In the postwar decades, sexual revolutions – first women's suffrage, flappers, Prohibition, and Mae West; later Alfred Kinsey, Hugh Hefner, and the pill – altered the lifestyles and desires of generations. Since the 1990s, the internet and its cataclysmic cultural and social technological shifts have unleashed a third sexual revolution, crystallized in the acts and rituals of confession that are a staple of our twenty-first-century lives. In I Confess!, a collection of thirty original essays, leading international scholars such as Ken Plummer, Susanna Paasonen, Tom Roach, and Shohini Ghosh explore the ideas of confession and sexuality in moving image arts and media, mostly in the Global North, over the last quarter century. Through self-referencing or autobiographical stories, testimonies, and performances, and through rigorously scrutinized case studies of "gay for pay," gaming, camming, YouTube uploads, and the films Tarnation and Nymph()maniac, the contributors describe a spectrum of identities, desires, and related representational practices. Together these desires and practices shape how we see, construct, and live our identities within this third sexual revolution, embodying both its ominous implications of surveillance and control and its utopian glimmers of community and liberation. Inspired by theorists from Michel Foucault and Gilles Deleuze to Gayle Rubin and José Esteban Muñoz, I Confess! reflects an extraordinary, paradigm-shifting proliferation of first-person voices and imagery produced during the third sexual revolution, from the eve of the internet to today.

"This book club in a box contains 7 stand alone titles of Colleen Hoover.

A collection of confession short stories about relationships in the real world. Stories Include - "May 13th, Marriage Games, Fatal Mistake, The World of Paralegals, Believing in Forever," and many more...

A collection of twenty-two confession and romantic short stories of modern relationships in the real world. "Wives, Desperate Housewives, Survival, Living Large 2, and many more. A sequel to I Confess, published December 18, 2004.

The legendary frontman of Judas Priest, one of the most successful heavy metal bands of all time, celebrates five decades of heavy metal in this tell-all memoir. Most priests hear confessions. This one is making his. Rob Halford, front man of global iconic metal band Judas Priest, is a true "Metal God." Raised in Britain's hard-working, heavy industrial heartland, he and his music were forged in the Black Country. Confess, his full autobiography, is an unforgettable rock 'n' roll story-a journey from a Walsall council estate to musical fame via alcoholism, addiction, police cells, ill-fated sexual trysts, and bleak personal tragedy, through to rehab, coming out, redemption . . . and finding love. Now, he is telling his gospel truth. Told with Halford's trademark self-deprecating, deadpan Black Country humor, Confess is the story of an extraordinary five decades in the music industry. It is also the tale of unlikely encounters with everybody from Superman to Andy Warhol, Madonna, Jack Nicholson, and the Queen. More than anything else, it's a celebration of the fire and power of heavy metal. Rob Halford has decided to Confess. Because it's good for the soul. Named one of the Best Music Books of 2020 by Rolling Stone and Kirkus Reviews

A brief study of the Apostles' Creed and other Creedal and Confessional statements that function as Symbols of orthodox faith.

The story of the so-called Good Thief as found in Lc 23, 39-43 has a vibrant and diverse afterlife in early Christianity. Synoptic and eschatological disparities raise concerns and provoke a variety of harmonizations. Controversies notwithstanding, early interpreters occupy themselves most of all with the episode's potential for exhortation as they identify themselves and their hearers with the good bandit. He becomes a model of Christian practices, beliefs and virtues including worship, faith (even Nicea's formulation), justification by faith, conversion, catechesis, confession, martyrdom, baptism (in many modes), endurance, asceticism, simplicity of language, penitence, and last-minute salvation. A wide variety of typological readings fashion the bandit as the first to return to paradise and even a key participant in the pivotal moment of salvation-history. By around the late 4th century, the episode becomes a standard Good Friday lectionary reading and sermon topic in the East.