Revolutionary, reflective and romantic, I Am Nobody's Nigger is the powerful debut collection by one of the UK's finest emerging poets. Exploring race, identity and sexuality, Dean Atta shares his perspective on family, friendship, relationships and London life, from riots to one-night stands. Longlisted for the Polari First Book Prize 2014'Go Dean Atta. Speak the truth. Tweet the truth. Upload it. Let it ring out over the digital domain and strike at the heart of the offline wireless and disconnected.' Lemn Sissay 'Dean Atta's poetry is as honest as truth itself. He follows no trend; he seeks no favours ... Beyond black, beyond white, beyond straight, beyond gay, so I say. Love your eyes over these words of truth. You will be uplifted.' Benjamin Zephaniah 'Righteous and forceful' Peter Tatchell'I can do nothing but take my hat off to Dean Atta for speaking out, saying what he believed, and doing it so effectively and powerfully that countless people heard it who would never normally have done so. Poetry is a powerful tool, and I Am Nobody's Nigger is a perfect example of when that tool shows its full strength.' Huffington Post' Huffington Post 'Raconteur Dean Atta doing what he does best; articulating London's dark, deep-rooted social cancers through a beautiful and intricately personal narrative.' Clash

'I loved every word' - Malorie Blackman 'Atta's bold verse novel calls to its readers to find their own blazing, performative inner truth' - Guardian A boy comes to terms with his identity as a mixed-race gay teen - then at university he finds his wings as a drag artist, The Black Flamingo. A bold story about the power of embracing your uniqueness. Sometimes, we need to take charge, to stand up wearing pink feathers - to show ourselves to the world in bold colour. 'I masquerade in makeup and feathers and I am applauded.' SHORTLISTED FOR THE BOOKS ARE MY BAG READER AWARDS 2019

Randall Kennedy takes on not just a word, but our laws, attitudes, and culture with bracing courage and intelligence—with a range of reference that extends from the Jim Crow south to Chris Rock routines and the O. J. Simpson trial. It’s “the nuclear bomb of racial epithets,” a word that whites have employed to wound and degrade African Americans for three centuries. Paradoxically, among many Black people it has become a term of affection and even empowerment. The word, of course, is nigger, and in this candid, lucidly argued book the distinguished legal scholar Randall Kennedy traces its origins, maps its multifarious connotations, and explores the controversies that rage around it. Should Blacks be able to use nigger in ways forbidden to others? Should the law treat it as a provocation that reduces the culpability of those who respond to it violently? Should it cost a person his job, or a book like Huckleberry Finn its place on library shelves?

Comedian and civil rights activist Dick Gregory’s million-copy-plus bestselling memoir—now in trade paperback for the first time. “Powerful and ugly and beautiful...a moving story of a man who deeply wants a world without malice and hate and is doing something about it.”—The New York Times Fifty-five years ago, in 1964, an incredibly honest and revealing memoir by one of the America's best-loved comedians and activists, Dick Gregory, was published. With a shocking title and breathtaking writing, Dick Gregory defined a genre and changed the way race was discussed in America. Telling stories that range from his hardscrabble childhood in St. Louis to his pioneering early days as a comedian to his indefatigable activism alongside Medgar Evers and Dr. Martin Luther King, Jr., Gregory's memoir riveted readers in the sixties. In the years and decades to come, the stories and lessons became more relevant than ever, and the book attained the status of a classic. The book has sold over a million copies and become core text about race relations and civil rights, continuing to inspire readers everywhere with Dick Gregory's incredible story about triumphing over racism and poverty to become an American legend.

More than any other black leader, H. Rap Brown, chairman of the radical Black Power organization Student Nonviolent Coordinating Committee (SNCC), came to symbolize the ideology of black revolution. This autobiography—which was first published in 1969, went through seven printings and has long been unavailable—chronicles the making of a revolutionary. It is much more than a personal history, however; it is a call to arms, an urgent message to the black community to be the vanguard force in the struggle of oppressed people. Forthright, sardonic, and shocking, this book is not only illuminating and dynamic but also a vitally important document that is essential to understanding the upheavals of the late 1960s. University of Massachusetts professor Ekwueme Michael Thelwell has updated this edition, covering Brown's decades of harassment by law enforcement agencies, his extraordinary transformation into an important Muslim leader, and his sensational trial.

From the Stonewall Award–winning author of The Black Flamingo comes a romantic coming-of-age novel in verse about the beautiful—and sometimes painful—fallout of pursuing the love we deserve. The ideal next read for fans of Kacen Callender, Elizabeth Acevedo, and Becky Albertalli. Fifteen-year-old Mack is a hopeless romantic—likely a hazard of growing up on film sets thanks to his father’s job. Mack has had a crush on Karim for as long as he can remember and he can’t believe it when gorgeous, popular Karim seems into him too. But when Mack’s father takes on a new directing project in Scotland, Mack has to move away, and soon discovers how painful long-distance relationships can be. It’s awful to be so far away from Karim, and it’s made worse by the fact that Karim can be so hard to read. Then Mack meets actor Finlay on set, and the world turns upside down again. Fin seems fearless—and his confidence could just be infectious. Award-winning author Dean Atta crafts a beautifully nuanced and revelatory story in verse about the exquisite highs and lows of first love and self-discovery.

Capitalist Nigger is an explosive and jarring indictment of the black race. The book asserts that the Negroid race, as naturally endowed as any other, is culpably a non-productive race, a consumer race that depends on other communities for its culture, its language, its feeding and its clothing. Despite enormous natural resources, blacks are economic slaves because they lack the 'devil-may-care' attitude and the 'killer instinct' of the Caucasian, as well as the spider web mentality of the Asian. A Capitalist Nigger must embody ruthlessness in pursuit of excellence in his drive towards achieving the goal of becoming an economic warrior. In putting forward the idea of the Capitalist Nigger, Chika Onyeani charts a road to success whereby black economic warriors employ the 'Spider Web Doctrine' – discipline, self-reliance, ruthlessness – to escape from their victim mentality. Born in Nigeria, Chika Onyeani is a journalist, editor and former diplomat.