Johnson's Island, in Sandusky, Ohio, was not the largest Civil War prison in the North, but it was the only one to house Confederate officers almost exclusively. As a result, a distinctive prison culture developed, in part because of the educational background and access to money enjoyed by these prisoners. David Bush has spent more than two decades leading archaeological investigations at the prison site. In I Fear I Shall Never Leave This Island he pairs the expertise gained there with a deep reading of extant letters between one officer and his wife in Alexandria, Virginia, providing unique insights into the trials and tribulations of captivity as actually experienced by the men imprisoned at Johnson's Island. Together, these letters and the material culture unearthed at the site capture in compelling detail the physical challenges and emotional toll of prison life for POWs and their families. They also offer fascinating insights into the daily lives of the prisoners by revealing the very active manufacture of POW craft jewelry, especially rings. No other collection of Civil War letters offers such a rich context; no other archaeological investigation of Civil War prisons provides such a human story.

The Civil War is often considered a "soldiers' war," but Life in Jefferson Davis' Navy acknowledges the legacy of service of the officers and sailors of the Confederate States Navy. In this full-length study, Barbara Brooks Tomblin addresses every aspect of a Confederate seaman's life, from the risks of combat to the everyday routines which sustained those sailing for the stars and bars. Drawing upon diaries, letters, newspaper accounts, and published works, Tomblin offers a fresh look at the wartime experiences of the officers and men in the Confederate Navy, including those who served on gunboats, ironclads, and ships on western rivers and along the coast and at Mobile Bay, as well as those who sailed on the high seas aboard the Confederate raiders Sumter, Alabama, Florida, and Shenandoah. The author also explores the daily lives, deprivations, and sufferings of the sailors who were captured and spent time in Union prisoner of war camps at Point Lookout, Elmira, Camp Chase, Johnson's Island, Ship Island, and Fort Delaware. Confederate prisoners' journals and letters give an intimate account of their struggle, helping modern audiences understand the ordeals of the defeated in the Civil War.

During the Civil War, 410,000 people were held as prisoners of war on both sides. With resources strained by the unprecedented number of prisoners, conditions in overcrowded prison camps were dismal, and the death toll across Confederate and Union prisons reached 56,000 by the end of the war. In an attempt to improve prison conditions, President Lincoln issued General Orders 100, which would become the basis for future attempts to define the rights of prisoners, including the Geneva conventions. Meanwhile, stories of horrific prison experiences fueled political agendas on both sides, and would define the memory of the war, as each region worked aggressively to defend its prison record and to honor its own POWs. Robins and Springer examine the experience, culture, and politics of captivity, including war crimes, disease, and the use of former prison sites as locations of historical memory. Transforming Civil War Prisons introduces students to an underappreciated yet crucial aspect of waging war and shows how the legacy of Civil War prisons remains with us today.

Prison Pens presents the memoir of a captured Confederate soldier in northern Virginia and the letters he exchanged with his fiancée during the Civil War. Wash Nelson and Mollie Scollay’s letters, as well as Nelson’s own manuscript memoir, provide rare insight into a world of intimacy, despair, loss, and reunion in the Civil War South. The tender voices in the letters combined with Nelson’s account of his time as a prisoner of war provide a story that is personal and political, revealing the daily life of those living in the Confederacy and the harsh realities of being an imprisoned soldier. Ultimately, through the juxtaposition of the letters and memoir, Prison Pens provides an opportunity for students and scholars to consider the role of memory and incarceration in retelling the Confederate past and incubating Lost Cause mythology. This book will be accompanied by a digital component: a website that allows students and scholars to interact with the volume’s content and sources via an interactive map, digitized letters, and special lesson plans.

A college graduate at 16 and a founder of the Sigma Chi fraternity, Caldwell entered the Confederate Army as an artillery lieutenant. He fought at Shiloh, Port Hudson and other campaigns before being captured in 1863 and imprisoned on Johnson's Island, in Lake Erie, near Sandusky, Ohio. He kept a daily diary for 18 months, describing the prison food and conditions, as well as his classical and intellectual interests. The book features letters, a poem, notes, and an index.

The archaeology of war has revealed evidence of bravery, sacrifice, heroism, cowardice, and atrocities. Mostly absent from these narratives of victory and defeat, however, are the experiences of prisoners of war, despite what these can teach us about cruelty, ingenuity, and human adaptability. The international array of case studies in Prisoners of War restores this hidden past through case studies of PoW camps of the Napoleonic era, the American Civil War, and both World Wars. These bring to light wide variations in historical and cultural details, excavation and investigative methods used, items found and their interpretation, and their contributions to archaeology, history and heritage. Illustrated with diagrams, period photographs, and historical quotations, these chapters vividly reveal challenges and opportunities for researchers and heritage managers, and revisit powerful ethical questions that persist to this day. Notorious and lesser-known aspects of PoW experiences that are addressed include: Designing and operating an 18th-century British PoW camp. Life and death at Confederate and Union American Civil War PoW camps. The role of possessions in coping strategies during World War I. The archaeology of the ‘Great Escape’ Experiencing and negotiating space at civilian internment camps in Germany and Allied PoW camps in Normandy in World War II. The role of archaeology in the memorial process, in America, Norway, Germany and France Graffiti, decorative ponds, illicit saké drinking, and family life at Japanese American camps As one of the first book-length examinations of this fascinating multidisciplinary topic, Prisoners of War merits serious attention from historians, social justice researchers and activists, archaeologists, and anthropologists.

In 1864, Union soldier Charles George described a charge into battle by General Phil Sheridan: "Such a picture of earnestness and determination I never saw as he showed as he came in sight of the battle field . . . What a scene for a painter!" These words proved prophetic, as Sheridan’s desperate ride provided the subject for numerous paintings and etchings as well as songs and poetry. George was not alone in thinking of art in the midst of combat; the significance of the issues under contention, the brutal intensity of the fighting, and the staggering number of casualties combined to form a tragedy so profound that some could not help but view it through an aesthetic lens, to see the war as a concert of death. It is hardly surprising that art influenced the perception and interpretation of the war given the intrinsic role that the arts played in the lives of antebellum Americans. Nor is it surprising that literature, music, and the visual arts were permanently altered by such an emotional and material catastrophe. In The Arts and Culture of the American Civil War, an interdisciplinary team of scholars explores the way the arts – theatre, music, fiction, poetry, painting, architecture, and dance – were influenced by the war as well as the unique ways that art functioned during and immediately following the war. Included are discussions of familiar topics (such as Ambrose Bierce, Peter Rothermel, and minstrelsy) with less-studied subjects (soldiers and dance, epistolary songs). The collection as a whole sheds light on the role of race, class, and gender in the production and consumption of the arts for soldiers and civilians at this time; it also draws attention to the ways that art shaped – and was shaped by – veterans long after the war.