Being alive in Los Angeles means driving It means having friends in a hundred neighborhoods. Everyday I figure 8 my way through the blood & bones of the city. These journeys invigorate me. Connecting the dots is what I like to do, from the hilltop parties to the Watts Towers, North Long Beach to Frogtown, there's o much flavor-landscape & characters. I love it all. I Am ALIVE IN LOS ANGELES! In this progressive collection of poems. Essays & notes, Mike the PoeT digs into the real Los Angeles. Passages of charged prose & poetic snapshots capture the panorama of the city of angels. Pieces cover the mythical afterhour parties, unique architecture, socioeconomics, graffiti, gangs Hollywood & more. Poet Journalist Historian, Mike Sonksen aka Mike the PoeT has performed at the L.A. Times Book Prizes, Divine Forces Radio, Music Plus TV & published hundreds of poems & articles in the LA. Citybeat, O,C. Weekly, Jointz, Kotori & so on. "It's easy to target Los Angeles' deficits: flashiness, venality, gross disparity of wealth. But is takes rare understanding and eloquence to see this fair city in all its lights, both good and bad. Mike Sonksen, aka Mike the Poet, achieves that unusual feat with his debut spoken-word release, "I Am Alive in Los Angeles!" A third-generation L.A. native Sonksen has special insight into the multi-textured realities that comprise the city."-L.A. Alternative Press "Mike the Poet the most cool, positive guy in poetry, future LA legend you read it here first." -TEKA LARK LO

While there is a tacit appreciation that freedom from violence will lead to more prosperous relations among peoples, violence continues to be deployed for various political and social ends. Yet the problem of violence still defies neat description, subject to many competing interpretations. Histories of Violence offers an accessible yet compelling examination of the problem of violence as it appears in the corpus of canonical figures – from Hannah Arendt to Frantz Fanon, Michel Foucault to Slavoj Žižek – who continue to influence and inform contemporary political, philosophical, sociological, cultural, and anthropological study. Written by a team of internationally renowned experts, this is an essential interrogation of post-war critical thought as it relates to violence.

"As disturbing and engrossing as a work by Dick himself, Carrere's unconventional biography interweaves life and art to reveal the maddening genius whose writing foresaw - from cloning to reality TV - a world that looks ever more like one of his inventions."--BOOK JACKET.

For his many devoted readers, Philip K. Dick is not only one of the "one of the most valiant psychological explorers of the 20th century" (The New York Times) but a source of divine revelation. In the riveting style that won accolades for The Adversary, Emmanuel Carrère's I Am Alive and You Are Dead, follows Dick's strange odyssey from his traumatic beginnings in 1928, when his twin sister died in infancy, to his lonely end in 1982, beset by mystical visions of swirling pink light, three-eyed invaders, and messages from the Roman Empire. Drawing on interviews as well as unpublished sources, he vividly conjures the spirit of this restless observer of American postwar malaise who subverted the materials of science fiction--parallel universes, intricate time loops, collective delusions--to create classic works of contemporary anxiety.

Skinny's Book of the Year, 2018 In 1990, Myles chose Rosie from a litter on the street, and their connection instantly made an indelible impact on the writer's way of being. Over the course of sixteen years together, Myles was devoted to the pit bull and their linked quality of life. And starting from the emptiness following Rosie's death, Afterglow launches a playful and incisive investigation into the mostly mutually beneficial, sometimes reprehensible power dynamics between pet and pet-owner. At the same time, it reimagines Myles's experiences with alcoholism and recovery, intimacy and mourning, celebrity and politics, spirituality and family history, while joyously transcending the parameters of memoir. Moving from an imaginary talk show where Rosie is interviewed by Myles's childhood puppet, to a critical reenactment of the night Rosie mated with another pit bull; from shimmering poetic transcriptions of video footage taken during their walks, to Rosie's final enlightened narration from the afterlife, this totally singular text combines elements of science fiction, screenplay, monologue, and lucid memory to get to the heart of how and why we dedicate our existence to our dogs.