Mischievous from the moment he emerges howling and screeching from his mother's womb, Pan, god of the wild, creates pandemonium wherever he goes. Noise and confusion follow him as he steals arrows from Artemis, conceives panic, tricks the moon into falling in love with him, and saves the world from the monster, Typhon. With panache and a wicked pair of horns, Pan spreads chaos and laughter on the way to becoming Mount Olympus's most lovable pest. From Mordicai Gerstein, Caldecott Medal-winning author of The Man Who Walked Between the Towers, comes an irresistible picture book about Greek mythology's wildest, wackiest god. Gerstein's high-spirited paintings and rollicking sense of humor create an accessible introduction to an unforgettably vivacious hero.

From ancient myth to contemporary art and literature, a beguiling look at the many incarnations of the mischievous—and culturally immortal—god Pan, now in paperback. Pan—he of the cloven hoof and lustful grin, beckoning through the trees. From classical myth to modern literature, film, and music, the god Pan has long fascinated and terrified the western imagination. “Panic” is the name given to the peculiar feeling we experience in his presence. Still, the ways in which Pan has been imagined have varied wildly—fitting for a god whose very name the ancients confused with the Greek word meaning “all.” Part-goat, part-man, Pan bridges the divide between the human and animal worlds. In exquisite prose, Paul Robichaud explores how Pan has been imagined in mythology, art, literature, music, spirituality, and popular culture through the centuries. At times, Pan is a dangerous, destabilizing force; sometimes, a source of fertility and renewal. His portrayals reveal shifting anxieties about our own animal impulses and our relationship to nature. Always the outsider, he has been the god of choice for gay writers, occult practitioners, and New Age mystics. And although ancient sources announced his death, he has lived on through the work of Arthur Machen, Gustav Mahler, Kenneth Grahame, D. H. Lawrence, and countless others. Pan: The Great God’s Modern Return traces his intoxicating dance.

Pan, the Greek god of forests, shepherds and fertility, has long represented the pagan gods in general. With the advent of the Christian church communication with the pagan gods was very heavily suppressed by priests who have a vested interest in eliminating religious competition, by any means required, including, but not limited to lying, stealing, cheating, murder, mayhem, extortion, torture and blackmail. As a result, general public attention to the pagan gods disappeared about 2,000 years ago. PAN-God of the Woods assumes that the pagan gods may still be active, living beings. If any of the ancient gods are still around in the 21st century, what are they doing now? If they are here now -- still watching, still powerful, still immortal -- where or how might we contact them? If Pan is still around which of us mortals could not use the helping hand of a friendly god once in awhile? -- Lawrence R. Spencer

"A lyrical and magical novel about two teens who fall in love despite their families being caught in a bitter rivalry"--

The story of a daring tightrope walk between skyscrapers, as seen in Robert Zemeckis's The Walk, starring Joseph Gordon-Levitt. In 1974, French aerialist Philippe Petit threw a tightrope between the two towers of the World Trade Center and spent an hour walking, dancing, and performing high-wire tricks a quarter mile in the sky. This picture book captures the poetry and magic of the event with a poetry of its own: lyrical words and lovely paintings that present the detail, daring, and--in two dramatic foldout spreads-- the vertiginous drama of Petit's feat. The Man Who Walked Between the Towers is the winner of the 2004 Caldecott Medal, the winner of the 2004 Boston Globe - Horn Book Award for Picture Books, and the winner of the 2006 Carnegie Medal for Excellence in Children's Video.

Extroverts have all the fun. Or so Jessica Pan thought. When she found herself jobless and friendless, sitting in the familiar Jess-shaped crease on her sofa, she couldn't help but wonder what life might have looked like if she had been a little more open to new experiences and new people, a little less attached to going home instead of going to the pub. So, she made a vow - to push herself to live the life of an extrovert for a year. She wrote a list - improv, a solo holiday and... talking to strangers on the tube. She regretted it instantly. Sorry I'm Late, I Didn't Want to Come follows Jess's hilarious and painful year of misadventures in extroverting, reporting back from the frontlines for all the introverts out there. But is life actually better or easier for the extroverts? Do they really have all the fun?

"A lively, unexpected portrait of the jet-age stewardesses serving on iconic Pan Am airways between 1966 and 1975"--