When Viviana Salguero came to the United States in 1946, she spoke very little English, had never learned to read or write, and had no job skills besides housework or field labor. She worked eighteen-hour days and lived outdoors as often as not. And yet she raised twelve children, shielding them from her abusive husband when she dared, and shared in both the tragedies and accomplishments of her family. Through it all, Viviana never lost her love for Mexico or her gratitude to the United States for what would eventually become a better life. Though her story is unique, Viviana Salguero could be the mother, grandmother, or great-grandmother of immigrants anywhere, struggling with barriers of gender, education, language, and poverty. In I Don't Cry, But I Remember, Joyce Lackie shares with us an intimate portrait of Viviana's life. Based on hours of recorded conversations, Lackie skillfully translates the interviews into an engaging, revealing narrative that details the migrant experience from a woman's point of view and fills a gap in our history by examining the role of women of color in the American Southwest. The book presents Vivana's life not only as a chronicle of endurance, but as a tale of everyday resistance. What she lacks in social confidence, political strength, and economic stability, she makes up for in dignity, faith, and wisdom. Like all good oral history, Salguero's accounts and Lackie's analyses contribute to our understanding of the past by exposing the inconsistencies and contradictions in our remembrances. This book will appeal to ethnographers, oral historians, students and scholars of Chicana studies and women's studies, as well as general readers interested in the lives of immigrant women.

When Viviana Salguero came to the United States in 1946, she spoke very little English, had never learned to read or write, and had no job skills besides housework or field labor. She worked eighteen-hour days and lived outdoors as often as not. And yet she raised twelve children, shielding them from her abusive husband when she dared, and shared in both the tragedies and accomplishments of her family. Through it all, Viviana never lost her love for Mexico or her gratitude to the United States for what would eventually become a better life. Though her story is unique, Viviana Salguero could be the mother, grandmother, or great-grandmother of immigrants anywhere, struggling with barriers of gender, education, language, and poverty. In I Don't Cry, But I Remember, Joyce Lackie shares with us an intimate portrait of Viviana's life. Based on hours of recorded conversations, Lackie skillfully translates the interviews into an engaging, revealing narrative that details the migrant experience from a woman's point of view and fills a gap in our history by examining the role of women of color in the American Southwest. The book presents Vivana's life not only as a chronicle of endurance, but as a tale of everyday resistance. What she lacks in social confidence, political strength, and economic stability, she makes up for in dignity, faith, and wisdom. Like all good oral history, Salguero's accounts and Lackie's analyses contribute to our understanding of the past by exposing the inconsistencies and contradictions in our remembrances. This book will appeal to ethnographers, oral historians, students and scholars of Chicana studies and women's studies, as well as general readers interested in the lives of immigrant women.

'I can't remember ever reading anything so moving . . . It's so beautiful.' MARIAN KEYESThey say boys don't cry.But Finn's seen his Da do it when he thinks no one's looking, so that's not true.And isn't it OK to be sad, when bad things happen?They say boys don't cry, but you might . . .'Unforgettable.' Donal Ryan'Authentic to the bone' Kit de WaalIt will break your heart in a million different ways.' Louise O'Neill'Powerful and poignant.' Ruth Hogan'Hilarious and heartbreaking.' Louise NealonWhat readers are saying:'Fiona Scarlett is certainly up there with the likes of Roddy Doyle . . . A beautifully written, authentic novel, that will make you both laugh and cry, I just want to recommend this book to everyone.''This is a heartbreaking and very emotional novel that is exquisitely written. Fíona's writing style helps to bring such raw emotion to the text that it was impossible to not shed a tear!''I cried so much reading this book . . . A stunning read that I'll be thinking about for a long time.''There is a lot of humour to balance the heartache . . . All humanity is here, in all its shades, and that's what stays with you long after you finish reading. A brilliant debut.'

“Big Girls Don’t Cry, But We Do” is a book that will teach women and girls alike all over the world to encourage themselves in tough times. Women should not see crying as a negative or shameful thing, but to learn from the lessons that each tear has taught them. God has given women tears as a way to express her joy, sorrow, pain, disappointment, love, loneliness, grief and even pride which often comes before a fall. According to Psalm 30:5, “Weeping may endure for a night, but joy will come in the morning”. God tells us that our sorrow will come, but it will not remain with us for long. There are many characters in the bible like Ruth and Ester who had to suffer, but great were their rewards in the end. Ruth was poor and left her country to follow her mother-in-law, however, she was faithful and God blessed her with a Spiritual and not to mention, rich husband who was a good provider. Likewise, Ester, a Jewish mother-less girl, was obedient to God and became a highly respected queen. I am sure that these women shared some tears of sorrow for a season; in the end they shared tears of joy. I want to encourage you, not to give up on your dreams or your goals because if you have faith the sides of a mustard seed, you will become winners in the end!

A fifteen year old boy, unable to tolerate any longer the physical abuse perpetrated by his father for most of his life, finally strikes back at his abuser and escapes from a world of unhappiness and disillusion, to a world of joy and happiness. The boy rejoices at the love he finds in the home of his new family, but tragedy reenters his life.

Readers will be touched and inspired by this latest novel from bestselling author Lurlene McDaniel: Beth's world has been torn apart. She cannot figure out how to go on when a car accident claims the lives of her entire family, and she is the only survivor. Things seem to get even worse when she moves in with her aunt and her spoiled cousin, Terri. But with the love and support of her aunt and some unexpected friends, Beth struggles to overcome the despair that threatens to consume her. Will she be able to move past the painful memories without feeling guilty for being a survivor?

Kirkus Best Books of 2019 * Kids’ Indie Next Pick List * Bookpage Best Books of 2019: Middle Grade “Beautiful, mysterious and deeply satisfying.” —Rebecca Stead, Newbery Medal-winning author of When You Reach Me and Goodbye Stranger The world tilted for Elodee this year, and now it’s impossible for her to be the same as she was before. Not when her feelings have such a strong grip on her heart. Not when she and her twin sister, Naomi, seem to be drifting apart. So when Elodee’s mom gets a new job in Eventown, moving seems like it might just fix everything. Indeed, life in Eventown is comforting and exciting all at once. Their kitchen comes with a box of recipes for Elodee to try. Everyone takes the scenic way to school or work—past rows of rosebushes and unexpected waterfalls. On blueberry-picking field trips, every berry is perfectly ripe. Sure, there are a few odd rules, and the houses all look exactly alike, but it’s easy enough to explain—until Elodee realizes that there are only three ice cream flavors in Eventown. Ever. And they play only one song in music class. Everything may be “even” in Eventown, but is there a price to pay for perfection—and pretending? “Engrossing.” —New York Times Book Review “Enchanting, heart-rending, and bittersweet.” —Kirkus Reviews (starred review) “An emotionally complex and wonderfully told story.” —School Library Journal (starred review) “Thought-provoking.” —Publishers Weekly (starred review)