A classic collection of hymns, this book features beloved favorites ranging from 'Amazing Grace' to 'A Mighty Fortress Is Our God, ' along with lesser-known but equally inspiring works. Foote and Tileston provide arrangements and musical settings for each hymn, making it easy to incorporate them into worship services or sing them at home. Whether you're a musician, a singer, or simply looking for inspiration, this book is sure to lift your spirits. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Hymns for Church and Home: With Tunes The large number of hymns in unusual metres is owing to the fact that many beautiful tunes have been composed in these metres, enabling hymns before unprovided with music to be used in public worship. As a general rule, these metres are placed first in each section, followed by long, common, and short metres. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

"No attempt has been made to present a critical study of Frances Jane Crosby, but simply to retell the life of the Sightless Singer as she, herself, told it to me on various occasions when visiting my home" - p. 11.