Two friends take a wild month-long road trip to hit every Major League Baseball stadium in America: “A fun ride” (The Boston Globe). Ben, a sports analytics wizard, loves baseball. Eric, his best friend, hates it. But when Ben writes an algorithm for the optimal baseball road trip, an impossible dream of every pitch of thirty games in thirty stadiums in thirty days, who will he call on to take shifts behind the wheel, especially when those shifts will include nineteen hours straight from Phoenix to Kansas City? Eric, of course. On June 1, 2013, they set out to see America through the bleachers and concession stands of America’s favorite pastime. Along the way, human error and Mother Nature throw their mathematically optimized schedule a few curveballs. A mix-up in Denver turns a planned day off in Las Vegas into a twenty-hour drive. And a summer storm of biblical proportions threatens to make the whole thing logistically impossible, and that’s if they don’t kill each other first. I Don’t Care if We Never Get Back is a book about the love of the game, the limits of fandom, and the limitlessness of friendship. “Moneyball-worthy mathematical algorithms and the sharp, hilarious prose that has made Lampoon alums famous for generations . . . Nate Silver numbers and James Thurber wit turn what should be a harebrained adventure into a pretty damn endearing one.” —Kirkus Reviews “Evokes the spirit of sports stunt journalist George Plimpton and the dazed road-trip fever of Hunter S. Thompson, minus the mind-altering substances . . . . It’s great watching Blatt and Brewster race home.” —The Boston Globe “A cross between The Cannonball Run and The Great Race, with portions of It’s a Mad, Mad, Mad, Mad World thrown in for good measure . . . The dynamic and back-and-forth tension and sarcasm between Blatt and Brewster is funny . . . Worth reading.” —The Tampa Tribune

A pair of friends from Harvard embark on a road trip to see 30 baseball games in 30 different stadiums over 30 days and describe their misadventures in this book about sports fans, loyalty, hot dogs and friendship.

Bored of the parties and luxuries that come with her socialite lifestyle, Claire Boltwood longs for something more authentic in her life. Desperate for adventure, Claire and her father decide to travel from New York City to the Pacific Northwest in their automobile, a new privilege enjoyed by the rich. Though he is a clever businessman, Claire’s father knows nothing about cars, so he encourages Claire to drive, challenging the gender stereotypes of the early 20th century. Starting in New York City, Claire and her father hit the open road, feeling exhilarated and free. As they travel northwest, they eat food from cuisine below their usual standards, see new sights, and face everyday problems that people of their privilege usually do not. Among these problems is an unexpected trouble with their car, and so the Boltwood’s are forced to stay in a small town nearby as they leave their automobile in the hands of a mechanic named Milt Daggett. Born and raised in the small, unassuming town, Milt is one of the few people within the town that aspires for more in his life. But, he was caught in a rut before he met Claire. As the two grow closer and inspire drastic changes in the other’s personality, Claire and Milt realize that the unfortunate circumstances that led to their chance encounter might have been the best thing to ever happen in their lives. With surprising sentimentality and authenticity, Sinclair Lewis’ Free Air awakens a yearning in its reader’s soul. Featuring detailed descriptions of the Boltwood’s travels and the people they meet, Free Air creates a visceral reading experience. Set during the early 20th century in various states in America, Lewis depicts themes of class, feminism, and egalitarianism as Free Air provides an intimate look into American culture. This edition of Free Air by Sinclair Lewis features an eye-catching new cover design and is printed in a modern font to cater to contemporary audiences.

Roy Hoopes is a career journalist in Washington, DC, and the author of Cain, the Edgar Award-winning standard biography of James M. Cain. His first novel is an historical detective novel featuring James M. Cain and H. L. Mencken as detectives, two Baltimore journalists investigating the deaths and sex scandals in 1923 Harding-administration Washington, DC, in the season before the big Teapot Dome scandal breaks. There is a remarkable relevance of 1920s scandals to todays political environment, but that remains behind the book as two bright literary men playing Holmes and Watson, Mencken and Cain, take the train to DC to get the real scoop. They drink a lot, meet a mysterious sexy redhead named Roxy, a rogue named Gaston B. Means, and get a lot more than they bargained for. They don't solve a crime, but with hard-boiled enthusiasm they expose some of the roots of the malaise of our capitol. All the speaking roles are real historical characters. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A profound examination of the mysteries of memory and perception from one of the twentieth century’s most admired literary artists The train races from New York to Boston. For Andrew Cather, it is much too fast. He will return home three days early, and he is both terrified and intrigued by what he may find there. He pictures himself unlocking the door to his quiet Cambridge house, padding silently through its darkened halls, and finally discovering the thing he both fears and yearns to see: his wife in the arms of another man. Cather knows that what he finds in Cambridge may destroy his life, yet finally set him free. A masterful portrait of an average man at the edge of a shocking precipice, Great Circle is a triumph of psychological realism. One of Sigmund Freud’s favorite novels, it is a probing exploration of the secrets of consciousness.

The Fatigue Artist is a refreshingly candid story about life, love, and survival in the contemporary world. A writer living in New York City, Laura is overwhelmed by a mysterious lethargy and retreats to her bed where she reflects on the loves and losses of her recent past and seeks the cure to her perplexing tiredness. Fortified by the Eastern teachings of her Tai Chi instructor and the nurturing attentions of friends and a acupuncturist, Laura crawls out of her somnambulism with intelligent determination in search of peace and resurrection. The Fatigue Artist is both a moving chronicle of a woman's search for meaning and a wry depiction of modern urban life.