am I that man? How Heroes, Role Models and Mentors Can Shape Your Life is a book whose thought-provoking title not only poses an important question, but commands the reader to search deep within himself for the answers. am I that man? is more than just a question, it is a philosophy; a guide for life. This book is about the conscious decisions you make every day as you plan how to move forward with your personal growth and development. It's about how you respond to failure and whether or not you pursue your dreams. It's about the decisions you make about how you are going to treat other people. It's about your life and how you answer the question, "am I that man?" Within the pages of this inspirational book, you'll find personal stories of courage, patience and faith from real-life heroes, role model and mentors with a message to share. Included are 31 heartfelt stories of life-lessons; some handed down from father to son, some learned through personal experience. No matter what the story, its message will shine through and act as a beacon of light to guide the reader through their own challenges. am I that man? is the perfect inspiration for college students and young adults when facing pressures coming from everywhere-parents, peers, teachers, employers, spouses. The stories will inspire them to make the right choices at every crossroad, which is something most men want to do, but sometimes find it difficult to know which choice for them. This powerful new book helps them do just that. am I that man? is an inspirational guide for every man, regardless of their age or station in life, who is seeking to be a better son, a better father, a better husband, a better leader, a better mentor and a better role model.

In 1877, Chief Standing Bear's Ponca Indian tribe was forcibly removed from their Nebraska homeland and marched to what was then known as Indian Territory (now Oklahoma), in what became the tribe's own Trail of Tears. "I Am a Man" chronicles what happened when Standing Bear set off on a six-hundred-mile walk to return the body of his only son to their traditional burial ground. Along the way, it examines the complex relationship between the United States government and the small, peaceful tribe and the legal consequences of land swaps and broken treaties, while never losing sight of the heartbreaking journey the Ponca endured. It is a story of survival---of a people left for dead who arose from the ashes of injustice, disease, neglect, starvation, humiliation, and termination. On another level, it is a story of life and death, despair and fortitude, freedom and patriotism. A story of Christian kindness and bureaucratic evil. And it is a story of hope---of a people still among us today, painstakingly preserving a cultural identity that had sustained them for centuries before their encounter with Lewis and Clark in the fall of 1804. Before it ends, Standing Bear's long journey home also explores fundamental issues of citizenship, constitutional protection, cultural identity, and the nature of democracy---issues that continue to resonate loudly in twenty-first-century America. It is a story that questions whether native sovereignty, tribal-based societies, and cultural survival are compatible with American democracy. Standing Bear successfully used habeas corpus, the only liberty included in the original text of the Constitution, to gain access to a federal court and ultimately his freedom. This account aptly illuminates how the nation's delicate system of checks and balances worked almost exactly as the Founding Fathers envisioned, a system arguably out of whack and under siege today. Joe Starita's well-researched and insightful account reads like historical fiction as his careful characterizations and vivid descriptions bring this piece of American history brilliantly to life.

The civil rights movement was first and foremost a struggle for racial equality, but questions of gender lay deeply embedded within this struggle. Steve Estes explores key groups, leaders, and events in the movement to understand how activists used race and manhood to articulate their visions of what American society should be. Estes demonstrates that, at crucial turning points in the movement, both segregationists and civil rights activists harnessed masculinist rhetoric, tapping into implicit assumptions about race, gender, and sexuality. Estes begins with an analysis of the role of black men in World War II and then examines the segregationists, who demonized black male sexuality and galvanized white men behind the ideal of southern honor. He then explores the militant new models of manhood espoused by civil rights activists such as Malcolm X and Martin Luther King Jr., and groups such as the Nation of Islam, the Student Nonviolent Coordinating Committee, and the Black Panther Party. Reliance on masculinist organizing strategies had both positive and negative consequences, Estes concludes. Tracing these strategies from the integration of the U.S. military in the 1940s through the Million Man March in the 1990s, he shows that masculinism rallied men to action but left unchallenged many of the patriarchal assumptions that underlay American society.

I AM THAT MAN The Autobiography of Remo Kareem This book is about the life and times of Kareem Terrell McClarty a.k.a Remo Kareem. An innocent life starting out in the Diggs Park housing projects of Norfolk, VA. By Kareem's senior year he'd transformed from a young mostly honor student and star athlete into a drug dealer and player. It talks about the wild lifestyle once lived by Remo and his friends. The hustling, the partying and the "sexcapades". You will be captivated by the details of the friends whose lives were lost. Including Michael "Butta" White and Thomas "Big Tom" Thorogood, R.I.P my brothers your memories live on! It's filled with plenty of whimsical advice learned through some hard life lessons. Kareem's wife Tonya adds a chapter expressing shocking details of how they met and fell in love. Also, for the ladies she shares great advice about love and relationships. This book will make you smile, laugh and maybe even shed a tear or two. Deep and compelling you won't want to put it down!

(Applause Books). "...a play about power, leadership, and the rough-and tumble process of social change. In its multifaceted search for the meaning behind the headline-grabbing events in Memphis, and in its depiction of the roots of black-vs.-black power struggles, it offers both food for thought and an emotional punch." Chicago Sun-Times

Traces the history of black men in America using a tough-guy image to obscure their anger and disappointment over their roles in society back to their origins in Africa and the slave era.

An illustrated examination of Glenn Ligon's iconic Untitled (I Am a Man) (1988)—a quotation, an appropriated text turned into an artifact. The iconic work Untitled (I Am a Man) (1988) by the important contemporary American artist Glenn Ligon is a quotation, an appropriated text turned into an artifact. The National Gallery of Art in Washington presents the work as a “representation—a signifier—of the actual signs carried by 1,300 striking African American sanitation workers in Memphis, made famous by Ernest Withers' 1968 photographs.” In this illustrated study of the work, Gregg Bordowitz takes the National Gallery's presentation as his starting point, considering the museum's juxtaposition of Untitled (I Am a Man) and the ca. 1935 sculpture, Schoolteacher, by William Edmondson, and the relation of the two terms, “markers” and “signs.” After closely examining the canvas itself, its textures, brushwork, and structure, Bordowitz presents a theoretical framework that draws on the work of American philosopher Charles Sanders Peirce and his theory of Firstness, Secondness, and Thirdness. He makes a case for Thirdness as a function, operation, or law of meaning-making, not limited by the gender, age, ethnicity, race, class, or personal history of the viewer. Bordowitz goes on to examine Ligon's work in terms of the representation of self, race, and gender, focusing on three series: Profile Series (1990–91), Narratives, and Runaways (both 1993). He cites such historical figures as Sojourner Truth and her famous 1851 speech, “Ain't I a Woman?” as well as influences ranging from Bo Diddley's 1955 song, “I'm a Man” to the cultural theories of Stuart Hall.