Nicholas is beautiful, wealthy and hopelessly vain. With his older brother in tow, he jets from one glamorous scene to another. Whether it's in Rome, Madrid, or Mexico, what matters to him most is the admiration of others. Then one day, not even forty and his beauty faded, his life comes to an early end. His brother is left to pick up the pieces and make sense of Nicholas' untimely demise. "I Look Divine" is a precisely told and moving tale about what lurks beneath the ripples of Narcissus' reflecting pool.

The Bible says that YHWH alone is God and that there is none like him—but texts and artwork from antiquity show that many gods looked very similar. In this volume, scholars of the Hebrew Bible and its historical contexts address the problem of YHWH’s ancient look-alikes, providing recommendations for how Jews and Christians can think theologically about this challenge. Sooner or later, whether in a religion class or a seminary course, students bump up against the fact that God—the biblical God—was one among other, comparable gods. The ancient world was full of gods, including great gods of conquering empires, dynastic gods of petty kingdoms, goddesses of fertility, and personal spirit guardians. And in various ways, these gods look like the biblical God. Like the God of the Bible, they, too, controlled the fates of nations, chose kings, bestowed fecundity and blessing, and cared for their individual human charges. They spoke and acted. They experienced wrath and delight. They inspired praise. All of this leaves Jews and Christians in a bind: how can they confess that the God named YHWH was (and is) the true and living God, in view of this God’s profound similarities to all these others? The essays in this volume address the theological challenge these parallels create, providing reflections on how Jews and Christians can keep faith in YHWH as God while acknowledging the reality of YHWH’s divine doppelgängers. It will be welcomed by undergraduates studying religion; seminarians and graduate students of Bible, theology, and the ancient world; and adult education classes.

A virtuosic epic applauded by Stanley Crouch as “an adventurous masterwork that provides our literature with a signal moment,” back in print in a definitive new edition “I have an awful memory for faces, but an excellent one for voices,” muses Joubert Jones, the aspiring playwright at the center of Divine Days. A kaleidoscopic whorl of characters, language, music, and Black experience, this saga follows Jones for one week in 1966 as he pursues the lore and legends of fictional Forest County, a place resembling Chicago’s South Side. Joubert is a veteran, recently returned to the city, who works for his aunt Eloise’s newspaper and pours drinks at her Night Light Lounge. He wants to write a play about Sugar-Groove, a drifter, “eternal wunderkind,” and local folk hero who seems to have passed away. Sugar-Groove’s disappearance recalls the subject of one of Joubert’s earlier writing attempts—W. A. D. Ford, a protean, diabolical preacher who led a religious sect known as “Divine Days.” Joubert takes notes as he learns about both tricksters, trying to understand their significance. Divine Days introduces readers to a score of indelible characters: Imani, Joubert’s girlfriend, an artist and social worker searching for her lost siblings and struggling to reconcile middle class life with her values and Black identity; Eloise, who raised Joubert and whose influence is at odds with his writerly ambitions; (Oscar) Williemain, a local barber, storyteller, and founder of the Royal Rites and Righteous Ramblings Club; and the Night Light’s many patrons. With a structure inspired by James Joyce and jazz, Leon Forrest folds references to African American literature and cinema, Shakespeare, the Bible, and classical mythology into a heady quest that embraces life in all its tumult and adventure. This edition brings Forrest’s masterpiece back into print, incorporating hundreds of editorial changes that the author had requested from W. W. Norton, but were not made for their editions in 1993 and 1994. Much of the inventory from the original printing of the book by Another Chicago Press in 1992 had been destroyed in a disastrous warehouse fire.

Join beloved Bible teacher Margaret Feinberg as you learn how to move from simply reading Scripture to entering stories that can be touched, tasted, smelled, and savored. The Bible is full of clever plots and compelling stories, laced with historic insights and literary beauty. But despite its richness and depth, many of us struggle to close the gap between the ancient world and our own. What does it mean to know that Jesus is the Good Shepherd when the only place you've encountered sheep is at a petting zoo? How can you understand the promise of a land overflowing with honey when you buy yours in a bear-shaped bottle? Can you truly grasp the urgency of Jesus' invitation to abide in the vine when you shop for grapes at a local grocery store? In Scouting the Divine, Margaret invites you to accompany her on the adventure of a lifetime across the nation to herd sheep in Oregon, harvest fields with a Nebraska farmer, prune vines in California, and explore hives with a veteran beekeeper in Colorado. Along the way, you'll explore how ancient livelihoods illuminate meaningful truths that apply to life today. With Margaret's trademark humor and vulnerability, you'll: Learn the secret of how to live like you have a shepherd Unlock the sweetest promises of God Discover the gift of divine timing Scouting the Divine will revolutionize the way you understand the Bible--and leave you wonderstruck by the magnificence of God.

'But Faustus' offenses can never be pardoned: the serpent that tempted Eve may be sav'd but not Faustus'. Christopher Marlowe knew this only too well when he penned his famous play in the days when Elizabeth I was on the throne. His deal with the Dark Man to extend his life has had him wandering, rootless for centuries and has driven him away from normal society. As the millenium turned he was living in exile on an island in Maine in a fortress where the Dark Man's descendents couldn't find him. Enter Edy Chenowth, a woman with a mission. Her grandfather has recently passed away and as a last gesture she wants to make the final issue of his magazine, Guilt-Edged Murder, the best it can be. To finish the story about the death of Christopher Marlowe, she needs to interview the reclusive Marlowe scholar who lives in seclusion in Maine. Nicholas Marley has not made her trip easy, but Edy is determined to find the answers her grandfather sought so she can print the memorial issue of GEM. But on the island she finds that things are not what they seem and it gradually dawns on her that her host is far more odd and special than she had ever imagined. Giving in to the attraction that has made the separation of centuries mean nothing, their tryst is interrupted by the Dark Man's minions who are determined that this time, Christopher Marlowe will truly die.