Being alive in Los Angeles means driving It means having friends in a hundred neighborhoods. Everyday I figure 8 my way through the blood & bones of the city. These journeys invigorate me. Connecting the dots is what I like to do, from the hilltop parties to the Watts Towers, North Long Beach to Frogtown, there's o much flavor-landscape & characters. I love it all. I Am ALIVE IN LOS ANGELES! In this progressive collection of poems. Essays & notes, Mike the PoeT digs into the real Los Angeles. Passages of charged prose & poetic snapshots capture the panorama of the city of angels. Pieces cover the mythical afterhour parties, unique architecture, socioeconomics, graffiti, gangs Hollywood & more. Poet Journalist Historian, Mike Sonksen aka Mike the PoeT has performed at the L.A. Times Book Prizes, Divine Forces Radio, Music Plus TV & published hundreds of poems & articles in the LA. Citybeat, O,C. Weekly, Jointz, Kotori & so on. "It's easy to target Los Angeles' deficits: flashiness, venality, gross disparity of wealth. But is takes rare understanding and eloquence to see this fair city in all its lights, both good and bad. Mike Sonksen, aka Mike the Poet, achieves that unusual feat with his debut spoken-word release, "I Am Alive in Los Angeles!" A third-generation L.A. native Sonksen has special insight into the multi-textured realities that comprise the city."-L.A. Alternative Press "Mike the Poet the most cool, positive guy in poetry, future LA legend you read it here first." -TEKA LARK LO

"Decca Tenderstone has nothing to lose. She is a 'Monster', the lowest rank in Faya where teenagers are ranked on a scale from 1 to 10 on graduation day. There has never been a 10, and everyone below 5 are killed for entertainment by the Summit. Decca isn't going to give in. But when she meets the mysterious Leo Van Ark, who, in spite of being a 9, is also hunted by Summit, she has a stronger reason to survive. Will Decca and Leo ever make it, especially when no Monster ever survived. Will she know his secret, and will they change the world together?"--Amazon.

This National Book Award-winning debut poetry collection is a "powerfully evocative" (The New York Review of Books) meditation on the black female figure through time. Robin Coste Lewis's electrifying collection is a triptych that begins and ends with lyric poems meditating on the roles desire and race play in the construction of the self. In the center of the collection is the title poem, "Voyage of the Sable Venus," an amazing narrative made up entirely of titles of artworks from ancient times to the present—titles that feature or in some way comment on the black female figure in Western art. Bracketed by Lewis's own autobiographical poems, "Voyage" is a tender and shocking meditation on the fragmentary mysteries of stereotype, juxtaposing our names for things with what we actually see and know. A new understanding of biography and the self, this collection questions just where, historically, do ideas about the black female figure truly begin—five hundred years ago, five thousand, or even longer? And what role did art play in this ancient, often heinous story? Here we meet a poet who adores her culture and the beauty to be found within it. Yet she is also a cultural critic alert to the nuances of race and desire—how they define us all, including her own sometimes painful history. Lewis's book is a thrilling aesthetic anthem to the complexity of race—a full embrace of its pleasure and horror, in equal parts.

While there is a tacit appreciation that freedom from violence will lead to more prosperous relations among peoples, violence continues to be deployed for various political and social ends. Yet the problem of violence still defies neat description, subject to many competing interpretations. Histories of Violence offers an accessible yet compelling examination of the problem of violence as it appears in the corpus of canonical figures – from Hannah Arendt to Frantz Fanon, Michel Foucault to Slavoj Žižek – who continue to influence and inform contemporary political, philosophical, sociological, cultural, and anthropological study. Written by a team of internationally renowned experts, this is an essential interrogation of post-war critical thought as it relates to violence.

"As disturbing and engrossing as a work by Dick himself, Carrere's unconventional biography interweaves life and art to reveal the maddening genius whose writing foresaw - from cloning to reality TV - a world that looks ever more like one of his inventions."--BOOK JACKET.