A stunning debut about a young teenager on the brink and a parent desperate to find the truth before it's too late. Thirteen year old Callie is accused of bullying at school, but Rebecca knows the gentle girl she's raised must be innocent. After Callie is exonerated, she begins to receive threatening notes from the girl who accused her, and as these notes become desperate, Rebecca feels compelled to intervene. As she tries to save this unbalanced girl, Rebecca remembers her own intense betrayals and best-friendships as a teenager, when her failure to understand those closest to her led to tragedy. She'll do anything to make this story end differently. But Rebecca doesn’t understand what’s happening or who is truly a victim, and now Callie is in terrible danger. This raw and beautiful story about the intensity of adolescent emotions and the complex identity of a teenage girl looks unflinchingly at how cruelty exists in all of us, and how our worst impulses can estrange us from ourselves - or even save us.

Princess Hyacinth is bored and unhappy sitting in her palace every day because, unless she is weighed down by specially-made clothes, she will float away, but her days are made brighter when kite-flying Boy stops to say hello.

This New York Times bestseller explores the life and many owners of an imaginary Vermeer painting in an “impressive debut collection” of linked stories (Publishers Weekly). A Dutch painting of a young girl survives three and a half centuries of loss, flood, anonymity, theft, secrecy, and even the Holocaust. This is the story of its owners whose lives are influenced by its beauty and mystery. Despite their many troubles and unsatisfied longings, the girl in hyacinth blue has the power to inspire love in all its human variety. This luminous story begins in the present day, when a professor invites a colleague to his home to see a painting that he has kept secret for decades. The professor swears it is a Vermeer—but why has he hidden this important work for so long? The reasons unfold in a series of events that trace the ownership of the painting back to World War II and Amsterdam, and still further back to the moment of the work’s inspiration. As the painting moves through each owner’s hands, what was long hidden quietly surfaces, illuminating poignant moments in multiple lives. Susan Vreeland’s characters remind us, through their love of this mysterious painting, how beauty transforms and why we reach for it, what lasts and what in our lives is singular and unforgettable. “Vreeland’s book is a work of art.” —New York Post

"People throw the word 'classic' about a lot, but A Drowned Maiden's Hair genuinely deserves to become one." — Wall Street Journal Maud Flynn is known at the orphanage for her impertinence, so when the charming Miss Hyacinth and her sister choose Maud to take home with them, the girl is as baffled as anyone. It seems the sisters need Maud to help stage elaborate séances for bereaved, wealthy patrons. As Maud is drawn deeper into the deception, playing her role as a "secret child," she is torn between her need to please and her growing conscience -- until a shocking betrayal makes clear just how heartless her so-called guardians are. Filled with tantalizing details of turn-of-the-century spiritualism and page-turning suspense, this lively historical novel features a winning heroine whom readers will not soon forget.

The hilarious first book in a middle-grade fantasy trilogy about the magical rivers that run through the sewers of London and shape history in ways you'd never learn in school. Magic is real. History is a big, fat lie. Before Hyacinth Hayward moves from Illinois to London, she reads up on the city’s history. Too bad for her. Because the books are wrong. The truth is, London was built on magical rivers, and all the major events in its past have been about people trying to control the magic. Hyacinth discovers this when her mom is kidnapped. In the chase to get her back, Hyacinth encounters a giant intelligent pig in a bathing suit, a boy with amnesia, an adorable tosher (whatever that is), a sarcastic old lady, and a very sketchy unicorn. Somehow Hyacinth has to figure out who to trust, so she can save her mom and, oh yeah, not cause a second Great Fire of London.

"The Design of "The Waste Land" offers a detailed, comprehensive explanation of T. S. Eliot's enigmatic poem. It relates The Waste Land to earlier and later poems by Eliot, demonstrating that the major poems describe a continuous spiritual odyssey or quest undertaken by the same individual, initiated by the moment of ecstasy in the Hyacinth garden." "Blistein's analysis of Eliot's sources reveals that the protagonist's glimpse of "the heart of light" is equivalent to drinking from the Grail, or communing with God. The incarnate deity momentarily transforms the Hyacinth garden into the likeness of the Edenic paradise. With the inevitable passing of the moment of communion, the protagonist in effect is expelled from the paradisiacal garden as mankind was from Eden. By contrast, the familiar world appears to him a wasteland. The protagonist seeks to drink again from the divine Source and return again to the garden as it was when transfigured by the divine presence. His is a quest for grail and homeland."--BOOK JACKET.

1871 New York City glitters with gossip and promise for Hyacinth Scarborro. At last, she has Helen to herself, as it always should have been. With a plan to marry one of the cities most eligible bachelors, Irvine Westchester, and rid themselves of her dreadful cousins once and for all, Hyacinth could not be happier. Yet her plans go awry with the arrival of Oswald Flynn—Irvine’s roguishly charming stable hand who encourages Hyacinth to pursue her own happiness. As she questions her love for Irvine, Hyacinth discovers there may be more to life than power, money, and Aunt Helen’s affection. Caught in a storm of forbidden love, familial ties, and societal expectations, Hyacinth must choose between the woman who gave her everything and the desires of her heart.