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Hyperion: A Romance (1839) is a novel by Henry Wadsworth Longfellow. Although he is known predominately as one of the leading American poets of the nineteenth century, Longfellow began his career writing moderately successful travelogues, stories, and novels. Inspired by his travels throughout Europe, as well as by the death of his first wife, Longfellow published Hyperion: A Romance to lukewarm critical response. Although less significant than his lyric and epic poetry, Hyperion captures an artist coming into his own within a Romantic tradition flooded with major and minor figures across the globe. Modeled partly on Goethe's Wilhelm Meister's Lehrjahre (1796), Hyperion: A Romance is the story of Paul Flemming, a young academic who travels to Germany following the loss of a close friend. Taking in the sights, sounds, folk tales, and music of the countryside, towns, and villages he visits, Flemming muses on the position of humanity in the world and the meaning of art in relation to nature. Filled with such lofty thoughts, he is entirely unprepared to meet and fall in love with a German woman. At a moment of growth and on the brink of reconciling with his trauma, Flemming attempts to offer himself to another only to find that life has a strange way of reflecting the mind of the artist. Hyperion: A Romance is a fascinating blend of travel narrative, philosophy, and bildungsroman from a writer with a poet's sense of the world. With a beautifully designed cover and professionally typeset manuscript, this edition of Henry Wadsworth Longfellow's Hyperion: A Romance is a classic of American literature reimagined for modern readers.

A major literary biography of America's best-loved nineteenth-century poet, the first in more than fifty years, and a much-needed reassessment for the twenty-first century of a writer whose stature and celebrity were unparalleled in his time, whose work helped to explain America's new world not only to Americans but to Europe and beyond. From the author of On Paper ("Buoyant"--The New Yorker; "Essential"--Publishers Weekly), Patience and Fortitude ("A wonderful hymn"--Simon Winchester), and A Gentle Madness ("A jewel"--David McCullough). In Cross of Snow, the result of more than twelve years of research, including access to never-before-examined letters, diaries, journals, notes, Nicholas Basbanes reveals the life, the times, the work--the soul--of the man who shaped the literature of a new nation with his countless poems, sonnets, stories, essays, translations, and whose renown was so wide-reaching that his deep friendships included Charles Dickens, Nathaniel Hawthorne, Ralph Waldo Emerson, Julia Ward Howe, and Oscar Wilde. Basbanes writes of the shaping of Longfellow's character, his huge body of work that included translations of numerous foreign works, among them, the first rendering into a complete edition by an American of Dante's Divine Comedy. We see Longfellow's two marriages, both happy and contented, each cut short by tragedy. His first to Mary Storer Potter that ended in the aftermath of a miscarriage, leaving Longfellow devastated. His second marriage to the brilliant Boston socialite--Fanny Appleton, after a three-year pursuit by Longfellow (his "fiery crucible," he called it), and his emergence as a literary force and a man of letters. A portrait of a bold artist, experimenter of poetic form and an innovative translator--the human being that he was, the times in which he lived, the people whose lives he touched, his monumental work and its place in his America and ours.

NEW YORK TIMES BESTSELLER • Before The Dante Chamber, there was The Dante Club: “an ingenious thriller that . . . brings Dante Alighieri’s Inferno to vivid, even unsettling life.”—The Boston Globe “With intricate plots, classical themes, and erudite characters . . . what’s not to love?”—Dan Brown, author of The Da Vinci Code and Origin Boston, 1865. The literary geniuses of the Dante Club—poets and Harvard professors Henry Wadsworth Longfellow, Dr. Oliver Wendell Holmes, and James Russell Lowell, along with publisher J. T. Fields—are finishing America’s first translation of The Divine Comedy. The powerful Boston Brahmins at Harvard College are fighting to keep Dante in obscurity, believing the infiltration of foreign superstitions to be as corrupting as the immigrants arriving at Boston Harbor. But as the members of the Dante Club fight to keep a sacred literary cause alive, their plans fall apart when a series of murders erupts through Boston and Cambridge. Only this small group of scholars realizes that the gruesome killings are modeled on the descriptions of Hell’s punishments from Dante’s Inferno. With the lives of the Boston elite and Dante’s literary future in the New World at stake, the members of the Dante Club must find the killer before the authorities discover their secret. Praise for The Dante Club “Ingenious . . . [Matthew Pearl] keeps this mystery sparkling with erudition.”—Janet Maslin, The New York Times “Not just a page-turner but a beguiling look at the U.S. in an era when elites shaped the course of learning and publishing. With this story of the Dante Club’s own descent into hell, Mr. Pearl’s book will delight the Dante novice and expert alike.”—The Wall Street Journal “[Pearl] ably meshes the . . . literary analysis with a suspenseful plot and in the process humanizes the historical figures. . . . A divine mystery.”—People (Page-turner of the Week) “An erudite and entertaining account of Dante’s violent entrance into the American canon.”—Los Angeles Times “A hell of a first novel . . . The Dante Club delivers in spades. . . . Pearl has crafted a work that maintains interest and drips with nineteenth-century atmospherics.”—San Francisco Chronicle

This study focuses on the complex relations between author, publisher and contemporary reading public in 19th-century America; in particular, the emergence of Irving and Cooper as America's first successful literary entrepreneurs, how Poe's and Melville's successes and failures affected their writing, the popularization of poetry in the 1830s and 1840s, the role of the literary magazine in the 1840s and 1850s, and the beginnings of book promotion. It pays particular attention to the way social and economic forces helped to shape literary works.