movies and mini-series. Asking a variety of questions, she selected a number of programs for detailed analysis, and devotees of The Beachcombers, King of Kensington, Seeing Things, Cariboo Country, Wojeck or A Gift to Last will be pleased to find their favourites among those discussed at length. A University of British Columbia Press / CBC Enterprises Co-Publication.

In 1907, a shy bank clerk sent a collection of his poems south from the Yukon to be privately published and shared with a small group of friends. Fate intervened, however, and Robert Service became a household name across North America and throughout the British Commonwealth. Words were Service's lifelong passion, and he set them on many stages. But it was his Dan McGrew, Sam McGee and other players of the Great White North who glittered with a golden glow and forever made him the "Bard of the Yukon" and the de facto Poet Laureate of Alaska. Enid Mallory's Robert Service: Under the Spell of the Yukon sheds new light on the life and career of this intriguing and intensely private man, and celebrates the poet's verse. This edition includes a selection of some of the most loved Service poems, including "The Cremation of Sam McGee," "The Shooting of Dan McGrew," "The Call of the Wild," "The Spell of the Yukon" and "The Ballad of Blasphemous Bill."

The first ever biography of one of Canada’s best-known and most colourful personalities by an award-winning author. From his northern childhood on, it was clear that Pierre Berton (1920—2004) was different from his peers. Over the course of his eighty-four years, he would become the most famous Canadian media figure of his time, in newspapers, magazines, radio, television, and books — sometimes all at once. Berton dominated bookstore shelves for almost half a century, winning Governor General’s Awards for Klondike and The Last Spike, among many others, along with a dozen honorary degrees. Throughout it all, Berton was larger than life: full of verve and ideas, he approached everything he did with passion, humour, and an insatiable curiosity. He loved controversy and being the centre of attention, and provoked national debate on subjects as wide-ranging as religion and marijuana use. A major voice of Canadian nationalism at the dawn of globalization, he made Canadians take interest in their own history and become proud of it. But he had his critics too, and some considered him egocentric and mean-spirited. Now, with the same meticulous research and storytelling skill that earned him wide critical acclaim for The Spinster and the Prophet, Brian McKillop traces Pierre Berton’s remarkable life, with special emphasis on his early days and his rise to prominence. The result is a comprehensive, vivid portrait of the life and work of one of our most celebrated national figures.

Klondike lore is full of accounts of the exploits of Dangerous Dan McGrew, Sergeant Preston of the Mounted, and the Mad Trapper of Rat River. The stories vary from outright fabrications to northern fantasies and, on occasion, real-life accounts. Strange Things Done investigates a series of murders in the pre-World War II Yukon, exploring the boundaries between myths and historical events. The book seeks to understand both the specific events, carefully reconstructed from court evidence and police records, and the broader social and cultural context within which these violent deaths occurred. The murder case studies provide a unique and penetrating perspective on key aspects of Yukon history, such as Native-newcomer relations, mental illness and the folklore about cabin fever, the role of immigrants in northern society, violence in the gold fields, and the role of the police and courts in regulating social behaviour. The investigation of these capital cases also illustrates the fear and paranoia which gripped the territory in the aftermath of a murder, and the societys insistence on quick and retributive justice when offenders were caught and convicted. The Yukon experienced fewer murders than popular literature would suggest, and fewer than most would expect given the region's intense and dramatic history, but those that did occur illustrate the passions, frustrations, angers and human frailties that are present in all societies. The manner in which the murders occurred and the way in which Yukoners reacted also reveals specific and important aspects of territorial society.

Covering vast distances in time and space, Yukon: The Last Frontier begins with the early Russian fur trade on the Aleutian Islands and closes with what Melody Webb calls 'the technological frontier'. Colourful and impeccably researched, her history of the Yukon Basin of Canada and Alaska shows how much and how little has changed there in the last two centuries. Successive waves of traders, trappers, miners, explorers, soldiers, missionaries, settlers, steamboat pilots, road builders, and aviators have come to the Yukon, bringing economic and social changes, but the immense land 'remains virtually untouched by permanent intrusions.'