This isn't a book about a courageous fight against cancer or a triumphant tale of survival. Instead, it's a matter-of-fact glimpse at the world of a very specific cancer with the intention of educating patients, caregivers, family members, and even the medical community. It is packed with useful tips for those who are battling throat cancer and who need to understand what normal will look like for the rest of their lives.

Louie Giglio helps you find encouragement, hope, and strength in the midst of any valley as you reject the enemy voices of fear, rage, lust, insecurity, anxiety, despair, temptation, or defeat. Scripture is clear: the Enemy is a liar who will stop at nothing to tempt you into poor decisions and self-defeating mindsets, making you feel afraid, angry, anxious, or defeated. It is all too easy for Satan to weasel his way into a seat at the table intended for only you and your King. But you can fight back. Don't Give the Enemy a Seat at Your Table outlines the ways to overcome those lies so you can find peace and security in any challenging circumstance or situation. With the same bold, exciting approach to Scripture as employed in Goliath Must Fall and his other previous works, pastor Louie Giglio examines Psalm 23 in fresh ways, highlighting verse 5: "You prepare a table before me in the presence of my enemies." You can find freedom from insecurity, temptation, and defeat--if you allow Jesus, the Shepherd, to lead the battle for your mind and heart. This spiritual warfare book for those who are leery of spiritual warfare books will resonate with Louie's core Passion tribe as well as with Christians of all ages who want to live a triumphant life in God.

Kaden accepts Alexis into his guest house to save her from a deranged ex-boyfriend that has threatened her sisters life. Their chemistry builds quickly and fiercely. They are fun loving together, yet very explosive. Can she handle his over-protectiveness? Is she jumping from the frying pan into the fire? Can they survive one another? Can they survive his family?

Combining sly humor with an urban edge, Kate Christensen's In the Drink tells the story of a resolutely clear-eyed young woman who makes a complete mess of her life, and lives to tell the tale. The novel's heroine is the smart, pretty, underemployed, and single Claudia Steiner, personal secretary to Genevieve del Castellano, a terrifying, glamorous semi-lunatic who has it in for her for reasons she can't even begin to fathom. William, her best friend, considers Claudia his pal, his confidante, his sidekick in matters amatory, which would be fine if she weren't desperately in love with him herself. Further complicating matters is Claudia's old lover John Threadgill, an unpublished epic poet whose marriage to a Romanian stripper named Rima hasn't kept him from trying to seduce Claudia at every opportunity. Claudia came to New York City fresh out of college, buoyed along by her dream of becoming a journalist. But her starry-eyed notion of Claudia Steiner, Reporter on the Beat, quickly vanished into the ozone when she couldn't muster the requisite hard-bitten, white-hot urgency, the chain-smoking, the yelling, and the cutthroat story-mongering. Now, at the age of twenty-nine, she finds herself adrift in the city, careening dangerously from catastrophe to catastrophe. Desperately trying to keep her head above water, Claudia has little to rely on but a wry sense of humor, a keen appreciation of the medicinal properties of whiskey, and something more subtle--a persistent little flame of belief in herself, which makes a happy ending seem possible even in this most unforgiving of cities. Hilarious, compassionate, and keenly observed, In the Drink is the enormously entertaining debut of a startlingly talented young writer. BONUS: This edition includes an excerpt from Kate Christensen's Blue Plate Special.

Selected by editor Mark Anthony Jarman, the 2023 edition of Best Canadian Stories showcases the best Canadian fiction writing published in 2021. A collection that takes us into a firey near-future and a notorious feminist’s personal past, from a near-drowning to a fake breakdown, through mothers who fail us to crummy jobs, to thieves, to grief, to revenge with a bottle of tabasco sauce. With work by established practitioners alongside that of lesser-known writers, this year’s Best Canadian Stories shows how the short form can evoke the experience of a person on the brink. Including 2023 Metcalf-Rooke Award winner Caroline Adderson, and featuring, in tribute, two stories by the late Steven Heighton, this year’s collection draws together beloved Canadian practitioners of the form and thrilling new voices to continue not only a series, but a legacy in Canadian letters. Featuring works by: Caroline Adderson • David Bezmozgis • Jowita Bydlowska • Kate Cayley • Tamas Dobozy • Omar El Akkad • Christine Estima • Naomi Fontaine • Sara Freeman • Steven Heighton • Philip Huynh • David Huebert • Alexandra Mae Jones • Carmelinda Scian

Known as a writer whose stories “balanced romance, scandal, and a considerable amount of heart” (A.V. Club), New York Times bestselling author Eric Jerome Dickey fearlessly explores how bad even good people can sometimes behave in the game of love.... Stephan loves ’em and leaves ’em, just like his dad. Chanté thinks she’s found her dream man—until his wife and kids come banging on her door. Jake is a player—left with bad dreams he just can’t shake. Darnell is true to his wife...but the temptation’s getting tougher every day. Tammy is caught between the man she loves, and the woman he’s promised to. And while Karen lectures her friends about fooling around, she may not live up to her own high standards.... This is the world of Eric Jerome Dickey. It’s heart-wrenching and hilarious, smart and soulful, and as honest and recognizable as your own—and that of everyone who never loved you back.

The Human Comedy is the title of Honoré de Balzac's multi-volume collection of interlinked novels and stories depicting French society in the period of the Restoration (1815–1830) and the July Monarchy (1830–1848). Balzac organized his works into 3 groups: "Etudes de Moeurs au XIXe siècle" (Studies of Manners in the 19th Century) + "Etudes philosophiques" + "Etudes analytiques". Balzac wrote that the "Etudes de Moeurs" would study the effects of society and touch on all genders, social classes, ages and professions of people. Meanwhile, the "Etudes philosophiques" would study the causes of these effects. Finally, the third "analytical" section would study the principles behind these phenomena. Contents: The Ball at Sceaux The Purse Vendetta A Second Home Domestic Peace Paz Study of a Woman Another Study of Woman The Grand Breteche Albert Savarus Letters of Two Brides A Daughter of Eve A Woman of Thirty The Deserted Woman La Grenadiere The Message Gobseck The Marriage Contract A Start in Life Modeste Mignon Beatrix Honorine Colonel Chabert The Atheist's Mass Pierre Grassou Scenes From Provincial Life Ursule Mirouet Eugenie Grandet The Vicar of Tours The Two Brothers An Old Maid The Collection of Antiquities The Lily of the Valley Two Poets A Distinguished Provincial at Paris Eve and David Scenes From Parisian Life Scenes from a Courtesan's Life A Prince of Bohemia A Man of Business Gaudissart II Unconscious Comedians Ferragus The Duchesse de Langeais The Girl with the Golden Eyes Father Goriot Rise and Fall of Cesar Birotteau The Firm of Nucingen Secrets of the Princesse de Cadignan Bureaucracy Sarrasine Facino Cane Cousin Betty Cousin Pons The Lesser Bourgeoisie Scenes From Political Life An Historical Mystery An Episode Under the Terror The Brotherhood of Consolation Scenes From Military Life A Passion in the Desert Scenes From Country Life Sons of the Soil The Magic Skin Christ in Flanders Melmoth Reconciled The Unknown Masterpiece…